Medieval English

Elijah Muddle’s life changed in an instant. The son of a spiteful and mean manure farmer, Elijah now has become an apprentice to the town’s warlock, Caliban. The chance to escape his terrible father and learn magic? It’s a dream come true! Until...it turns out that Elijah’s internal magic is wonky, and he is the absolute worst warlock ever - all his spells go wildly wrong, causing both hilarious and disastrous consequences all over town.

Unfinished Tales is a collection of narratives ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring and provides those who have read The Lord of the Rings with a whole collection of background and new stories from the 20th century’s most acclaimed popular author.

Since it was first published more than 25 years ago, Robert Fitzgerald's prizewinning translation of Homer's battle epic has become a classic in its own right: a standard against which all other versions of The Iliad are compared. Fitzgerald's work is accessible, ironic, faithful, written in a swift vernacular blank verse that "makes Homer live as never before" ( Library Journal).

The Illiad dates back to the 8th century BC and is Homer's epic precursor to The Odyssey. Set during the Trojan War, it tells of battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles.

In words remarkable for their richness of rhythm and imagery, Milton tells the story of man's creation, fall, and redemption, "to justify the ways of God to men". Here, unabridged, and told with exceptional sensitivity and power by Anton Lesser, is the plight of Adam and Eve, the ambition and vengefulness of Satan and his cohorts.

New York Times bestselling author Julie Garwood has captured the hearts of millions of listeners worldwide with timeless tales of love and soaring adventure. Now, returning to the enchanting world of her classic love story “The Bride,” she brings to glorious life the passion, intrigue, and rivalry of medieval Scotland....

Kingdom of Gododdin, AD 580: After defeating the Angles at the Battle of the Caledonian Wood, Languoreth, her daughter Angharad, brother Lailoken, and the warrior Artúr mac Aedan are reunited. But all too soon, fate pulls each back to their own path. Artúr receives a mysterious summons from his father in Dalriada. Languoreth and Lailoken return to Strathclyde with the dangerous former bishop Mungo in tow, determined to maintain the fragile peace between the Christians and the people of the Old Way.

Weak in battle, powerless at court, and absent in the bedroom: the English crown has rarely sat less easily than on the head of Edward II. Inheriting the Plantagenet throne in a powerful position, Edward needs a wife to continue the dynasty - but the beautiful, charming Isabella fails to stir his heart like his close friend Piers Gaveston. Slighted and ignored, Isabella takes a new lover: the ambitious nobleman Roger Mortimer. Seduced by Mortimer's treachery, Isabella plots with him to murder her husband and take the throne.

Gondolin, beautiful but undiscoverable, is central to the enmity of two of the greatest powers in the world. Morgoth of the uttermost evil seeks in vain to discover the marvellously hidden city of his Elven enemies, while the gods in Valinor refuse to support Ulmo Lord of Waters' designs to protect it. Into this world comes Tuor, cousin of Túrin, and guided unseen by Ulmo he sets out on the fearful journey to Gondolin to warn them of their coming doom.

Mr. Henty weaves a story of the life and times of King Richard the Lion-hearted that is yet to be equaled. Cuthbert de Lance, the hero of the story, is of Norman blood on his father's side and Saxon by his mother. By providing timely aid to the Earl of Evesham, Cuthbert is rewarded by being allowed to go to the Crusade as his page. He gains a reputation for valor and prowess due to gallant deeds, and his resourcefulness not only helps King Richard but aids Cuthbert in many a 'hairbreadth escape'.

Hugh and his men are faced with fighting creatures only thought to live in legend but which have been brought to Earth by evil bent on annihilating all the realms. That is Hugh's life - and he loves it. At least he did until he found himself staring into the angelic, innocent face of Lady Mina of Stone Crest. In all the time he has led the Shields Hugh has trusted his instinct to keep his men alive, yet now he doesn't know what to believe. Everything points to Mina as the evil summoning the creatures, but she proclaims her innocence. He should be able to see through her lies, if she is indeed lying, but his attraction to her blinds him to even that.

We see our age as the greatest in human history, filled with seemingly unending originality. Yet such dynamism is not a necessary characteristic of great eras. Among the most long-lasting and stable civilizations was that of medieval Europe. There stasis was achieved, and with it a stability that permitted the development of structured thought and intellectual embellishment of unparalleled degree.

A man awakens in a clearing in what appears to be medieval England with no memory of who he is, where he came from, or why he is there. Chased by a group from his own time, his sole hope for survival lies in regaining his missing memories, making allies among the locals, and perhaps even trusting in their superstitious boasts. His only help from the “real world” should have been a guidebook entitled The Frugal Wizard’s Handbook for Surviving Medieval England, except his copy exploded during transit.

1236. Beautiful Ailenor of Provence, cultured and intelligent, is only 13 when she marries Henry III. Aware of the desperate importance of providing heirs to secure the throne from those who would snatch it away, she is ruthless in her dealings with Henry's barons. As conflict escalates between them, Ailenor's shrewd and clever Savoyard uncles come to support her, but her growing political power is threatened when Henry's half-siblings also arrive at court. Henry and Ailenor become embroiled in an unpopular war to protect Gascony, the last English territory on the continent.

1333. Edward III is at war with Scotland. Nineteen-year-old Sir Harry de Lyon yearns to prove himself and jumps at the chance when a powerful English baron, William Montagu, invites him on a secret mission with a dozen elite knights. They ride north, to a crumbling Scottish keep, capturing a feral, half-starved boy within and putting the other inhabitants to the sword. But nobody knows why the flower of English knighthood snuck over the border to capture a savage, dirty teenage boy. Montagu gives the boy to Harry as his squire, with only two rules.

September, 1356. Poitiers. The greatest knights of the age were ready to give battle. On the English side, Edward, the Black Prince, who'd earned his spurs at Crecy. On the French side, the king and his son, the dauphin. With 12,000 knights. And then there is William Gold. A cook's boy - the lowest of the low - who had once been branded as a thief. William dreams of being a knight, but in this savage new world of intrigue, betrayal and greed, first he must learn to survive.

Kel has finally achieved her lifelong dream of being a knight. But it's not turning out as she imagined at all. She is torn between a duty she has sworn to uphold and a quest that she feels could turn the tide of war. Unrelentingly realistic in its depiction of the horrors of war, Pierce provides exquisite details of the weaponry, topography, and culture of her world, and her control of a voluminous cast of characters is masterful.

Fionna's only hope to save her family lies across the Irish Sea. As a warrior princess of Ulster, the rival clan holding her father and sister for ransom knows she'll pay any price to get them back. But even she couldn't predict the task set before her - to steal a faerie sword from a king. The Kingdom of Caerleon is dying under Morgan le Fay's dark magic. Her vengeful curse has locked Excalibur in its scabbard, placing Arthur Pendragon's kingship in jeopardy. Now Arthur and his sword brothers have one hope. The fifth knight. The one foretold by Merlin who will break the curse.

J.R.R. Tolkien famously described the Second Age of Middle-earth as a ‘dark age, and not very much of its history is (or need be) told’. And for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices, including the forging of the Rings of Power, the building of the Barad-dûr and the rise of Sauron.

One of the foremost achievements in Western literature, Homer's Iliad tells the story of the darkest episode in the Trojan War. At its center is Achilles, the greatest warrior-champion of the Greeks, and his refusal to fight after being humiliated by his leader, Agamemnon.