Literary Science Fiction

The year is 1984 and the city is Tokyo.

A young woman named Aomame follows a taxi driver's enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 - "Q" is for "question mark". A world that bears a question....

Helene Wecker's dazzling debut novel tells the story of two supernatural creatures who appear mysteriously in 1899 New York. Chava is a golem, a creature made of clay, brought to life by a strange man who dabbles in dark Kabbalistic magic. When her master dies at sea on the voyage from Poland, she is unmoored and adrift as the ship arrives in New York Harbor. Ahmad is a jinni, a being of fire, born in the ancient Syrian Desert. Trapped in an old copper flask by a Bedouin wizard centuries ago, he is released accidentally by a tinsmith in a Lower Manhattan shop.

Nous sommes à l'ère de la deuxième humanité. Il y en a eu une avant. Il y en aura une... après. En Antarctique, le paléontologue Charles Wells et son expédition découvrent, tout au fond d'un lac souterrain, les restes de squelettes humains d'environ 17 mètres de long. À Paris, le projet d'étude de son fils David sur le rapetissement humain est sélectionné par un tout nouveau programme de recherches, consacré à "l'évolution de notre espèce".

Three men are found dead in the locked second floor office of a Honolulu building, with no sign of struggle except ultra-fine, razor-sharp cuts covering their bodies. The only clue left behind is a tiny bladed robot, nearly unrecognizable to the human eye.

Bradbury's Mars is a place of hope, dreams, and metaphor - of crystal pillars and fossil seas - where a fine dust settles on the great, empty cities of a silently destroyed civilization. It is here the invaders have come to despoil and commercialize, to grow and to learn - first a trickle, then a torrent, rushing from a world with no future toward a promise of tomorrow. The Earthman conquers Mars...and then is conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race.

Two and a half millennia ago, the artifact appeared in a remote corner of space, beside a trillion-year-old dying sun from a different universe. It was a perfect black-body sphere, and it did nothing. Then it disappeared.

Hig survived the flu that killed everyone he knows. His wife is gone, his friends are dead, he lives in the hangar of a small abandoned airport with his dog, his only neighbor a gun-toting misanthrope. In his 1956 Cessna, Hig flies the perimeter of the airfield or sneaks off to the mountains to fish and to pretend that things are the way they used to be. But when a random transmission somehow beams through his radio, the voice ignites a hope deep inside him that a better life exists beyond the airport.

The Twelve have been destroyed, and the 100-year reign of darkness that descended upon the world has ended. The survivors are stepping outside their walls, determined to build society anew - and daring to dream of a hopeful future.

My name's Griz. I've never been to school, I've never had friends, and in my whole life I've not met enough people to play a game of football. My parents told me how crowded the world used to be, before all the people went away. But we were never lonely on our remote island. We had each other and our dogs. Then the thief came.

Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.

Working in the ER, Dr. Marie Lavant sees the darkest side of New Orleans. But the bloody wounds of patients are not the only things that haunt her. As the descendent of a legendary voodoo queen, Marie is cursed with the ability to communicate with spirits of the dead.

What is VALIS? This question is at the heart of Philip K. Dick's groundbreaking novel, the first book in his defining trilogy. When a beam of pink light begins giving a schizophrenic man named Horselover Fat (who just might also be known as Philip K. Dick) visions of an alternate Earth where the Roman Empire still reigns, he must decide whether he is crazy or whether a godlike entity is showing him the true nature of the world.

Rumors begin to spread of a species of hyperintelligent, dangerous octopus that may have developed its own language and culture. Marine biologist Dr. Ha Nguyen, who has spent her life researching cephalopod intelligence, will do anything for the chance to study them. The transnational tech corporation DIANIMA has sealed the remote Con Dao Archipelago, where the octopuses were discovered, off from the world. Dr. Nguyen joins DIANIMA’s team on the islands: a battle-scarred security agent and the world’s first android.

Chez Funiculi Funicula, le café change le cœur des hommes. À Tokyo se trouve un petit établissement au sujet duquel circulent mille légendes. On raconte notamment qu'en y dégustant un délicieux café, on peut retourner dans le passé. Mais ce voyage comporte des règles : il ne changera pas le présent et dure tant que le café est encore chaud. Quatre femmes vont vivre cette singulière expérience et comprendre que le présent importe davantage que le passé et ses regrets. Comme le café, il faut en savourer chaque gorgée.

The only member of the original mission to the planet Rakhat to return to Earth, Father Emilio Sandoz has barely begun to recover from his ordeal when the Society of Jesus calls upon him for help in preparing for another mission to Alpha Centauri. Despite his objections and fear, he cannot escape his past or the future.

Draken vae Khellian, bastard cousin of the Monoean King, had risen far from his ignominious origins, becoming both a Bowrank Commander and a member of the Crown’s Black Guard. But when he is falsely condemned for the grisly murder of his beloved wife, he is banished from the kingdom and cast upon the distant shore of Akrasia, at the arse-end of the world.

Multiverse travel is finally possible, but there’s just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying—from disease, turf wars, or vendettas they couldn’t outrun. Cara’s life has been cut short on 372 worlds in total. On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands.

On Mars, the harsh climate could make any colonist turn to drugs to escape a dead-end existence. Especially when the drug is Can-D, which transports its users into the idyllic world of a Barbie-esque character named Perky Pat. When the mysterious Palmer Eldritch arrives with a new drug called Chew-Z, he offers a more addictive experience, one that might bring the user closer to God. But in a world where everyone is tripping, no promises can be taken at face value.

The Overstory unfolds in concentric rings of interlocking fable that range from antebellum New York to the late 20th-century Timber Wars of the Pacific Northwest and beyond. An air force loadmaster in the Vietnam War is shot out of the sky, then saved by falling into a banyan. An artist inherits 100 years of photographic portraits, all of the same doomed American chestnut. A hard-partying undergraduate in the late 1980s electrocutes herself, dies, and is sent back into life by creatures of air and light.

With this outrageous new novel, China Miéville has written one of the strangest, funniest, and flat-out scariest books you will read this—or any other—year. The London that comes to life in Kraken is a weird metropolis awash in secret currents of myth and magic, where criminals, police, cultists, and wizards are locked in a war to bring about—or prevent—the End of All Things.