Medieval English

We tend to think about the Middle Ages as a dark and backward time, characterised by violence, ignorance and superstition. We believe that life was unchanging over the period, so if a peasant fell asleep in in the year 1000 and woke up six hundred years later, he would return to a world that was instantly recognisable. We hold that change is facilitated by science and technological innovation, and that it was the inventions of recent centuries, from the steam engine to the Internet, that created the modern world. We couldn't be more wrong.

The Chivalry series follows young William Gold, who runs away from London to follow the Black Prince, from the killing fields of France, through life as a routier and criminal, and to redemption with the Knights of Saint John, further disillusion and an eventual career as a professional soldier and knight. Rich in the details of life in the High Middle Ages, the series also deals with modern issues about the role of violence in society, rules of conflict and war, and the price that people pay for using violence.

On the night Ronia was born, a thunderstorm raged over the mountain, but in Matt's castle and among his band of robbers there was only joy - for Matt now had a spirited little black-haired daughter. Soon Ronia learns to dance and yell with the robbers, but it is alone in the forest that she feels truly at home. Then one day Ronia meets Birk, the son of Matt's arch-enemy. Soon after Ronia and Birk become friends the worst quarrel ever between the rival bands erupts, and Ronia and Berk are right in the middle.

In the rich turbulence of English history, one day stands magnificently apart: June 15, 1215, the day of the signing of the Magna Charta. On this day, the first blow for English freedom was struck and forever affected the Western world. Here is the story of three true men, Stephen Langton, Williams Marshall, and Hubert de Burgh, whose heroic deeds are set against those of the ever deceitful and crafty King John.

1368. War is coming between France and Spain, and England, and in Italy the pope and the Visconti princes are battling for bloody supremacy. The worst years of Sir William Gold's life are about to begin. Leaving the side of his commander, Sir John Hawkwood, William embarks on a journey to serve the Count of Savoy, finding fame and favour in his service. But when his wife and children are struck down by the plague, William uses the poisoning of the Duke of Clarence as an excuse to escape on a witch hunt across Southern France and embark on a pilgrimage that he'd always pledged to do.

Kel has finally achieved her lifelong dream of being a knight. But it's not turning out as she imagined at all. She is torn between a duty she has sworn to uphold and a quest that she feels could turn the tide of war. Unrelentingly realistic in its depiction of the horrors of war, Pierce provides exquisite details of the weaponry, topography, and culture of her world, and her control of a voluminous cast of characters is masterful.

Seventeen-year-old Aderyn ("Ryn") only cares about two things: her family and her family's graveyard. And right now, both are in dire straits. Since the death of their parents, Ryn and her siblings have been scraping together a meager existence as gravediggers in the remote village of Colbren, which sits at the foot of a harsh and deadly mountain range that was once home to the fae. The problem with being a gravedigger in Colbren, though, is that the dead don't always stay dead.

Events are coming to a climax in the Banished Lands, as the war reaches new heights. King Nathair has taken control of the fortress at Drassil and three of the Seven Treasures are in his possession. And together with Calidus and his ally Queen Rhin, Nathair will do anything to obtain the remaining Treasures. With all seven under his command, he can open a portal to the Otherworld. Then Asroth and his demon-horde will finally break into the Banished Lands and become flesh.

Outlaw Princess of Sherwood is award-winning author Nancy Springer's third delightful tale of Rowan Hood. Her popular adventure novels provide a fresh new vision of the medieval period. When Princess Ettarde refuses to marry the man her father, King Solon, has chosen for her, she flees to Sherwood Forest and joins Rowan Hood's band of outlaws.

When Livy began his epic The History of Rome, he had no idea of the fame and fortune he would eventually attain. He would go on to become the most widely read writer in the Roman Empire and was eagerly sought out and feted like a modern celebrity. And his fame continued to grow after his death. His bombastic style, his intricate and complex sentence structure, and his flair for powerfully recreating the searing drama of historical incidents made him a favorite of teachers and pupils alike.

