Medieval English

Little is known about the Ancient Greek oral poet Homer, the supposed 8th century BC author of the world-read Iliad and his later masterpiece, The Odyssey. These classic epics provided the basis for Greek education and culture throughout the classical age and formed the backbone of humane education through the birth of the Roman Empire and the spread of Christianity.

Adrianne Percy was hidden in the Western Isles, safe from her family's enemies - until her sisters sent a notorious pirate to return her to the Highlands. But when she hatches a plan to free her kidnapped mother, it requires her to marry the handsome rogue. But what begins as a simple matter of business quickly flares into an uncontrollable desire. As Adrianne's heart smolders, their calculated arrangement threatens to ignite into a burning passion....

These classic fables use simple allegories to convey universal truths. Though it is unkown if Aesop ever actually existed, dating back to the sixth century, BC, these fables are known in cultures throughout the world and have been translated into many languages.

Plato's dialogue in the Symposium, which has as its topic the subject of love, explores the idea of love as a means of ascent to contemplation of the Divine. For Plato, generally, to love other human beings is to direct one's mind to love of Divinity. One proceeds from recognition of another's beauty to appreciation of Beauty as it exists apart from any individual, to consideration of Divinity, the source of Beauty, to love of Divinity.

Edinburgh merchant Tavish Cameron has no choice but to pay outrageous tolls to the nobility, until fate gives him an unexpected opportunity for advancement. To claim Tower Roscraig, all he has to do is admit that he is the bastard son of a murdering baron...and evict the proud, impoverished Lady Glenna Douglas from her crumbling castle. With her father ailing and her village devastated by illness, Glenna has lost everything except her home. Now a handsome stranger intends to take that, too. Until the king arrives to determine the rightful laird, Glenna and Tavish must share her castle.

When Bampton’s coroner, Hubert Shillside, does not return from a trip to Oxford, Master Hugh de Singleton is called. Concerned for his old friend, Hugh takes to the road to investigate. Travel is safer than in times hence but, out of sight of prying eyes, it is still unwise to travel alone. Hugh finds a body, stabbed and left to rot, but it is not the body he was expecting to find. Indeed, reports of pillage, attacks, and chaos on the roads out of Oxford suddenly seem rampant. Hugh must ascertain whether the incidents are random, or whether something darker is afoot.

We see our age as the greatest in human history, filled with seemingly unending originality. Yet such dynamism is not a necessary characteristic of great eras. Among the most long-lasting and stable civilizations was that of medieval Europe. There stasis was achieved, and with it a stability that permitted the development of structured thought and intellectual embellishment of unparalleled degree.

Sir William Strongstaff is dead, and the defender of England and its kings is no longer there to battle the French. His chosen knight, Sir Michael of Weedon, is removed as the new king’s bodyguard, and he is sent to France, where the king’s uncles are trying to finish the job begun by King Henry V. From the outset, Sir Michael and his men are beset by treachery and intrigue. The line between ally and enemy appears to be almost invisible. The struggle is not only for England’s crown, but also the French one!

Aristotle’s Poetics is the earliest-surviving work of dramatic theory and the first fully intact philosophical treatise to focus on literary theory. The respected Greek sage offers an account of what he calls "poetry" (which the Greeks understood to literally mean "making"), examining its "first principles" and identifying its genres and basic elements, including what he terms drama-comedy, tragedy, and the satyr play - as well as lyric poetry, epic poetry, and iambic pentameter, which he always associates with wit.

John Lackland was born to King Henry II and Eleanor, Duchess of Aquitane in December, 1166; he was the youngest of five sons. However, he unexpectedly became the favored heir to his father after a failed rebellion by his older brothers in 1173. He became king in 1199, though his reign was tumultuous and short. After a brief peace with Phillip II of France, war broke out again in 1202 and King John lost most of his holdings on the continent. This led to conflict upon his return from battle. Buffeted from all sides, King John was pushed in 1215 to sign the Magna Carta.

