Literary Life

Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child's soul as she searches for her place in the world.

In the summer of 1969, 14-year-old Lucas Painter carries a huge weight on his shoulders. His brother is fighting in Vietnam. His embattled parents are locked in a never-ending war. And his best friend, Connor, is struggling with his own family issues. To find relief from the chaos, Lucas takes long, meandering walks, and one day he veers into the woods.

Adam Gordon is a senior at Topeka High School, class of 97. His mother, Jane, is a famous feminist author; his father, Jonathan, is an expert at getting "lost boys" to open up. They both work at a psychiatric clinic that has attracted staff and patients from around the world. Adam is a renowned debater, expected to win a national championship before he heads to college. He is one of the cool kids, ready to fight or, better, freestyle about fighting if it keeps his peers from thinking of him as weak.

Quand le voile des apparences ne peut être déchiré, il faut parfois y mettre le feu. À Shaker Heights, banlieue riche et tranquille de Cleveland, tout est soigneusement planifié pour le bonheur des résidents. Rien ne dépasse, rien ne déborde, à l'image de l'existence parfaitement réglée d'Elena Richardson, femme au foyer exemplaire. Lorsque Mia Warren, une mère célibataire et bohème, vient s'installer dans cette bulle idyllique avec sa fille Pearl, les relations avec la famille Richardson sont d'abord chaleureuses.

On a cold February afternoon, Stella catches sight of a man she hasn't seen for many years, but instantly recognizes. Or thinks she does. At the same moment on the other side of the globe, in the middle of a crowd of Chinese New Year revelers, Jake realizes that things are becoming dangerous. They know nothing of one another's existence, but both Stella and Jake flee their lives: Jake in search of a place so remote it doesn't appear on any map, and Stella for a destination in Scotland, the significance of which only her sister, Nina, will understand.

Two sisters, one farm. A family is split when their father leaves their shared inheritance entirely to Helen, his younger daughter. Despite baking award-winning pies at the local nursing home, her older sister, Edith, struggles to make what most people would call a living. So she can't help wondering what her life would have been like with even a portion of the farm money her sister kept for herself.

It happens quietly one August morning. As dawn's shimmering light drenches the humid Iowa air, two families awaken to find their little girls have gone missing in the night. Now these families are tied by the question of what happened to their children. And the answer is trapped in the silence of unspoken family secrets.

The history of European philosophy is usually constructed from the work of men. In Metaphysical Animals, a pioneering group biography, Clare Mac Cumhaill and Rachael Wiseman offer a compelling alternative. In the mid-twentieth century Elizabeth Anscombe, Mary Midgley, Philippa Foot, and Iris Murdoch were philosophy students at Oxford when most male undergraduates and many tutors were conscripted away to fight in the Second World War. Together, these young women, all friends, developed a philosophy that could respond to the war’s darkest revelations.

No matter what the world throws her way, at least Ruthie Beamish has the house. Lovingly renovated, located by the sea in a quiet Long Island village, the house is her nest egg - the retirement account shared with her ex-husband, Mike, and the college fund for their teenage daughter, Jem. The catch? To afford the house, Ruthie must let it go during the best part of the year. It's Memorial Day weekend, and Ruthie has packed up their belongings for what Jem calls "the summer bummer": the family's annual exodus to make way for renters.

"Ma famille incarne ce que la joie a de plus bruyant, de plus spectaculaire, l'écho inlassable des morts, et le retentissement du désastre. Aujourd'hui, je sais aussi qu'elle illustre, comme tant d'autres familles, le pouvoir de destruction du verbe, et celui du silence."

On her 49th birthday, Anna Fergusson, Boston neuroscientist and dedicated introvert, arrives at an unwanted crossroads when the funding for her research lab is cut. With her confidence shattered and her future uncertain, on impulse she rents a cabin for a year on Australia's Great Barrier Reef. However Turtle Island, alive with sea birds and nesting Green turtles, is not the retreat she expected.

Three brothers tear their way through childhood—smashing tomatoes all over each other, building kites from trash, hiding out when their parents do battle, tiptoeing around the house as their mother sleeps off her graveyard shift. Paps and Ma are from Brooklyn—he’s Puerto Rican, she’s white—and their love is a serious, dangerous thing that makes and unmakes a family many times.

It’s October in Montreal, 2002, and winter is coming on fast. Past due on his first freelance gig and ensnared in lies to his family and friends, a graphic design student with a gambling addiction goes after the first job that promises a paycheck: dishwasher at the sophisticated La Trattoria. Though he feels out of place in the posh dining room, warned by the manager not to enter through the front and coolly assessed by the waitstaff in their tailored shirts, nothing could have prepared him for the tension and noise of the kitchen, or the dishpit’s clamor and steam.

In the wake of her family's collapse, a writer and her two young sons move to London. The process of this upheaval is the catalyst for a number of transitions - personal, moral, artistic, and practical - as she endeavors to construct a new reality for herself and her children. In the city, she is made to confront aspects of living that she has, until now, avoided, and to consider questions of vulnerability and power, death and renewal, in what becomes her struggle to reattach herself to, and believe in, life.

Blindsided by her mother’s sudden death and wrecked by a recent love affair, Casey Peabody has arrived in Massachusetts in the summer of 1997 without a plan. Her mail consists of wedding invitations and final notices from debt collectors. A former child golf prodigy, she now waits tables in Harvard Square and rents a tiny, moldy room at the side of a garage where she works on the novel she has been writing for six years. At 31, Casey is still clutching onto something nearly all her old friends have let go of: the determination to live a creative life.

Sunday Forrester lives with her sixteen-year-old daughter, Dolly, in the house she grew up in. She does things more carefully than most people. On quiet days, she must eat only white foods. Her etiquette handbook guides her through confusing social situations, and to escape, she turns to her treasury of Sicilian folklore. The one thing very much out of her control is clever headstrong Dolly, now on the cusp of leaving home. Into this carefully ordered world step Vita and Rollo, a couple who move in next door.

In this breathtaking and beautiful novel, the #1 New York Times best-selling author Anna Quindlen creates an unforgettable portrait of a mother, a father, a family, and the explosive, violent consequences of what seem like inconsequential actions.

Brenden McCarthy feels like he’s lost everything. His fiancée. His independence. And his passion for life. All due to one mountain-climbing misstep that cost him his sight. But he’s about to gain the last thing he ever expected: a big-hearted black Labrador named Nelson who’s given one last shot at being a Seeing Eye dog. Both are beyond hope and resigned to live alone. And both are about to experience a bond of friendship that develops when they least expect it.

When Isabelle Poole meets Dr. Preston Grind, she's just about out of options. She recently graduated from high school and is pregnant with her art teacher's baby. Her mother is dead, and her father is a drunk. The art teacher is too much of a head case to help raise the child. Izzy knows she can be a good mother, but without any money or prospects she's left searching. So when Dr. Grind offers her a space in The Infinite Family Project, she accepts. Housed in a spacious compound in Tennessee, she joins nine other couples, all with children the same age as her newborn son.

When Helena inherits her grandparents' apartment in Athens, she is overwhelmed with memories of the summers she spent there as a child, when Greece was under a brutal military dictatorship. Her remote, cruel grandfather was one of the regime's generals and as she sifts through the dusty rooms, Helena discovers an array of valuable objects and antiquities. How did her grandfather amass such a trove? What human price was paid for them? Helena's desire to find answers about her heritage dovetails with a growing curiosity for archaeology.