Literary Memoir

In a voice both haunting and startlingly immediate, Nitta Sayuri describes her life as a geisha. Taken from her home at the age of nine, she is sold into slavery to a renowned geisha house. Witness her transformation as you enter a world where appearances are paramount, virginity is auctioned to the highest bidder, women beguile powerful men, and love is scorned as illusion.

Former bookseller, longtime publisher, and author Jon M. Sweeney shows—with history and anecdotes centering around books such as Thoreau's Journal, Tagore's Gitanjali, Martin Buber's Hasidic Tales, and Tolstoy's Twenty-three Tales—what it means to be carried by a book. He explores the discovery that once accompanied finding books, and books finding us. He ponders the smell of an old volume, its heft, and why bibliophiles carry them around even without reading them. He demonstrates how and why there is magic and enchantment that takes place between people and books.

Mary Jumbelic has been obsessed with death since the loss of her father when she was 13. The sudden departure of her dad, the mother left behind, and her position as an only child led her to grow up quickly. Yet the why and how of her father's death plagued her. She chose to view an autopsy at the age of 15 and discovered a science that explained the process. College, medical school and becoming a forensic pathologist wasn't a given. She struggled before ultimately deciding on a career as a medical examiner.

In this autobiography, woven from personal pieces composed over the course of a celebrated writing life of more than 50 years, you'll meet William Buckley the boy, growing up in a family of 10 children; Buckley the daring young political enfant terrible, whose debut book, God and Man at Yale, was a shocking New York Times best seller; Buckley the editor of National Review, widely hailed as the founder of the modern conservative movement; and Buckley the husband and father.

Unbroken is an extraordinary work of memoir and investigative journalism focusing on missing and murdered Indigenous women and girls, written by an award-winning Gitxsan journalist who survived life on the streets against all odds.

First published in 1875, General William T. Sherman's memoir was one of the first from the Civil War and was offered to the public because, as Sherman wrote in his dedication, "no satisfactory history" of the war was yet available. Although Memoirs has been revised and corrected many times over the years, Sherman famously never changed the original text of his recollections.

The last years of King Charles IX's reign in France were dominated by religious wars between Catholics and Protestants. Queen Margot begins in 1572 with the marriage of Marguerite de Valois to Henri de Navarre. Marguerite is King Charles' sister and the daughter of Henri II and Catherine de Medici, all firm Catholics. Henri de Navarre is a Protestant who later will become the beloved King Henri IV. Several important political events have led up to this marriage including the mysterious murder of Henri de Navarre's mother, cleverly plotted by Catherine de Medici. The wedding brings noblemen from all over the world to Paris resulting in the notorious Saint Bartholomew Massacre, where thousands of Protestants are killed. In this inventive and compelling novel, Dumas brings an extraordinary period of history vividly to life with much excitement and romance. The lively prose and wonderfully constructed plot tell of court intrigues and forbidden love, of beautiful queens, duchesses, and noblemen, suspense, conspiracies, betrayals, assassinations, superstitions, poisonings, and sumptuous feasts. With well-known historical figures as main characters in a dangerous and breathtaking game for power, Queen Margot tells of conspiracies, clandestine trysts, and daring escapes. There is the infamous Catherine de Medici, deliciously evil, constantly plotting and poisoning; Le Mole, a dashing and irresistable young Protestant who becomes Marguerite's lover; the noble Coconnos who provides a great source of comic relief; and at the center of all this intrigue are the good-hearted Marguerite and Henri who are perfect political allies with complicated and fascinating love lives.

What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?

In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake". Activating multiple registers of "wake" - the path behind a ship, keeping watch with the dead, coming to consciousness - Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation.

In 1914 collisions between motor cars and horse-drawn carriages are an everyday occurrence on the streets of Paterson, New Jersey. But when an out-of-control driver smashes into a buggy driven by Constance, Norma, and Fleurette Kopp, their lives change forever. Constance, the oldest, demands payment for the damages but quickly realizes that she is dealing with a madman.

Trying to Save Piggy Sneed contains a dozen short works by John Irving, beginning with three memoirs, including an account of Mr. Irving’s dinner with President Ronald Reagan at the White House. The longest of the memoirs, The Imaginary Girlfriend,” is the core of this collection.

