Psychological Crime Thrillers

Five hours. Four points of view. Vincent is a wealthy banker living in one of the plushest penthouses Dublin has to offer. Ryan is a former PR executive who quit his job in an attempt to write a best-selling novel. Jack is a former member of one of Dublin’s notorious crime gangs, keen to get away from his illicit past. Darragh is young and dumb, desperate to make a name for himself in gangland circles.

Professor Anne Waverly teaches religious studies at a respected university. Middle-aged and slightly lame, she spends her days in lecture halls and offices. But occasionally, she works for the FBI. As Ana Wakefield, an eager seeker of higher truths, she infiltrates cults. Now, leaving the security of academia, she is on her way to Arizona in a battered VW bus.

Ray Garrett, a wealthy young American living in Europe, is grieving over the death of his wife. Ray is at a loss for why she would take her own life, but Peggy's father, Ed Coleman, has no such uncertainty - he blames Ray completely. Late one night in Rome, Coleman shoots Ray at point-blank range. He thinks he's had his revenge, but Ray survives and follows Coleman and his wealthy girlfriend to Venice.

Near an isolated mansion lies a beautiful garden. In this garden grow luscious flowers, shady trees...and a collection of precious “butterflies” - young women who have been kidnapped and intricately tattooed to resemble their namesakes. Overseeing it all is the Gardener, a brutal, twisted man obsessed with capturing and preserving his lovely specimens.

The legendary writer Patricia Highsmith is best remembered today for her chilling psychological thrillers The Talented Mr. Ripley and Strangers on a Train. A critically acclaimed, best-selling author in Europe, Highsmith has for too long been underappreciated in the United States. Eleven is Highsmith's first collection of short stories, an arresting group of dark masterpieces of obsession and foreboding, violence and instability.

Thirteen bibliomysteries by best-selling and award-winning authors are contained in this first of volume of a must-listen collection.

Nina can never forgive Maggie for what she did. And she can never let her leave. They say every house has its secrets, and the house that Maggie and Nina have shared for so long is no different. Except that these secrets are not buried in the past. Every other night, Maggie and Nina have dinner together. When they are finished, Nina helps Maggie back to her room in the attic, and into the heavy chain that keeps her there.

Anne and Marco Conti seem to have it all—a loving relationship, a wonderful home, and their beautiful baby, Cora. But one night, when they are at a dinner party next door, a terrible crime is committed. Suspicion immediately lands on the parents. But the truth is a much more complicated story.

A master storyteller at his best - the O. Henry Prize winner Stephen King delivers a generous collection of stories, several of them brand-new, featuring revelatory autobiographical comments on when, why, and how he came to write (or rewrite) each story. Magnificent, eerie, utterly compelling, these stories comprise one of King's finest gifts to his constant fan. "I made them especially for you," says King. "Feel free to examine them, but please be careful. The best of them have teeth."

Sadie and Will Foust have only just moved their family from bustling Chicago to small-town Maine when their neighbor Morgan Baines is found dead in her home. The murder rocks their tiny coastal island, but no one is more shaken than Sadie. But it’s not just Morgan’s death that has Sadie on edge. And as the eyes of suspicion turn toward the new family in town, Sadie is drawn deeper into the mystery of what really happened that dark and deadly night.

On the eve of the global lockdown, Don Barlow opens the door of his old beachside cottage to find a pretty girl with pink-tipped hair, claiming to have nowhere to go. He allows her entry, and so begins a mystery set in unprecedented times: with the virus raging outside their home, the girl cannot be asked to leave, but what does he risk by having her stay?

ll s'appelle Bruno Hamel, il a trente-huit ans et il est chirurgien. Avec sa petite famille — Sylvie sa conjointe, et Jasmine, sa fille de sept ans —, il habite Drummondville et, comme tous les gens heureux, il n'a pas vraiment d'histoire. Jusqu'à ce que Jasmine, par un bel après-midi d'automne, soit violée et assassinée. Dès lors, l'univers de la famille Hamel bascule. Mais lorsque la police arrête le meurtrier, un terrible projet germe dans l'esprit enténébré de Bruno: il va s'emparer du monstre et lui faire payer ce qu'il a fait à sa petite fille.

During the languid days of the Christmas break, a group of 30-something friends from Oxford meets to welcome in the New Year together, a tradition they began as students 10 years ago. For this vacation, they’ve chosen an idyllic and isolated estate in the Scottish Highlands - the perfect place to get away and unwind by themselves. They arrive on December 30, just before a historic blizzard seals the lodge off from the outside world. Two days later, on New Year’s Day, one of them is dead.

Holt Davidson, a Kansas firefighter, hasn’t been back to his hometown of Thompsonville, Colorado, for more than two decades, but when he learns that his estranged mother has taken her own life, he returns for the funeral, hoping to make peace with her memory. He spends the night at his childhood home, rummaging through each room, exploring the past. But instead of nostalgic souvenirs, he discovers a gun, a love letter, and a Polaroid photograph of a man lying in his own blood. Who is the dead man? Was his mother the one who killed him, and, if so, why? Who sent the love letter?

In the frigid pre-dawn hours, in a distressed Midwestern city, hundreds of desperate unemployed folks are lined up for a spot at a job fair. Without warning, a lone driver plows through the crowd in a stolen Mercedes, running over the innocent, backing up, and charging again. Eight people are killed; fifteen are wounded. The killer escapes. Mr. Mercedes is a war between good and evil, from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable.

When editor Susan Ryeland is given the manuscript of Alan Conway's latest novel, she has no reason to think it will be much different from any of his others. After working with the best-selling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan's traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.

A third woman dead in two months, and for the third time, Alison Malville isn't sure her husband was home all night. When the killer sends the usual photo of his victim to the press, she sees an item of her clothing left with this body, too. Could you believe your own husband was capable of murder? Would you turn him in?

It's 1990 in London and Tom Hargreaves has it all: a burgeoning career as a reporter, fierce ambition and a brisk disregard for the "peasants"—ordinary people, his readers, easy tabloid fodder. His star seems set to rise when he stumbles across a sensational scoop: a dead child on a London estate, grieving parents beloved across the neighborhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and “bad apples”: the Greens. At their heart sits Carmel: beautiful, otherworldly, broken, and once destined for a future beyond her circumstances.

In death, they are purified. Holding his victims under water, he washes away their sins as they struggle for their last breath. Then he stakes their bodies to the ground, exposing them for what they really are: witches. No one knows about defence attorney Charlotte Wellington's murdered sister, or about her childhood spent with the carnival that's just arrived in town. For Charlotte, what's past is past. But others don't agree. And as a madman's body count rises, she and Detective Daniel Rokov are drawn into a mission that's become terrifyingly personal.

Until a chance assignment takes GBI investigator Will Trent to the state penitentiary, and to a prisoner who says he recognizes the MO. The attack looks identical to the one he was accused of eight years earlier. The prisoner’s always insisted that he was innocent, and now he’s sure he has proof. The killer is still out there. As Will digs into both crimes, it becomes clear that he must solve the original case in order to reach the truth