Noir Anthology

A brilliant reporter, haunted by her husband's death....A disgraced cop, tangled in a web of lies....Two unlikely heroes, brought together by one unthinkable crime....

Step into Indian Country. Enter the dark welter of troubled history throughout the Americas, where the heritage of violence meets the ferocity of intent. Features brand-new stories by: Mistina Bates, Jean Rae Baxter, Lawrence Block, Joseph Bruchac, David Cole, Reed Farrel Coleman, O'Neil De Noux, A.A. Hedge Coke, Gerard Houarner, Liz Martnez, R. Narvaez, Kimberly Roppolo, Leonard Schonberg, and Melissa Yi.

Manila provides the ideal, torrid setting for an Akashic Noir series volume. It's where the rich rub shoulders with the poor, where five-star hotels coexist with informal settlements, where religious zeal coexists with superstition, and where politics is often synonymous with celebrity and corruption.

Akashic Books’ acclaimed series of original noir anthologies has set a high standard for portraying cities and their neighborhoods in all their dark and violent splendor. Now, Mexico City Noir surpasses that standard with phantasmagorical tales of double-dealing, corruption, violence and self-delusion.... This collection is such a varied literary feast.

Nairobi Noir is an act of excavation, rediscovering the city's ossified past and infusing life to preserve it for future generations. It is also an act of celebration, reminding listeners of the brilliance of the best-known writers to emerge from this part of the world, and heralding the birth of new writers whose gifts, we can safely predict, will shine brightly in the years ahead.

Laura and Sam are obsessed with film noir. In their sun-drenched apartment in Miami, they watch 1940's black and white movies, whose characters move in shadows and narrow slats of light. They're fascinated by a Hollywood genre without happy endings, where everyone is corrupt, where lovers betray one another, where the war might be over and the boys might be home, but where nothing is going back to the way it was.

Berlin does not make it easy to write noir fiction - or perhaps Berlin makes it too easy. Noir tradition casts a long, influential, and even daunting shadow. Neither Döblin nor Benn, Brecht nor Lang, catered to any crime fiction traditions. They merely steeped their literary projects in a great deal of noir. And so it is with most of the stories in our anthology: they do not necessarily follow the usual patterns of crime fiction, but regard noir as a license to write as they wish, a certain way of approaching the city, and a prism through which its nature is viewed....

Noir contains three classic thrillers by Richard Matheson, the grand master of suspense. Originally published in the 1950s, at the very beginning of Matheson’s distinguished career, these page-turning classics are finally on audio for your listening pleasure. Now listeners everywhere can savor three unforgettable tales of crime, corruption, and cold-blooded murder.

Irish crime-fiction sensation Ken Bruen and cohorts shine a light on the dark streets of Dublin. Dublin Noir features an awe-inspiring cast of writers who between them have won all major mystery and crime-fiction awards. This collection introduces secret corners of a fascinating city and surprise assaults on the "Celtic Tiger" of modern Irish prosperity.

Sin City. An artificial oasis of pleasure, spectacle, and entertainment, the gambling capital of America has reinvented itself so many times that it's doubtful that anyone knows for sure what's real and what isn't in the miles of neon and scorching heat. Las Vegas is considered the ultimate player's destination, no matter what your game. Las Vegas is the true city that never sleeps, where fortunes are made and lost every day, and where snake-eyes aren't found just on a pair of dice.

A comic vignette in which a carnival barker's valuable watch gets stolen during an illegal poker game. The local sheriff seems in no hurry to apprehend the thief, until a reward is offered.

Some of the best-known and most influential pieces of crime fiction have been from African American writers. Be it Walter Mosley's great Detective Easy Rawlins, or the mean streets of Harlem at the hands of Chester Himes, the stories and characters in this anthology have shaped the mystery genre with their own unique viewpoints and styles. Contributors to the collection include Robert Greer, Chester Himes, Walter Mosley, Cary Phillips, Frankie Bailey, and Richard Wright.

The Wrong End of a Gun is a modern day noir mystery short by bestselling novelist R. Barri Flowers. When a man meets a beautiful blonde woman, his dream turns into a nightmare in which there may be no escape.

New York Times best-selling author Sara Paretsky is the master of twisting suspense and propulsive plot. She has been hailed by the crime community as "a legend" (Harlan Coben) and "one of the all-time greats" (Karin Slaughter). Her acclaimed novels featuring detective V.I. Warshawski rank among the most celebrated crime series in modern fiction. Now in this spellbinding collection, Paretsky showcases her extraordinary talents with 14 short stories, eight of which feature the indomitable detective - and a new V.I. story.

While all Iraqis will readily agree that their life has always been noir, the majority of the stories in Baghdad Noir are set in the years following the American invasion of 2003, though one story is set in 1950 and three are set in the 1970s and 1980s. Yet it is this recent history of Iraq—over the last few decades—that serves to inform its present....

From the pulpy pages of Black Mask Magazine in the 1920s and '30s, through the film noir era of the 1940s, to today, noir fiction has lured many a reader and movie-goer away from the light and into the dark underbelly of society. Names such as Raymond Chandler, Dashiell Hammett, and James M. Cain; titles like The Big Sleep, The Maltese Falcon, The Postman Always Rings Twice...these have inhabited our collective consciousness for decades. Humanity, it seems, loves the dark. And within the dark, one figure stands out: that of the femme fatale.

"Bartleby, the Scrivener: A Story of Wall Street" is a short story by the American writer Herman Melville, first serialized anonymously in two parts in the November and December 1853 issues of Putnam's Magazine, and reprinted with minor textual alterations in his The Piazza Tales in 1856. A Wall Street lawyer hires a new clerk who, after an initial bout of hard work, refuses to make copy and any other task required of him, with the words "I would prefer not to".

He's touching the front of his coat, feeling the shape of the gun. Should have got rid of it. On any other night, any other job, he would. This isn't any other job. This, he intends, will be his last... It begins with two deaths: a money-man and a grass. Deaths that offer a unique opportunity to a man like Calum MacLean. A man who has finally had enough of killing. Meanwhile two of Glasgow's biggest criminal organisations are at quiet, deadly war with one another. And as Detective Michael Fisher knows, the biggest - and bloodiest - manoeuvres are yet to come...

The crime fiction canopy's a broad one, with room to give shelter to writing of all sorts, as editor Lawrence Block shows with At Home in the Dark.

In a world of criminals, thugs, con artists, cheats, and swindlers, there must be a man to stand against the powers of darkness and corruption. A man not afraid to walk the mean streets—whether they be those of 1930s Los Angeles, an ancient fantasy realm, or some far-flung planet of a future star empire. He is a man who knows that a “good man” is not always a “nice guy”. But when the chips are down, he understands that a hero does the right thing, even if it means losing everything.