Magical Realism Fiction

On la surnomme Méduse depuis si longtemps qu’elle en a oublié son véritable prénom. Elle marche tête baissée, le visage caché derrière ses cheveux, pour épargner aux autres la vue de ses Difformités–des yeux si horribles qu’ils révulsent les femmes et pétrifient les hommes. Elle-même n’a jamais osé se regarder dans un miroir. Chassée du foyer familial, Méduse est enfermée à l’Athenæum, un institut pour jeunes filles malformées, qui se dresse sur les bords d’un lac infesté de méduses.

“At one point they tried to calculate when time began, when exactly the earth had been created,” begins Time Shelter’s enigmatic narrator, who goes unnamed. “In the mid-seventeenth century, the Irish bishop Ussher calculated not only the exact year, but also a starting date: October 22, 4,004 years before Christ.” But for our narrator, time as he knows it begins when he meets Gaustine, a “vagrant in time” who has distanced his life from contemporary reality by reading old news, wearing tattered old clothes, and haunting the lost avenues of the twentieth century.

Born with mysterious powers she does not know how to control, young Jieun accidentally causes her family to vanish. She vows to live a million lives in search of them. Finally, one night, she brings the Marigold Mind Laundry into existence. Its service: to remove the deepest pain from our hearts. Jieun listens while customers share their unhappy memories. As they speak, she transfers their sadness onto T-shirts as stains. After a spin in the washing machine, the stains become flower petals that soar into the air, and Jieun’s customers find solace.

On the island of Sicily amid the Peloponnesian War, the Syracusans have figured out what to do with the surviving Athenians who had the gall to invade their city: they’ve herded the sorry prisoners of war into a rock quarry and left them to rot. Looking for a way to pass the time, Lampo and Gelon, two unemployed potters with a soft spot for poetry and drink, head down into the quarry to feed the Athenians if, and only if, they can manage a few choice lines from their great playwright Euripides. Before long, the two mates hatch a plan to direct a full-blown production of Medea.

When the Night Foxes boldly break into the Fourth Precinct’s Evidence Building, it causes quite the stir. As a Magical Examiner, Henri Davenforth is immediately called in. To his astonishment, Captain Gregson has him work the case like a detective. More astounding, he assigns Henri a partner - The Shinigami Detective. The woman is famous for killing the most destructive rogue witch of the century, and no one is quite certain where she’s from. Every officer in the precinct is either in awe of her, or a little frightened by her. Henri is just baffled.

It is 1618 in the German duchy of Württemberg. Plague is spreading, the Thirty Years’ War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katharina Kepler, an illiterate widow, is accused of being a witch.

Imagine that there are American MIAs who chose to remain missing after the Vietnam War. Imagine that there is a family in which four generations of strong, alluring women have shared a mysterious connection to an outlandish figure from Japanese folklore. Imagine just those things (don’t even try to imagine the love story) and you’ll have a foretaste of Tom Robbins’s eighth and perhaps most beautifully crafted novel--a work as timeless as myth yet as topical as the latest international threat.

Eliza Dragonsong is a lawyer by day and a Wiccan high priestess by night. Her unique skill set comes in handy in the courtroom, and also when she’s asked to guard an ancient cursed stone from the dangerously charming Ivan Rochat. Although he’s a former art thief with a questionable past, Eliza still finds herself drawn to him and soon realizes she has to guard more than just the stone. She has to guard her heart as well.

One September evening in 1785, Jonah Hancock hears an urgent knocking on his front door near the docks of London. The captain of one of Jonah’s trading vessels is waiting eagerly on the front step, bearing shocking news. On a voyage to the Far East, he sold Jonah’s ship for something rare and far more precious: a mermaid. As gossip spreads through the docks, coffee shops, parlors and brothels, all of London is curious to see this marvel in Jonah Hancock’s possession. Thrust from his ordinary existence, somber Jonah finds himself moving from the city’s seedy underbelly to the finest drawing rooms of high society.

The regulars at the magical Café Funiculi Funicula are well acquainted with its famous legend and extraordinary time-travel offer. Many patrons have reunited with old flames, made amends with estranged family and visited loved ones. But the journey is not without risks, and there are rules to follow.

From charity to deceit, benevolence to violence, fear of God to extreme cruelty, the dictator of The Autumn of the Patriarch embodies the best and the worst of human nature. Gabriel García Márquez, the renowned master of magical realism, vividly portrays the dying tyrant caught in the prison of his own dictatorship. Employing an innovative, dreamlike style, and overflowing with symbolic descriptions, the novel transports the listener to a world that is at once fanciful and real.

Karen Russell’s comedic genius and mesmerizing talent for creating outlandish predicaments that uncannily mirror our inner in lives is on full display in these eight exuberant, arrestingly vivid, unforgettable stories. In “Bog Girl”, a revelatory story about first love, a young man falls in love with a 2,000-year-old girl that he’s extracted from a mass of peat in a Northern European bog. In “The Prospectors”, two opportunistic young women fleeing the depression strike out for new territory, and find themselves fighting for their lives. Plus much more.

In the present day, Nena’s grandniece, Marta, balances a struggling legal aid practice with motherhood and the care of the now ninety-three-year-old Nena. When Marta agrees to help search for a daughter Nena left in the past, the two forge a fierce connection. Marta’s own supernatural powers emerge, awakening her to new possibilities that threaten the life she has constructed.

Lolly Blanchard's life only seems to give her lemons. Ten years ago, after her mother’s tragic death, she broke up with her first love and abandoned her dream of opening a restaurant in order to keep her family’s struggling Seattle diner afloat and care for her younger sister and grieving father. Now, a decade later, she dutifully whips up the diner’s famous lemon meringue pies each morning while still pining for all she's lost. As Lolly’s thirty-third birthday approaches, her quirky great-aunt gives her a mysterious gift.

Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television who falls in impossible love with a TV star. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where “Anything-Can-Happen.” Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own.

El Salvador, 1923. Graciela, a young girl growing up on a volcano in a community of Indigenous women, is summoned to the capital, where she is claimed as an oracle for a rising dictator. There she meets Consuelo, the sister she has never known, who was stolen from their home before Graciela was born. The two spend years under the cruel El Gran Pendejo’s regime, unwillingly helping his reign of terror, until genocide strikes the community from which they hail.

Midlife has never been so magical! Meet Alys, Maeve, and Siobhan Silver, the latest in a long line of witches. There's just one problem, no one told them about the hidden world of werewolves, fae, and magic hunters.

In Bliss Montage, Ling Ma brings us eight wildly different tales of people making their way through the madness and reality of our collective delusions: love and loneliness, connection and possession, friendship, motherhood, the idea of home. A woman lives in a house with all her ex-boyfriends. A toxic friendship grows up around a drug that makes you invisible. An ancient ritual might heal you of anything—if you bury yourself alive.

Botanist Alfred Homer, ever hopeful and constantly surprised, is invited on a road trip by his parents’ friend, Professor Morgan Bruno, who wants company as he tries to unearth the story of the mysterious poet John Skennen. But this is no ordinary road trip. Alfred and the Professor encounter towns where Black residents speak only in sign language and towns that hold indigenous parades; it is a land of house burnings, werewolves, and witches.

When called upon, she can talk the death out of the dying and save their lives—only once, never twice. But this truly unique gift comes at a price, rooting Weatherly to people who only want her around when they need her and resent her backwater ways when they don’t. Weatherly’s cousin Adaire also has a gift: she’s a Scryer and can see the future reflected back in dark surfaces. Right before she is killed in an accident, Adaire saw something unnerving, and that’s why Weatherly believes she was murdered—never thinking for a moment that it was an accident.