Mary Horror

With their shelter destroyed and their sense of security shattered, Vivian, Axl and the group set off in search of a safe place. But the group's morale is at an all-time low, and they now know it's not just the dead they have to fear. Weeks of wandering brings sickness, death and loss to the survivors, and Vivian soon finds herself losing hope of ever discovering a safe place to live. To make matters worse, two members of the group go missing, leaving the others to wonder not only what happened to them, but if they will ever see their friends alive again.

When sixteen-year-old Cynda goes to stay with her father and his second wife, Susan, at their remote bed-and-breakfast inn in Maine, everything starts off well despite legends about ghosts and a murder at the inn. But Cynda feels like a visitor in Dad's new life, an outsider. Then intense, handsome stranger Vincent Morthanos arrives at the inn and seems to return Cynda's interest. At first, she is blind to the subtle, insistent signs that Vincent is not what he seems—that he is, in fact, a vampire. Can Cynda free herself—and her family—from Vincent's power before it's too late?

Nothing about Kess Pedrock’s life is normal. Not her home (she lives in her family’s Unnatural History Museum), not her interests (hunting for megafauna fossils and skeletons), and not her best friend (a talking demon’s head in a jar named Shrunken Jim).

The house called Sunset has been Marcia's summer home for her entire life. Both of her parents died there, and she and her brother spent their youth exploring its rambling hallways and seaside grounds. They love the old house, but Marcia's sister-in-law has never taken to it. Juliette loathes the sea, and soon comes to loathe her husband as well. After they divorce, Juliette pays a final visit to Sunset, demanding alimony. She is there for a few tense days before she disappears. It takes them a week to find her body.

From the moment Andra hears about the mysterious illness spreading the globe, she knows it’s the end. Sheltering in place with her daughter, ex, and his new family, they watch in dread as the world begins to crumble around them, while rumors of survivors turning into monsters spread. When the dust finally settles, all Andra wants to do is keep her daughter safe as they build a new life for themselves. But a fresh horror awaits, and it’s going to take all of them working together to survive the new world they’re facing. And maybe not even then....

Aunt Blythe's house gives Drew the creeps-it's full of dark rooms, creaky noises, and the sound of a woman sobbing somewhere in the shadows. Then, in the middle of the night, Drew awakens to find a boy standing in his room...a boy who is Drew's exact double, except he looks as if he's come from the grave.

He crept forward between the tall narrow aisles created by the shelves. Just before he reached the corner he heard a thump, the sound of a body hitting the floor. He rushed forward into the corner of the room. The desk was empty. The chair was pushed up against it, neatly awaiting its usual occupant. No one was in the corner. No one was there to make the sound. No one...alive.

Black Friday - the official opening of the Holiday Shopping Season - and Patrice Marcum is stuck in the middle of her local superstore with a crying infant, a near hysterical desire to just abandon the diapers and milk she desperately needs, and the snowstorm of the century dumping a half-foot of snow on the parking lot outside. She needs a miracle.

"Totem and Taboo: Resemblances Between the Mental Lives of Savages and Neurotics" is a work by Sigmund Freud, published in German in 1913. It is a collection of four essays first published in the journal "Imago" (1912-13), employing the application of psychoanalysis to the fields of archaeology, anthropology, and the study of religion.

Frankenstein, écrit par Mary Shelley et publié en 1818, et traduit par Jules Saladin dès 1821, est un roman gothique qui raconte l’histoire de Victor Frankenstein, un scientifique ambitieux qui crée un être vivant à partir de morceaux de cadavres. Son expérience tourne au drame lorsqu'il rejette la créature, la laissant seule et perdue. L’histoire explore des thèmes profonds tels que la quête du savoir, les conséquences de l'ambition démesurée, la solitude, et la responsabilité morale.