Anchored by excerpts from her favorite memoirs and anecdotes from fellow writers' experience, The Art of Memoir lays bare Karr's own process. (Plus all those inside stories about how she dealt with family and friends get told - and the dark spaces in her own skull probed in depth.)

Before turning to her life of crime - running a one-woman forgery business out of a phone booth in a Greenwich Village bar and even dodging the FBI - Lee Israel had a legitimate career as an author of biographies. But by 1990, almost broke and desperate to hang onto her Upper West Side studio, Lee made a bold and irreversible career change: inspired by a letter she’d received once from Katharine Hepburn, and armed with her considerable skills as a researcher and celebrity biographer, she began to forge letters in the voices of literary greats.

The Trail is a moving story of how nature helps us find what’s missing in our lives. The tale begins with Gil, who in the wake of his father’s death and recently fired from his job, agrees to accompany his father’s old hiking partner Syd on a month-long trek on the John Muir Trail. There’s just one problem: Gil hates camping and is woefully unprepared for the rigors of the journey. Moreover, he soon learns Syd may not survive the hike.

À trente et un ans, Elizabeth Gilbert possède tout ce dont une femme ambitieuse peut rêver : un mari dévoué, une belle maison, une carrière prometteuse. Elle devrait nager dans le bonheur, pourtant elle est rongée par l'angoisse, le doute, l'insatisfaction... S'ensuivent un divorce, une dépression et une liaison désastreuse qui la laissent exsangue et encore plus désemparée. Elle décide de tout plaquer pour partir seule à travers le monde. À elle de se construire la vie qu'elle s'est choisie !

Norman Mailer's Pulitzer Prize-winning and unforgettable classic about convicted killer Gary Gilmore now in audio. Arguably the greatest book from America's most heroically ambitious writer, The Executioner's Song follows the short, blighted life of Gary Gilmore who became famous after he robbed two men in 1976 and killed them in cold blood. After being tried and convicted, he immediately insisted on being executed for his crime. To do so, he fought a system that seemed intent on keeping him alive long after it had sentenced him to death.

Following a run of New Year's concerts at San Francisco's legendary Fillmore, Patti Smith finds herself tramping the coast of Santa Cruz, about to embark on a year of solitary wandering. Unfettered by logic or time, she draws us into her private wonderland with no design, yet heeding signs - including a talking sign that looms above her, prodding and sparring like the Cheshire Cat. In February, a surreal lunar year begins, bringing with it unexpected turns, mischief, and inescapable sorrow. In a stranger's words, "Anything is possible: after all, it's the Year of the Monkey."

Some of the parchment pages were the color of cream, thick and substantial, made to last many, many lifetimes. Other pages were thin and desiccated, positively yellow from age, and crackled alarmingly as Van Richten turned them over. There were no ornate illuminations, no fussy borders, only lines of plain text in hard black ink. The flowing handwriting was a bit difficult to follow at first; the writer's style of calligraphy had not been in common use for 300 years. No table of contents, but from the dates it looked to be some kind of history.

Thrown together by a zealous English teacher's classroom-mailbox assignment, notorious scrapper, Adam "Kurl" Kurlansky, and Jonathan Hopkirk, a flamboyant Walt Whitman wannabe, have to write an old-fashioned letter to each other every week. Kurl is a senior, an ex-high school football player, held back a year, while Jo is a nerdy, out tenth grader with a penchant for vintage clothes and a deep love for poetry. But with homophobia, bullying, and familial abuse, Jonathan and Kurl must struggle to overcome their conflicts and hold onto their growing relationship.

When her daughter, Paula, became gravely ill and fell into a coma, Isabel Allende began to write the story of her family for her unconscious child. Bizarre ancestors are introduced; delightful and bitter childhood memories are shared; amazing anecdotes of youthful years are relived, and the most intimate secrets are quietly passed along. Like Allende’s first novel, The House of the Spirits, this powerful memoir is infused with the real, the magical, and the spiritual, creating a haunting, sad, and beautiful tale.