Occult Horror Fiction

Once there was a young woman from a well-to-do New England family who never quite fit with the drawing rooms and parlors of her kin. Called instead to the tangled woods and wild cliffs surrounding her family’s estate, Margaret Harlowe grew both stranger and more beautiful as she cultivated her uncanny power. Soon, whispers of “witch” dogged her footsteps, and Margaret’s power began to wind itself with the tendrils of something darker.

She is a housewife: young, healthy, blissfully happy. He is an actor: charismatic and ambitious. The spacious, sun-filled apartment on Manhattan's Upper West Side is their dream home, a dream that turns into an unspeakable nightmare. Enter the chilling world of Ira Levin, where terror is as near as your new neighbors and where evil wears the most innocent face of all.

They didn't know it was the last day of normal. Liam - husband, father - the rock who anchored them in a comfortable life in sunny Miami had been gunned down by a hit man. The wounds of losing him are raw when Lydia and her two children are snatched for their own protection. The FBI scoop the family into the Witness Protection Program. Their safety from the drug cartel is assured.

My family has always found me lacking. From the way I dress, how I look, to the type of magic I have. My family name is full of pomp and prestige, and I want nothing to do with it. I’m a witch that knows how to set a goal and I have one in mind. I want a real family. It seems too good to be true that I can give the list of traits I want in a partner and have my deepest desire answered, but I’m out of options. From the very first moment I meet Elliot Bramblewick, I have hope. But he’s tricky. I’m not expecting him to be hiding two other mates.

The Lurking Fear includes examples of Lovecraft's earliest weird fiction including "Hypnos", "What the Moon Brings", "Imprisoned with the Pharaohs", and "Memory" (inspiration for the 2014 film of the same name), as well as the title story, "The Lurking Fear", a traditional horror study commissioned by George Julian Houtain to be run as a serial in Home Brew magazine in 1923 that has served as the source material for multiple films and been adapted into a comic book.

It’s no surprise to Betsy that her trip to Hell with her sister, Laura, landed them in hot water. Betsy isn’t exactly sorry she killed the Devil but it’s put Laura in a damnable position: assuming the role of Satan (she may not have the training but she looks great in red) - and in charge of billions of souls as she moves up in the world. Or is that down? But Betsy herself is in an odd new position as well - that of being a responsible monarch suddenly in charge of all things more earth-bound: like her vampire husband, Sinclair, who has gone from relieved to ecstatic to downright reckless now that he can tolerate sunlight.

Lee Barrett has agreed to attend a storage auction with Aunt Ibby - even though she suspects the forgotten rooms will yield more junk than treasure. Her skepticism vanishes once the two win a bid on an overlooked locker and uncover a trove of beautiful curiosities, including a stunning wooden carousel horse with gentle eyes and fading paint. But just before Lee leaves the fairground relic at a local repair shop, the sight of a silver samovar awakens her psychic abilities and conjures visions of murder.

Still undecided about a return to her teaching career, Abby Kimball has thrown herself into restoring the grand Victorian she shares with her boyfriend, Ned. She's happy to put thoughts of her strange ability to see the dead on the back burner for a while, but she realizes that won't be so easy when she's faced with two new compelling encounters. First, a plumber she's hired has a shocking experience with an old tool they find buried in the house's walls, and then the interior life of an autistic boy streams through her mind as if he were speaking.

With nothing but the clothes on his back - and something horrific snapping at his heels - Jack Winter fled his rural Georgia home when he was just a boy. Watching the world he knew vanish in a trucker’s rearview mirror, he thought he was leaving an unspeakable nightmare behind forever. Now, years later, the bright new future he’s built suddenly turns pitch black, as something fiendishly familiar looms dead ahead. Surviving a violent car crash seems like a miracle for Jack’s family, but Jack knows there’s nothing divine about it.

When Mouse’s dad asks her to clean out her dead grandmother's house, she says yes. After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more - Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants...until Mouse encounters some of the terrifying things he described for herself.

After Grand-mere Ursule gives her life to save her family, their magic seems to die with her. Even so, the Orchires fight to keep the old ways alive, practicing half-remembered spells and arcane rites in hopes of a revival. And when their youngest daughter comes of age, magic flows anew. The lineage continues, though new generations struggle not only to master their power, but also to keep it hidden. But when World War II looms on the horizon, magic is needed more urgently than ever.

Stephen King's first full-length solo novel since Dreamcatcher, the long-awaited From a Buick 8 is "nearly flawless and one terrific entertainment," says Publishers Weekly. A strange car acts as a conduit between our world and some other...and the boogeyman of this creepy story is our collective fascination with deadly things.

Beatrice Bird is plagued by ghosts. It’s a gift she’s had since she was a small child. Unfortunately, it’s a gift that has grown more intense, shifting from flashes and feelings to physical manifestations she can’t escape. In a desperate attempt for relief, Beatrice flees her home, her partner, and a psychology practice in San Francisco for a remote island with only nuns and a few cows for company. She sees as few people as she possibly can. She doesn’t call home. Then she meets Anne Iredale, a timid woman who has lost everything that matters to her.

Somewhere just off the interstate, in the heart of the American Midwest, there's a quaint, quirky town where the stars in the sky circle a hypnotic void...where magnetic fields play havoc with time and perception...where metallic rain and plasma rivers and tentacles in the plumbing are simply part of the unsettling charm.

Anna is back with her pack, but her troubles are far from over. Anna has new allies, but she's also made new enemies. Anna is focused on building her relationships with the guys, and forges a deeper connection with Austin than she ever thought would be possible. But danger lurks within her home, right under her nose.

An army of monsters walks among us. A war wages between petty gods. The end of the world draws ever closer. And worst of all—Jack can't find anybody to help cover the night shift.

There are three ways up to Castle View from the town of Castle Rock: Route 117, Pleasant Road, and the Suicide Stairs. Every day in the summer of 1974, 12-year-old Gwendy Peterson has taken the stairs, which are held by strong (if time-rusted) iron bolts and zigzag up the cliffside. At the top of the stairs, Gwendy catches her breath and listens to the shouts of the kids on the playground. One day a stranger calls to Gwendy: "Hey, girl. Come on over here for a bit. We ought to palaver, you and me."

There's only one word to describe the devil's kiss. Violent. There's only one word to describe a hunter who locks lips with the most revered, most feared, and most despicable demon to have ever existed. Traitor. A hunter and the Devil. It's not just an unlikely pair. It's an impossible one. Add his two henchmen to the mix and there's only one word that spells. Disaster. I am Melody Black. Daughter of the New York Guild's leader. Daughter of the best hunter to have ever existed. But daddy dearest is about to lose his title.

Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating, chronic pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theatre director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised—and cost—her everything, she faces a mutinous cast hell-bent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.

As daughters of the impoverished King of Montenegro, Militza and Stana must fulfill their duty to their father and leave their beloved home for St. Petersburg to be married into senior positions in the Romanov court. For their new alliances to the Russian nobility will help secure the future of the sisters’ native country. Immediately, Militza and Stana feel like outcasts as the aristocracy shuns them for their provincial ways and for dabbling in the occult. Undeterred, the sisters become resolved to make their mark by falling in with the lonely, depressed Tsarina Alexandra.