Frankenstein, or, The Modern Prometheus was written by the English author Mary Shelley. It recounts the tale of Victor Frankenstein, a scientist who creates a grotesque, living creature in an unorthodox scientific experiment. The first edition was published anonymously in 1818 when Shelley was only 20 years old. Her name finally appeared in the second edition, published in France in 1823. She was supposedly influenced by knowledge of alchemist experiments carried out by Johann Dippel in the Frankenstein Castle in Germany.

Mary Shelley´s FRANKENSTEIN oder: Der moderne Prometheus, gelesen von Ingolf Kloss. Mary Shelleys Frankenstein ist eine erschreckende Vision des wissenschaftlichen Fortschritts ohne moralische Grenzen und führt den Zuhörer auf eine gefährliche Reise von der erhabenen Schönheit der Schweizer Alpen in die trostlose Einöde des Polarkreises. Besessen von der Idee, das Leben selbst zu erschaffen, plündert Victor Frankenstein Friedhöfe und Schlachtereien.

In the frozen wastes north of Russia, a lone seaward vessel seeks the elusive Northwest Passage. Suddenly they sight a dog sled with a gargantuan figure in the shape of a man, driving the dogs northward to sure oblivion. The following day, they find another sled. This sled is filled with a European near death, and when asked what he is chasing, he simply replies, "to seek one who fled from me."

After barely escaping Heath with their lives, Rowan, Kiaya, and Devon are thrilled to have a safe place to live as winter sets in. With plenty of supplies, a group that works together well, and the security of their new home, things are looking up. Even better? The freezing temperatures might have taken care of the zombies once and for all. Too bad everyone knows that things with Hank are far from over.

Don't sleep, Mary. Satan's night is near. He will take you and drown you in blood-drenched sin. Mary Taylor is happy now, married to the man she loves. The years of the Christian Home for Children are behind her, buried in the dark, unspoken folds of memory. But still she awakens to terror, to the hideous acts that gentle Mary would never, ever commit. And someone is killing the girls she knew at the Christian Home.

The gothic tale of Frankenstein and his construction of a human being who runs amok has, with the help of numerous films, become one of the most vivid horror stories. But Mary Shelley's original novel, written in 1816, dealt more sympathetically with "the daemon," showing how an initially beneficent creature is hammered into a daemon by the way he is treated. Her ideas, and her dramatic but poignant story, is brought to life in this sound dramatization.

It was at a masked ball at the Palais Royal that my fatal quarrel with my first cousin André de Brissac began. The quarrel was about a woman. The women who followed the footsteps of Philip of Orleans were the causes of many such disputes; and there was scarcely one fair head in all that glittering throng which might not have seemed bedabbled with blood.

This unique collection features some of the best short stories every written. It includes, "The Monkey's Paw" and "The Well" by W. W. Jacobs; "Desiree's Baby" by Kate Chopin; "A Winter Courtship" by Sarah Orne Jewett; "The Mortal Immortal" by Mary Shelley; "The Revolt of Mother" and "A New England Nun" by Mary E. Wilkins Freeman; "The Sire de Maletroit's Door" and "Markheim" by Robert Louis Stevenson.

Als Rachel in der neuen High School in einen Streich verwickelt wird, der furchtbar daneben geht, hat sie plötzlich mehr Feinde als Freunde. Zu ihrer Überraschung erregt sie jedoch die Aufmerksamkeit eines geheimen Schülerclubs. Der Mary-Shelley-Club, benannt nach der Autorin von Frankenstein, hat nur ein Ziel: mit gruseligen Aktionen echte Angst zu verbreiten. Schon bald eskaliert das Spiel und wird immer gnadenloser – und Rachel muss das echte Monster aufspüren. Es ist an der Zeit, den ultimativen Streich zu spielen ...

This volume proves that the assertion that women are the gentler sex is frequently an unfounded and unlikely description. From the minds and pens of some of the best female writers of the last century comes a series of macabre, twisted tales that are anything but gentle. But as they weave their magic - usually black - and entrance you with their narratives you just know that “sugar and spice and everything nice” are not likely to be what all girls really are made of - and certainly not these femme fatales....