Psychological Horror Thriller

There’s a dress in Daisy’s closet. Silver. Low-backed. Tiny spaghetti straps. She’ll wear it to prom on the arm of Harris Zandari, the most gorgeous senior at her school. How did quiet, barely-there Daisy, land Harris Zandari? She watched him. She watched him so closely, and for so long, that she saw things no one else did. She saw through his charm, his bright, smiling face, to the sad, broken person underneath just waiting for the perfect sad, broken girl to complete him. Daisy was that girl.

Mary is a quiet middle-aged woman doing her best to blend into the background. Unremarkable. Invisible. Unknown even to herself. But lately, things have been changing inside Mary. Along with the hot flashes and body aches, she can’t look in a mirror without passing out, and the voices in her head have been urging her to do unspeakable things. Fired from her job in New York, she moves back to her hometown hoping to reconnect with her past and inner self. What she finds instead are visions of terrifying mutilated specters that come with increasing regularity.

A serial murderer known only by a grotesquely apt nickname—Buffalo Bill—is stalking women. He has a purpose, but no one can fathom it, for the bodies are discovered in different states. Clarice Starling, a young trainee at the FBI Academy, is surprised to be summoned by Jack Crawford, chief of the Bureau's Behavioral Science section. Her assignment: to interview Dr. Hannibal Lecter—Hannibal the Cannibal—who is kept under close watch in the Baltimore State Hospital for the Criminally Insane.

Before then her bedroom was a dark, windowless cellar, her activities confined to cooking and cleaning. She'd grown used to being maltreated by the Songoli family - to being a slave. She's never been outside, doesn't know how to read or write, and cannot speak English. At least that's what the Songolis believe. But Muna is far cleverer - and her plans more terrifying - than the Songolis or anyone else can ever imagine....

Thad Beaumont would like to say he is innocent. He'd like to say he has nothing to do with the twisted imagination that produced his best-selling novels. He'd like to say he has nothing to do with the series of monstrous murders that keep coming closer to his home. But how can Thad deny the ultimate embodiment of evil that goes by the name he gave it - and signs its crimes with Thad's bloody fingerprints?

Vera Harlow is a survivor. After a chance encounter led to her being held captive in a disgusting house of horrors, she fought tooth and nail to escape the clutches of a man known only as The Slob. But while she may have fled the disastrous situation, the details of her struggle are now carved into her flesh and soul. Vera’s son is the product of utter depravity. Harold, the sinister seed left by the man who took everything from her, continues to blossom in nauseating fashion. His features and habits are stomach-churning, vividly familiar, and becoming more disturbing by the day.

Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night.

Andrew Larimer has left his past behind. Rising up the ranks in a New York law firm, and with a heavily pregnant wife, he is settling into a new life far from Kingsport, the town in which he grew up. But when he receives a late-night phone call from an old friend, he has no choice but to return home.

Writer Ben Mears has returned to his hometown of Jerusalem's Lot with the hope that moving into a delapidated mansion, long the subject of town lore, might help him get a handle on his life and provide inspiration for a new book. But when two young boys venture into the woods and only one comes out alive, Mears begins to realize that there may be something sinister at work.

A writer in California. A doctor in Boston. A motel owner and his employee in Nevada. A priest in Chicago. A robber in New York. A little girl in Las Vegas. They’re a handful of people from across the country, living through eerie variations of the same nightmare.

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success.

When Penny Dahl calls the Finders Keepers detective agency, hoping for help locating her missing daughter, Holly Gibney is reluctant to accept the case. Her partner, Pete, has Covid. Her (very complicated) mother has just passed away. And Holly is meant to be on leave. But something in Penny’s desperate voice makes it impossible to turn her down. Meanwhile, mere blocks from where Bonnie Dahl disappeared live Professors Rodney and Emily Harris. But they are also harboring a shocking, unholy secret.

Meg wants a normal life. Her new artistic style, born in the depression of her mother's death, is poised to take the art world by storm, if she could just overcome the debilitating anxiety caused by the car accident that scarred her boyfriend, Austin. Encouraged by her therapist, Meg pushes outside her comfort zone to befriend Haley, a guest instructor at the university. Haley is everything Meg wants to be: charismatic, confident, and perfect, but when Austin expresses his worry that Haley is changing Meg too fast, Meg kicks him out of her life. Or at least, she tries.

Once an aristocrat in the heady days of pre-revolutionary France, now Lestat is a rockstar in the demonic, shimmering 1980s. He rushes through the centuries in search of others like him, seeking answers to the mystery of his terrifying exsitence. His story, the second volume in Anne Rice's best-selling Vampire Chronicles, is mesmerizing, passionate, and thrilling.

Chandler Hendricks hates his life. Socially awkward and a near shut-in, Chandler spends his time caring for his ailing mother and watching the neighbors from his window. His favorite person to watch is his next-door neighbor Samantha. Young and beautiful, she would be the woman of any man’s dreams. Chandler knows he will make Samantha happy, if she just gave him a chance. Chandler’s finally ready to make a change and live the life he always wanted…even if it already belongs to someone else.

"I believe there is another man inside every man, a stranger...." writes Wilfred Leland James in the early pages of the riveting confession that makes up "1922", the first in this pitch-black quartet of mesmerizing tales from Stephen King. For James, that stranger is awakened when his wife, Arlette, proposes selling off the family homestead and moving to Omaha, setting in motion a gruesome train of murder and madness.

Ana and Reid needed a lucky break. The horrifically complicated birth of their first child has left Ana paralyzed, bitter, and struggling: with mobility, with her relationship with Reid, with resentment for her baby. That's about to change with the words any New Yorker would love to hear—affordable housing lottery. They've won an apartment in the Deptford, one of Manhattan's most revered buildings. Reid dismisses disturbing events and Ana’s deep unease and paranoia as the price of living in New York—people are odd—but he can't explain the needle-like bite marks on the baby.

Twenty-five years ago, Maggie Holt and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. Three weeks later they fled in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His horror memoir of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity — and skepticism.

An unpopular teenage girl, whose mother is a religious fanatic, is tormented and teased to the breaking point by her more popular schoolmates. She uses her hidden telekinetic powers to inflict a terrifying revenge.

Henry is a brilliant engineer who, after untold hours spent in his home lab, has achieved the breakthrough of his career—he’s created an artificially intelligent consciousness. He calls the half-formed robot William. No one knows about William. Henry’s agoraphobia keeps him inside the house, and his fixation on his project keeps him up in the attic, away from everyone, including his pregnant wife, Lily.