Popular Culture History

Die Revolution begann in Kinderzimmern: Mit dem C64, dem ersten millionenfach verbreiteten Heimcomputer...

How is it that comic books - the once-reviled form of lowbrow popular culture - are now the rage for Hollywood blockbusters, the basis for best-selling video games, and the inspiration for literary graphic novels? In Demanding Respect, Paul Lopes immerses himself in the discourse and practices of this art and subculture to provide a social history of the American comic book over the last 75 years.

This audiobook profiles the hottest rock 'n roll women, spanning the 1960s to current times - from Janis Joplin, Suzi Quatro and Chrissie Hynde to Courtney Love and Pink. With perceptive biographies and in-depth music critiques, author Alison Stieven-Taylor gives an up-close and personal look at the experiences, adventures, and musical passions of these extraordinary and talented women whose wild vocals and on-stage antics have made them rock 'n roll legends.

Who are you? It’s the most fundamental of human questions. Are you the type of person who tilts at windmills, or the one who prefers to view them from the comfort of an air-conditioned motorcoach? Our personalities are endlessly fascinating—not just to ourselves but also to our spouses, our parents, our children, our co-workers, our neighbors. As a highly social species, humans have to navigate among an astonishing variety of personalities.

Drawing on history and popular culture, biblical research and everyday beliefs, Lisa Miller offers a new understanding of one of the most cherished—and shared—ideals of spiritual life. She raises debates and discussions not just about our visions of the afterlife, but about how our beliefs have influenced the societies we have built and the lifestyles to which we have subscribed.

The hundreds of end-of-time prophecies splashed across the consciousness from the time of clay tablets to our Internet have had something besides hysteria in common: every one of them has been wrong. Here is a survey of three millennia of apocalyptic prophecies, tracing one of the most remarkable threads of our cultural history: our long and unproductive fascination with apocalyptic myths and miracles that can solve our problems without requiring committed action in our own lives.

Throughout his career, Johnny Cash was depicted - and depicted himself - as a walking contradiction: social protestor and establishment patriot, drugged wildman and devout Christian crusader, rebel outlaw hillbilly thug and elder statesman. Leigh H. Edwards explores the allure of this paradoxical image and its cultural significance. She argues that Cash embodied irresolvable contradictions of American identity that reflect foundational issues in the American experience.

While "freaks" have captivated our imagination since well before the 19th century, the Victorians flocked to shows featuring dancing dwarves, bearded ladies, "missing links", and six-legged sheep. Indeed, this period has been described by Rosemarie Garland-Thomson as the epoch of "consolidation" for freakery: an era of social change, enormously popular freak shows, and taxonomic frenzy. Victorian Freaks: The Social Context of Freakery in Britain, edited by Marlene Tromp, turns to that rich nexus, examining the struggle over definitions of "freakery".

As the 1960s drew to a close, the United States was coming apart at the seams. From August 1969 to August 1970, the nation witnessed 9,000 protests and 84 acts of arson or bombings at schools across the country. It was the year of the My Lai massacre investigation, the Cambodia invasion, Woodstock, and the Moratorium to End the War. The American death toll in Vietnam was approaching 50,000, and the ascendant counterculture was challenging nearly every aspect of American society.

Rolling Stone contributing editor Steve Knopper delves deeply into Michael Jackson's music and talent. From the artist's early days with the Jackson 5, to his stratospheric success as a solo artist, to "Beat It" and "Thriller", "Bad", and "The Man in the Mirror", to his volatile final years, his attempted comeback, and his untimely death, Knopper explores the beguiling and often contradictory forces that fueled Michael Jackson's genius.

Raymond Sarlot bought the Chateau Marmont in 1975, but what was originally a business purchase became a love affair as he delved into the hotel's incredible history. From its perch overlooking the Sunset Strip, the glamorous Marmont reigned for decades as the spot for artists, writers, musicians, and actors of every stripe and remains a home-away-from-home for A-listers like Scarlett Johansson and Johnny Depp. Here, Sarlot and coauthor Fred E. Basten share a wealth of scandalous and intriguing tales about them all.

The greatest wave of communal living in American history crested in the tumultuous 1960s era including the early 1970s. To the fascination and amusement of more decorous citizens, hundreds of thousands of mostly young dreamers set out to build a new culture apart from the established society. Widely believed by the larger public to be sinks of drug-ridden sexual immorality, the communes both intrigued and repelled the American people.

By the early 1970s, practically everyone under a certain age liked rock music, but not everyone liked it for the same reasons. We typically associate the sounds of classic rock 'n' roll with youthful rebellion by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But in this insightful and timely book, author George Case shows how an important strain of rock music from the late 1960s onward spoke to and represented an idealized self-portrait of a very different audience.

A wall in the distant north cuts the world in two. Ruthless sea borne warriors raid the coasts from their war galleys, yearning to regain lost glories. A young nobleman and his kin are slaughtered under a banner of truce within a mighty castle. A warrior king becomes a legend when he smites his foe with one swing of his axe during a nation-forging battle. Yet this isn’t Westeros–it’s Scotland.

Da sempre misuriamo il mondo. Per conoscerlo ed esplorarlo, per viverci, per interagire con i nostri simili. L'umanità misura per conoscere il passato, comprendere il presente, progettare il futuro. Ci sono voluti però millenni perché due rivoluzioni, quella scientifica iniziata con Galileo e quella francese, avviassero il percorso per rendere il sistema di misura condiviso e non più basato su deperibili artefatti umani, ma su elementi invariabili e universali della natura.

Per gli antichi le Sirene erano mostri orripilanti, per metà uccelli e per metà donne. Eppure, esse avevano qualcosa che le rendeva irresistibili: la voce, suadente e ammaliatrice. Insieme ad altre figure mitologiche a loro affini come Circe, Calipso ed Elena, le Sirene sono in questo libro le protagoniste della prima tappa di un cammino che, partendo da Omero e a Omero ritornando, si concentra sull'Atene del V secolo, la città della democrazia e della parola.

Oggi per la Chiesa la situazione è molto difficile. Si tratta di una delle tante crisi che il cristianesimo ha vissuto o di un definitivo declino? È un interrogativo che inquieta anche chi guarda al cristianesimo dall’esterno. Ma crisi non vuol dire necessariamente fine. Può essere un’opportunità per aprirsi al futuro, sapendo che il grande rischio è accontentarsi di sopravvivere, rimpiangendo un passato migliore. La soluzione è vivere nella crisi. La Chiesa oggi è chiamata a una condizione di lotta, questa volta non contro nemici esterni ma contro l’indifferenza e il discredito.

Nel 1933 viene lanciato nei cinema USA "I tre porcellini" di Walt Disney. Questo piccolo avvenimento segna l'inizio della parabola della cultura mainstream promossa dai film delle majors hollywoodiane, raccolta e amplificata dalla radio e dalla tv. Questo tipo di cultura, basata su un'idea consolatoria dell'intrattenimento, fondata su una visione manichea del bene contro il male e sul must del lieto fine, prende forma allora e mette radici nell'immaginario collettivo dell'Occidente.

The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. Rebecca Weeks fills the gap in this area and defends the historiographic power of long-form dramas.

In the late 1990s, Manchester was a city in upheaval. The devastation of the IRA bomb and the closure of the infamous Haçienda nightclub were seismic events that rocked the city’s confidence at a time when identikit bands were flooding its clubs and bars, fuelled on anthemic guitar rock and swagger. Stereotypes were everywhere, while the spirit of Manchester was silently suffocating. Mancunians: Where do we start, where do I begin? is the story of those who didn’t fit the typecast.