Medieval Women

1412. France is mired in a losing war against England. Its people are starving. Its king is in hiding. From this chaos emerges a teenage girl who will turn the tide of battle and lead the French to victory, becoming an unlikely hero whose name will echo across the centuries.

Until Scandinavia converted to Christianity and came under the rule of powerful kings, the Vikings were a dominant force in the medieval world. Outfitted with wind-powered sailing ships, they left their mark, spreading terror across Europe, sacking cities, deposing kings, and ransacking economies. But as much as we know about this culture, there is a large missing piece: its women. In this revisionist portrait, science journalist Heather Pringle turns those assumptions on their head, using the latest archaeological research and historical findings to reveal this group as they actually were.

Cast out of the royal court by Eleanor of Aquitaine, deemed too coarse and rough-hewn for marriage or courtly life, seventeen-year-old Marie de France is sent to England to be the new prioress of an impoverished abbey, its nuns on the brink of starvation and beset by disease. At first taken aback by the severity of her new life, Marie finds focus and love in collective life with her singular and mercurial sisters. In this crucible, Marie steadily supplants her desire for family, for her homeland, for the passions of her youth with something new to her.

Noble Aislinn grieves as the Iron Wolf and his minions storm through her beloved Darkenwald. And she burns with malice for the handsome Norman savage who would enslave her. . .even as she aches to know the rapture of the conqueror's kiss.

At the height of the Middle Ages in the 14th century, King Edward III of England is determined to use any means necessary to expand his power and gain control of England's bitter rival, France. His own son, Edward, prince of Wales, is far from immune from his political plans. And when Joan of Kent, now free from exile, sees her chance for revenge, she takes it. A calculated plot to scandalize the royal family for revenge for her father's downfall and execution soon turns into the most surprising thing: love.

The Middle Ages are seen as a bloodthirsty time of Vikings, saints and kings; a patriarchal society that oppressed and excluded women. But when we dig a little deeper into the truth, we can see that the “Dark” Ages were anything but.

In London, journalist Jo Clifford plans to debunk the belief in past lives in a hard-hitting magazine piece. But her scepticism is shaken when a hypnotist forces her to relive the experiences of Matilda, Lady of Hay, a noblewoman during the reign of King John. She learns of Matilda's unhappy marriage, her love for the handsome Richard de Clare and the brutal death threats handed out by King John, before it becomes clear that Jo’s past and present are inevitably entwined.

In the winter of 1271, death stalks the corridors of Wynethorpe Castle on the Welsh border. When the Grim Reaper touches the beloved grandson of the castle lord, Baron Adam sends for his daughter, Prioress Eleanor of Tyndal, and her subinfirmarian, Sister Anne, to save the child with their prayers and healing talents. Escorting them to the remote fortress is Brother Thomas, an unwilling monk fighting his private demons.

The giant Highlander is a self-proclaimed bachelor who has sworn for years that there isn't a woman in all of Scotland worth shaving his beard for, and for good reason. Years ago, after a bonny young lass broke his heart and left his dignity in shreds, he swore never again to put it in such peril. As a testament to his sincerity, he vowed never again to shave his beard. Then he met her.

Virginal, chaste, humble, patiently waiting for rescue by brave knights and handsome princes: this idealized—and largely mythical—notion of the medieval noblewoman still lingers. Yet the reality was very different, as Kelcey Wilson-Lee shows in this vibrant account of the five daughters of Edward I, often known as Longshanks. The lives of these sisters—Eleanora, Joanna, Margaret, Mary, and Elizabeth—ran the gamut of experiences open to royal women in the Middle Ages.

Brienna desires only two things: to master her passion and to be chosen by a patron. Growing up in Valenia at the renowned Magnalia House should have prepared her. While some are born with a talent for one of the five passions - art, music, dramatics, wit, and knowledge - Brienna struggled to find hers until she chose knowledge. However, Brienna's greatest fear comes true - she is left without a patron. But months later, her life takes an unexpected turn when a disgraced lord offers her patronage.

Aoife MacMurchada is just 14 years old when her father Diarmit, King of Leinster, is brutally deposed, and her family is forced to flee Southern Ireland into English exile. Diarmit seeks help from King Henry II, an alliance that leads him to the charismatic Richard de Clare, lord of Striguil, a man dissatisfied with his lot and open to new horizons. Diarmit promises Richard wealth, lands, and Aoife's hand in marriage in return for his aid, but Aoife, has her own thoughts on the matter. She may be a prize, but she is not a pawn and she will play the game to her own advantage.

The Plantagenet queens of England played a role in some of the most dramatic events in our history. Crusading queens, queens in rebellion against their king, queen seductresses, learned queens, queens in battle, queens who enlivened England with the romantic culture of southern Europe - these determined women often broke through medieval constraints to exercise power and influence, for good and sometimes for ill.

The Book of Margery Kempe is the extraordinary account of a medieval wife, mother, and mystic from Norfolk. Having married in c. 1393, given birth to 14 children, and pursued unsuccessful ventures in brewing and milling, Kempe made a vow of chastity and embarked on a life of prayer, penance, and pilgrimage.

Lizanne Balmaine has spent years honing her skills at arms, determined she will never again be at the mercy of any man. When she comes face to face with the one who stole her future, she seizes the opportunity to exact revenge. Soon he is her prisoner, at her mercy. But something is different about him, something that makes her question her purpose. Is it possible a man can be so changed? More, can she right the wrong that could lay ruin to her family?

As the autumn storms of 1271 ravage the East Anglian coast, Crowner Ralf finds the corpse of a brutally murdered soldier in the woods near Tyndal Priory. The dagger in the man’s chest is engraved with a strange cursive design, and the body is wrapped in a crusader’s cloak. Was this the act of a member of the Assassin sect, or was the weapon meant to mislead? Ralf’s decision to take the corpse to the priory for advice may be reasonable, but he is soon caught up in a maelstrom of conflict, both personal and political.

A thousand years ago in an ancient Scottish landscape, a woman is on the run with her three companions–a healer, a weaver, and a seer. The men hunting her will kill her–because she is the only one who stands between them and their violent ambition. She is no lady: she is the first queen of Scotland, married to a king called Macbeth. As the net closes in, what unfurls is a tale of passion, forced marriage, bloody massacre, and the harsh realities of medieval Scotland. At the heart of it is one strong, charismatic woman.

Meg Langslow’s in for a busy summer. Her husband is directing a production of Macbeth, and most of the cast and crew are occupying spare bedrooms in their house. She also has to keep an eye on Camp Birnam, where a group of medieval reenactors are commemorating the real-life Macbeth by setting up what they fondly believe is an authentic medieval Scottish military camp. And then there’s Damien Goodwin, a filmmaker who has been hanging around, trying to document the production.

Salisbury 1226. When a child of village outcasts disappears from Salisbury, the odious new sheriff doesn’t seem to care. Ela Longespée is determined to help the girl’s desperate parents and her investigation leads her into the thick of a human-trafficking ring in London. There, she vows to find the lost child, arrest the perpetrators, and convince the king to make her high sheriff of Wiltshire.

This series features a real historical figure—the formidable Ela Longespée. The young Countess of Salisbury was chosen to marry King Henry II’s illegitimate son William. After her husband’s untimely death, Ela served as high sheriff of Wiltshire, castellan of Salisbury Castle, and ultimately founder and abbess of Lacock Abbey.