Modern Fiction

Alex Foaly, Morgan Tyron, and Vinny Jensen are wanted terrorists. Luckily for them, they are presumed dead. Mostly. In the months since the sinking of the MV Aguilar in the Hudson Bay, the three contractors-turned-"terrorists" have gone to ground, waiting it out and biding their time as they develop a plan to clear their names for an attack they did not commit, but the world blames them for.

To Christina Olson, the entire world was her family's remote farm in the small coastal town of Cushing, Maine. Born in the home her family had lived in for generations, and increasingly incapacitated by illness, Christina seemed destined for a small life. Instead, for more than 20 years, she was host to and inspiration for the artist Andrew Wyeth and became the subject of one of the best known American paintings of the 20th century.

We live within the ruins of an ancient civilization whose size has rendered it invisible. Remembered in myth as Atlantis, Lemuria, or other lost world archetypes, the remains of this advanced civilization have lain buried for millennia beneath the deserts and oceans of the world. Investigating the perennial myth of a forgotten fountainhead of civilization, J. Douglas Kenyon presents extensive physical and spiritual evidence of a lost great culture, the collective amnesia that wiped it from planetary memory, and the countless ways ancient catastrophes still haunt modern civilization.

In 1914, when Nicandra is eight, all is well in the grand Irish estate, Deer Forest. Maman is beautiful and adored. Dada, silent and small, mooches contentedly around the stables. Aunt Tossie, of the giant heart and bosom, is widowed but looks splendid in weeds. The butler, the groom, the land-steward, the maids, the men - each as a place and knows it. Then, astonishingly, the perfect surface is shattered; Maman does something too dreadful ever to be spoken of.

Lady Charlotte French-McGrath has successfully ruled over her family with a rod of iron until the arrival of Cynthia: beautiful, young, talented, selfish - and engaged to her son, Desmond. When Cynthia enters the Jazz Age, on the surface her life passes in a whirl of hunting, drinking and romance. But the ghosts of Garonlea are only biding their time: they know the source of their power, a secret handed on from one generation to the next.

After Maria Mast's abusive ex-boyfriend is arrested for being involved in sex trafficking and modern-day slavery, she thinks she and her son, Carter, can safely return to her Amish community. But the danger has only just begun. Someone begins stalking her, and they want blood and revenge.

The time is the early '80s. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city.

Over the past fifty years, fiction in English has never looked more various. Books bulkier than Victorian three-deckers appear alongside works of minimalist brevity, and experiments with form have produced everything from verse novels to Twitter-thread narratives. This is truly a golden age. But what unites this kaleidoscopic array of genres and styles? Celebrated writer and critic Peter Kemp shows how modern writers are obsessed with the past.

When Sam meets Leah in a bar one night, he's tongue-tied and leaves her with the mistaken impression that he's not interested because she's not thin enough. But when he finds himself helping Leah deliver a wedding cake to her ex-boyfriend's wedding, he comes to her rescue after a pushy woman insults Leah about her dating prospects and her weight - by proclaiming he's her fiancé. Leah is furious. Because that pushy woman is her mom, and now her family can't wait for the wedding.

In December 1930, just before Christmas, the Gibbsville, Pennsylvania, social circuit is electrified with parties and dances. At the center of the social elite stand Julian and Caroline English. But in one rash moment born inside a highball glass, Julian breaks with polite society and begins a rapid descent toward self-destruction.

Med school dropout Lena is desperate for a job, any job, to help her parents, who are approaching bankruptcy after her father was injured and laid off nearly simultaneously. So when she is offered a position, against all odds, working for one of Boston’s most elite families, the illustrious and secretive Verdeaus, she knows she must accept—no matter how bizarre the interview or how vague the job description. By day, she is assistant to the family doctor and his charge—the sickly, poetic, drunken heir to the family empire, who is as difficult as his illness is mysterious.

When Liv, Ellen and Håkon, along with their partners and children, arrive in Rome to celebrate their father’s 70th birthday, a quiet earthquake occurs: their parents have decided to divorce. Shocked and disbelieving, the siblings try to come to terms with their parents’ decision as it echoes through the homes they have built for themselves and forces them to reconstruct the shared narrative of their childhood and family history.

In New Orleans in 1937, a man and woman embark on a headlong flight into the wilderness of illicit passion. In Mississippi ten years earlier, a convict risks his one chance at freedom to rescue a pregnant woman. From these separate stories Faulkner composes a symphony of deliverance and damnation.

My mother's New Year's resolution for me was simple: make a serious effort at putting myself out there and dating again and do it for one full year. Or, until I fell in love. Whichever came first. How hard could one year of swipes and matches and awkward first dates be? In a word: bad. In nine words: bad and also hilarious, demoralizing, exhausting, and ridiculously amusing.

High in the Himalayas near Darjeeling, the old mountaintop palace shines like a jewel. When it was the General's 'harem' palace, richly dressed ladies wandered the windswept terraces; at night, music floated out over the villages and gorges. Now, the General's son has bestowed it on an order of nuns, the Sisters of Mary. Well-intentioned yet misguided, the nuns set about taming the gardens and opening a school and dispensary for the villagers.

A Modern Utopia is a 1905 novel by H. G. Wells. Because of the complexity and sophistication of its narrative structure, A Modern Utopia has been called "not so much a modern as a postmodern utopia." The novel is best known for its notion that a voluntary order of nobility known as the Samurai could effectively rule a "kinetic and not static" world state so as to solve "the problem of combining progress with political stability".

This collection of masterful reinterpretations brilliantly demystifies and breathes new life into Shakespeare's work, demonstrating the continued resonance of a playwright whose popularity remains more than 400 years after his death. Now, the passion, heartbreak, deception, reconciliation, and mortality of Shakespeare’s originals can be understood by all, without the need to cross-reference to an enjoyment-sapping study guide.

An excellent collection of creepy ghost stories from some of the most notable names of early horror fiction, including: “The Willows” by Algernon Blackwood, “The Shadows On The Wall” by Mary E. Wilkins Freeman, “The Messenger” by Robert W.Chambers, “Lazarus” by Leonid Andreyev, “The Beast With Five Fingers” by W.F. Harvey, “The Mass Of Shadows” by Anatole France, “What Was It” by Fitz-James O’brien, “The Middle Toe Of The Right Foot” by Ambrose Bierce, “The Shell Of Sense” by Olivia Howard Dunbar, and more!

Lucky navigates her teen years—from first kisses and brushes with famous older men to attending boarding school and adventuring through exotic Greek islands—as Gino, a powerful Vegas hotel owner, struggles to control her. Meanwhile, her brother, Dario, is too scared to tell Gino that he's gay. But fearless Lucky will not be held back by her father...or anyone else. Soon she has no choice but to strike out on her own path—one that will lead her to become the powerful and charismatic woman that she was destined to be.

Emma Yoon dreams of opening her very own culinary school in Los Angeles. She’s saving up for it by teaching young ladies the art of Korean royal court cuisine, a prerequisite to marrying into the exclusive upper crust Korean families. Thanks to her godmother, a renowned Korean matchmaker, business is booming, and Emma doesn’t have the time, nor the desire, to settle down herself. But when rival matchmakers come after her godmother by taking issue with Emma’s single status, her godmother’s reputation and Emma’s dreams face potential ruin.