New Mexico Mysteries

Despite the government's best efforts to explain it away, after nearly 70 years, Roswell is a story that just won't disappear. Parents who were present during or immediately after the incident may have passed on, but their children know what happened‚ and have paid dearly for their knowledge. These are their stories.

An old Spanish historical mystery awakens the interest of a journalist, a retired psychic spy for a top-secret U.S. Air Force program, and several cardinals in Rome. Its solution is linked to a 16th-century nun, who was accused by the Spanish Inquisition of traveling more than 500 times to the New Mexico territories by using her power to "bilocate" (to be in two places at the same time).

The stories in this collection reflect a fundamental truth about Santa Fe: history depends on who's telling it. Too often the story of this city has been told only by the conquerors and the tourism PR firms. Hear the stories that never make the glossy tour brochures: the working class and the underground, the decolonized and the ever-haunted; the Santa Fe only we know.... Conquered and reconquered, colonized and commodified, Santa Fe understands - from historical genocide to the murders of family members - the intimacy of violence.

When the story opens, the eponymous hero of Rudolfo Anaya's novel is in an ambulance en route to a hospital for crippled children in the New Mexican desert. A poor boy from Albuquerque, 16-year-old Tortuga takes his name from the odd, turtle-shaped mountain that is rumored to possess miraculous curative powers. Tortuga is paralyzed, and not even his mother's fervent prayers can heal him. But under the mountain's watchful gaze, with the support of fellow patients, he begins the Herculean task of breaking out of his shell and becoming whole again.

In Mount Dragon, einem Forschungslabor in der Wüste von New Mexico, arbeiten Wissenschaftler an einem Präparat, das Tausenden von Menschen tagtäglich das Leben retten könnte. Doch etwas läuft gewaltig schief in diesem Labor...

A questo autore dall'inconfondibile vena pessimista e cruda, dall'originale scrittura raffinata e apparentemente naturale, tratta dal linguaggio parlato, ma piena di intrusioni e slanci d'autore, appartiene una serie di romanzi dimenticati, a metà tra il romanzo criminale e il western. A questo filone, quasi sfociante nel dramma antirazzista, che allora furoreggiava in certo cinema e in certo teatro americano alla Tennessee Williams, appartiene "Rossa".