Poet, Mystic, Widow, Wife charts the lives and times of four medieval women writers—Marie de France, a poet; Julian of Norwich, a mystic and anchoress; Christine de Pizan, a widow and court writer; and Margery Kempe, a no-good wife—who all bucked convention and forged their own paths. Largely forgotten by modern readers, these women have an astonishing amount to teach us about love, marriage, motherhood, friendship, and earning a living.

This is what happened. I saw it, and it is a true tale. So begins the story of Merlin, born the illegitimate son of a Welsh princess in fifth-century Britain, a world ravaged by war. Small and neglected, with his mother unwilling to reveal his father's identity, Merlin must disguise his intelligence - and hide his occasional ability to know things before they happen - in order to keep himself safe.

This collection of Japanese poetry was compiled and translated into English from an anthology known as The Collection of Myriad Leaves, and from a number of other anthologies made by imperial decree between the tenth and fifteenth centuries. This period has come to be considered the golden age of Japanese literature. These examples of Japanese poetry exhibit the most exquisite polish, allied with an avoidance of every shocking or perturbing theme; they combine the enduring luster of a precious metal with the tenuity of gold-leaf.

Richard de Claiborne, the dark earl of Dunsmore, serves King Edward Plantagenet well. Sworn to obey his king's every order, he nevertheless chafes at the command he wed the daughter of his enemy - a man who slew his father in cold blood. But King Edward wants peace in his lands, and he will stop at nothing to get it. If he has to order his most powerful Marcher lord to marry a Welsh princess, he considers it a small price to pay. Princess Gwenllian is a political pawn. When she's forced to marry the evil Black Hawk de Claiborne, she quakes at his fierceness and brutality.

England, 1364: When married off at aged twelve to an elderly farmer, brazen redheaded Eleanor quickly realizes it won’t matter what she says or does, God is not on her side—or any poor woman’s for that matter. But then again, Eleanor was born under the joint signs of Venus and Mars, making her both a lover and a fighter.

London. July, 1399. As rumors spread that his ambitious cousin, Henry Bolingbroke, has returned from exile in France, King Richard's grip on the English throne grows ever more precarious. Meanwhile, the body of a young woman is discovered at Dowgate sluice. When it's established that the dead woman was a novice from nearby Barking Abbey, the coroner calls in his friend, Brother Chandler, to investigate. Who would cut the throat of a young nun and throw her remains in the river? And what was she doing outside the confines of the priory in the first place?

We tend to think about the Middle Ages as a dark and backward time, characterised by violence, ignorance and superstition. We believe that life was unchanging over the period, so if a peasant fell asleep in in the year 1000 and woke up six hundred years later, he would return to a world that was instantly recognisable. We hold that change is facilitated by science and technological innovation, and that it was the inventions of recent centuries, from the steam engine to the Internet, that created the modern world. We couldn't be more wrong.

1236. Beautiful Ailenor of Provence, cultured and intelligent, is only 13 when she marries Henry III. Aware of the desperate importance of providing heirs to secure the throne from those who would snatch it away, she is ruthless in her dealings with Henry's barons. As conflict escalates between them, Ailenor's shrewd and clever Savoyard uncles come to support her, but her growing political power is threatened when Henry's half-siblings also arrive at court. Henry and Ailenor become embroiled in an unpopular war to protect Gascony, the last English territory on the continent.

Micheil Ramsay is determined never to settle down. But when he rescues Diana of Drummond and brings her to Edinburgh to snare a husband, he finds himself swayed by her beauty, her bossiness, and her bravery. Now he finds himself in the position of trying to help the object of his affection woo another man.

Northmen is there to tell the tale, to pay homage to what was lost and celebrate what was won. Focusing on key events, including the sack of Lindisfarne in 793 and the Battle of Stamford Bridge in 1066, medieval history expert John Haywood recounts the saga of the Viking Age, from the creation of the world through to the dwindling years of halfhearted raids and elegiac storytelling in the 13th century.