Late summer, 1270. Although the Simon de Montfort rebellion is over, the smell of death still hangs over the land. In the small priory of Tyndal, the monks and nuns of the Order of Fontevraud long for a return to routine. Their hopes are dashed, however, when the young and inexperienced Eleanor of Wynethorpe is appointed their new prioress. Only a day after her arrival, a brutally murdered monk is found in the cloister gardens, and Brother Thomas, a young priest with a troubled past, arrives to bring her a more personal grief.

This is the first major biography for a generation of a truly formidable king. Edward I is familiar to millions as 'Longshanks', conqueror of Scotland and nemesis of Sir William Wallace ('Braveheart'). Edward was born to rule England, but believed that it was his right to rule all of Britain. His reign was one of the most dramatic of the entire Middle Ages, leading to war and conquest on an unprecedented scale and leaving a legacy of division that has lasted from his day to our own.

In The Fall of Rome, eminent historian Bryan Ward-Perkins argues that the "peaceful" theory of Rome's "transformation" is badly in error. Indeed, he sees the fall of Rome as a time of horror and dislocation that destroyed a great civilization, throwing the inhabitants of the West back to a standard of living typical of prehistoric times. Attacking contemporary theories with relish and making use of modern archaeological evidence, he looks at both the wider explanations for the disintegration of the Roman world and also the consequences for the lives of everyday Romans.

Much of what we know about the greatest medical disaster ever, the Black Plague of the fourteenth century, is wrong. The details of the Plague etched in the minds of terrified schoolchildren the hideous black welts, the high fever, and the final, awful end by respiratory failure are more or less accurate. But what the Plague really was, and how it made history, remain shrouded in a haze of myths.

Central Europe has long been infamous as a region beset by war, a place where empires clashed and world wars began. In The Middle Kingdoms, Martyn Rady offers the definitive history of the region, demonstrating that Central Europe has always been more than merely the fault line between West and East. Even as Central European powers warred with their neighbors, the region developed its own cohesive identity and produced tremendous accomplishments in politics, society, and culture.

Historians have only recently awakened to the importance of the family, the basic social unit throughout human history. This book traces the development of marriage and the family from the Middle Ages to the early modern era. It describes how the Roman and barbarian cultural streams merged under the influence of the Christian church to forge new concepts, customs, laws, and practices. Century by century, it follows the development—sometimes gradual, at other times revolutionary—of significant elements in the history of the family.

She was nothing more than retaliation against his enemies, until she became the woman he could not live without. Set on revenge, Highland warrior Graham MacLeod abducts Isobel Campbell, never anticipating his enemy's daughter would awaken an irresistible hunger in him.

In 871, three of England’s four kingdoms were overrun by Vikings, the ruthless, all-conquering Scandinavian raiders who terrorized early medieval Europe. With the Norsemen murdering one king with arrows and torturing another to death by ripping out his lungs, the prospects that faced the kingdom of Wessex were bleak. Worse still, the Saxons were now led by a young man barely out of his teens who was more interested in God than fighting.

Thomas Cahill tells the story of how Europe evolved from the classical age of Rome to the medieval era. Without Ireland, the transition could not have taken place. Not only did Irish monks and scribes maintain the very record of Western civilization, they brought their uniquely Irish world-view to the task. As Cahill delightfully illustrates, so much of the liveliness we associate with medieval culture has its roots in Ireland. When the seeds of culture were replanted on the European continent, it was from Ireland that they were germinated.

The Wolf Age takes listeners on a thrilling journey through the bloody shared history of England and Scandinavia, and on across early medieval Europe, from the wild Norwegian fjords to the wealthy cities of Muslim Andalusia. Warfare, plotting, backstabbing, and bribery abound as Tore Skeie skillfully weaves sagas and skaldic poetry with breathless dramatization as he entertainingly brings the world of the Vikings and Anglo-Saxons to vivid life.