Noir Anthology

Bombay's communal riots of 1992 - in which Hindus were alleged to be the primary perpetrators - were followed by retaliatory bomb blasts in 1993, masterminded by the Muslim-dominated underworld. Over a thousand citizens lost their lives in these internecine bouts of violence and thousands more became refugees in their own city. In a matter of months, Bombay ceased to be the cosmopolitan, wholesome, and middle-class bastion it had been for decades.

In a city full of police controversies, hippie artist punk houses, and overzealous liberals, Portland, Oregon, is a place where even its fiction blurs with its bizarre realities. Brand-new stories by: Gigi Little, Justin Hocking, Christopher Bolton, Jess Walter, Monica Drake, Jamie S. Rich (illustrated by Joelle Jones), Dan DeWeese, Zoe Trope, Luciana Lopez, Karen Karbo, Bill Cameron, Ariel Gore, Floyd Skloot, Megan Kruse, Kimberly Warner-Cohen, and Jonathan Selwood.

Brand-new stories by: Diana Gabaldon, Lee Child, James Sallis, Luis Alberto Urrea, Jon Talton, Megan Abbott, Charles Kelly, Robert Anglen, Patrick Millikin, Laura Tohe, Kurt Reichenbaugh, Gary Phillips, David Corbett, Don Winslow, Dogo Barry Graham, and Stella Pope Duarte.

Mystery sensation Pelecanos pens the lead story and edits this groundbreaking collection of stories detailing the seedy underside of the nation's capital. This is not an anthology of ill-conceived and inauthentic political thrillers. Instead, in D.C. Noir, pimps, whores, gangsters, and con-men run rampant in zones of this city that most never hear about.

From the introduction to Philadelphia Noir: "America's first great city, first capital, and first industrial metropolis contained from the beginning the mix of poor workers and elite culture, of ethnic enclaves and religious intolerance, of easy skullduggery and flesh-pot possibilities, that led Lincoln Steffens in 1903 to famously rule it 'corrupt and contented'."

"Readers of Brooklyn Noir will recall that its contents were labeled by neighborhood - Bay Ridge, Canarsie, Greenpoint, etc. We have chosen the same principle here, and the book's contents do a good job of covering the island, from C.J. Sullivan's Inwood and Charles Ardai's Upper East Side, to Justin Scott's Chelsea and Carol Lea Benjamin's Greenwich Village."

The most civilized and 'decent' among us find that we are complicit with the most brutal murderers. We enter into literally unspeakable alliances - of which we dare not speak except through the obliquities and indirections of fiction, poetry, and visual art of the sort gathered here in New Jersey Noir.

There is something of both the absolutely spectacular and positively disgraceful about Tehran. But most writers around the world are inclined to think that their own sprawling metropolis is the capital of every imaginable vice and crime, of impossible love and tenderness and cruelty and malice in measures that seldom exist anywhere else. For me, Tehran's case is no different - except that there really is a difference here. The city may be a hothouse of decadence, a den of inequity, all that. But it still exists under the watchful eye of a very unique entity, the Islamic Republic.

The stories in this collection reflect a fundamental truth about Santa Fe: history depends on who's telling it. Too often the story of this city has been told only by the conquerors and the tourism PR firms. Hear the stories that never make the glossy tour brochures: the working class and the underground, the decolonized and the ever-haunted; the Santa Fe only we know.... Conquered and reconquered, colonized and commodified, Santa Fe understands - from historical genocide to the murders of family members - the intimacy of violence.

Some locales seem to come with their own soundtrack. Don Ho and his tiny bubbles provide the background music for Hawaii, Edith Piaf for Paris. The reggae of Bob Marley evokes Jamaica. The soundtrack for Alabama is without question provided by our troubled troubadour Hank Williams. The 2016 biography Hank by Mark Ribowsky paints a dark picture of the musician's short, alcoholic, drug-filled life: a life of loneliness and pain. He goes so far as to call Hank's life story "noir-ish"....

Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. This anthology includes brand-new stories by: Tommy Moore, Jessica Breheny, Naomi Hirahara, Calvin McMillin, Liza Monroy, Elizabeth McKenzie, Jill Wolfson, Ariel Gore, Jon Bailiff, Maceo Montoya, Micah Perks, Seana Graham, Vinnie Hansen, Peggy Townsend, Margaret Elysia Garcia, Lou Mathews, Lee Quarnstrom, Dillon Kaiser, Beth Lisick, and Wallace Baine.

A city equal parts darkness and hope. A scarred city. An often violent one. But a resilient city, too. That's our Memphis. Like many cities we have a namesake - in Egypt, Men-nefer became Menfe became Memphis, enduring and beautiful, on the banks of the Nile. Centuries later, another continent, another people, another river: Memphis, Tennessee, the soul of the Mississippi Delta, was formed.

Vous n'en ferez qu'une bouchée ! Lola Stefani est une jeune mannequin retenue prisonnière depuis 3 mois par un homme qui la force à se nourrir. Pesée régulièrement, elle souffre de se sentir prendre du poids. Attachée à son lit, elle se remémore ses parents, ses débuts de mannequin et sa perte de poids ayant entraîné l'admiration de son amie Giulia, morte en essayant de lui ressembler. Sa captivité a-t-elle un lien avec cet événement ?

Vous n'en ferez qu'une bouchée ! Lors de l'anniversaire de sa fille Léa, Mathilde reçoit par drone un colis contenant du chocolat, denrée devenue rare. Sa belle-sœur Juliette, avec qui elle ne s'entend pas, soupçonne un lien avec l'arrestation de son fils Bastien, qui avait caché une famille de réfugiés. Juliette accuse Mathilde d'avoir dénoncé Bastien et le soir même, Léa meurt empoisonnée.

Vous n'en ferez qu'une bouchée ! Léa est une enfant de 12 ans à la situation familiale compliquée : sa mère n'a pas grand attachement pour elle et son père a passé les trois dernières années à l'hôpital en raison de troubles mentaux. Décrit comme imprévisible par sa mère, qui craint qu'il se montre violent, Léa décide tout de même de passer une journée avec lui. Pour se préparer, elle écrit son testament.

This anthology, with stories set in different prisons across the US, presents an absolutely new perspective on prison literature. Featuring brand-new stories by: Christopher M. Stephen, Sin Soracco, Scott Gutches, Eric Boyd, Ali F. Sareini, Stephen Geez, B.M. Dolarman, Zeke Caligiuri, Marco Verdoni, Kenneth R. Brydon, Linda Michelle Marquardt, Andre White, Timothy Pauley, Bryan K. Palmer, and William Van Poyck.

San Francisco Noir lashes out with hard-biting tales exploring the shadowy nether regions of scenic "Baghdad by the Bay". In this superb collection, virtuosos of the genre meet up with the best of SF’s literary fiction community to chart a unique psycho-geography for a dark landscape. From inner city boroughs to the outlands, each contributor offers an original story based in a distinct neighborhood.

When you think of St. Petersburg noir, some of the greatest literary names immediately spring to mind - Alexander Pushkin, Nikolay Gogol, and Fyodor Dostoevsky. Modern day St. Petersburg lavishly offers the scenery and conditions for true noir stories, and the writers in St. Petersburg Noir succeed in concocting their own worlds within this city with stories ranging from mystical to outwardly grotesque.

Brand-new stories from David Housewright, Steve Thayer, Judith Guest, Mary Logue, Bruce Rubenstein, K.J. Erickson, William Kent Krueger, Ellen Hart, Brad Zellar, Mary Sharratt, Pete Hautman, Larry Millett, Quinton Skinner, Gary Bush, and Chris Everheart.

From the introduction by David L. Ulin: "For me, Cape Cod is a repository of memory: forty summers in the same house will do that to you. But it is also a landscape of hidden tensions, which rise up when we least anticipate. In part, this has to do with social aspiration, which is one of the things that brought my family, like many others, to the Cape. In part, it has to do with social division, which has been a factor since at least the end of the nineteenth century, when then summer trade began."