Psychological Horror Thriller

Twenty-five years ago, Maggie Holt and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. Three weeks later they fled in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His horror memoir of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity — and skepticism.

A master storyteller at his best - the O. Henry Prize winner Stephen King delivers a generous collection of stories, several of them brand-new, featuring revelatory autobiographical comments on when, why, and how he came to write (or rewrite) each story. Magnificent, eerie, utterly compelling, these stories comprise one of King's finest gifts to his constant fan. "I made them especially for you," says King. "Feel free to examine them, but please be careful. The best of them have teeth."

Rosie Daniels leaves her husband, Norman, after 14 years in an abusive marriage. She is determined to lose herself in a place where he won't find her. She'll worry about all the rest later. Alone in a strange city, she begins to make a new life, and good things finally start to happen. Meeting Bill is one, and getting an apartment is another. Still, it's hard for Rosie not to keep looking over her shoulder, and with good reason. Norman is a cop, with the instincts of a predator.

For 30 years, a secret agency called the Southern Reach has monitored expeditions into Area X - a remote and mysterious place that's sequestered from civilization. After the twelfth expedition, the Southern Reach is in disarray, and John Rodriguez (a.k.a. "Control") is the team's newly appointed head. From a series of interrogations, a cache of hidden notes, and more than 200 hours of profoundly troubling video footage, the secrets of Area X begin to reveal themselves - and what they expose pushes Control to confront truths about both himself and the agency he's promised to serve.

Past midnight, Chyna Shepard, twenty-six, gazes out a moonlit window, unable to sleep on her first night in the Napa Valley home of her best friend’s family. Instinct proves reliable. A murderous sociopath, Edgler Foreman Vess, has entered the house, intent on killing everyone inside. A self-proclaimed “homicidal adventurer,” Vess lives only to satisfy all appetites as they arise, to immerse himself in sensation, to live without fear, remorse, or limits, to live with intensity. Chyna is trapped in his deadly orbit.

Étienne Séguin n'a pas trente ans. Originaire de Drummondville, demeurant depuis quelques années à Montréal, il vient d'accepter un poste de professeur de littérature au cégep de sa ville natale. Qu'à cela ne tienne, il fera l'aller-retour par l'autoroute 20 ; le trajet ne prend pas plus d'une heure, cela lui permettra d'écouter la radio et, surtout, d'oublier sa récente séparation ! Peu de temps après, Étienne remarque un autostoppeur, toujours posté au même endroit au moment où il passe. Pourquoi ne pas le faire monter afin de rompre la monotonie de la route ?

An unpopular teenage girl, whose mother is a religious fanatic, is tormented and teased to the breaking point by her more popular schoolmates. She uses her hidden telekinetic powers to inflict a terrifying revenge.

The worst thing to ever happen on Hemlock Circle occurred in Ethan Marsh’s backyard. One July night, ten-year-old Ethan and his best friend and neighbor, Billy, fell asleep in a tent set up on a manicured lawn in a quiet, quaint New Jersey cul-de-sac. In the morning, Ethan woke up alone. During the night, someone had sliced the tent open with a knife and taken Billy. He was never seen again. Thirty years later, Ethan has reluctantly returned to his childhood home. Plagued by bad dreams and insomnia, he begins to notice strange things happening in the middle of the night.

Victoria McQueen has an uncanny knack for finding things: a misplaced bracelet, a missing photograph, answers to unanswerable questions. When she rides her bicycle over the rickety old covered bridge in the woods near her house, she always emerges in the places she needs to be. Vic doesn't tell anyone about her unusual ability, because she knows no one will believe her. She has trouble understanding it herself.

In the near future, when America has become a police state, 100 boys are selected to enter an annual contest where the winner will be awarded whatever he wants for the rest of his life. Among them is 16-year-old Ray Garraty, and he knows the rules - keep a steady walking pace of four miles per hour without stopping. Three warnings and you're out - permanently.

Erin is a documentary filmmaker on the brink of a professional breakthrough, Mark a handsome investment banker with big plans. Passionately in love, they embark on a dream honeymoon to the tropical island of Bora Bora, where they enjoy the sun, the sand, and each other. Then, while scuba diving in the crystal blue sea, they find something in the water....

Cujo is a 200-pound Saint Bernard, the best friend Brett Camber has ever had. One day Cujo chases a rabbit into a cave inhabited by sick bats. What happens to Cujo, how he becomes a horrifying vortex inescapably drawing in all the people around him, makes for one of the most heart-stopping novels Stephen King has ever written.

The Night Watchman is ready to kill - again. After 35 years in prison, he is free to commit the same twisted atrocities that once made him as notorious as the Zodiac Killer and Jack the Ripper. Now, at last, his moment has come. Through her television appearances, renowned clairvoyant Lucinda Sloan helps police capture America's most wanted. Unfortunately, she's also captured the eye of the Night Watchman. Once he learns that Sloan "sees" his crimes, it's time to play.

In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing art-house horror flick. The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot. The man who played “The Thin Kid” is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy.

Once an aristocrat in the heady days of pre-revolutionary France, now Lestat is a rockstar in the demonic, shimmering 1980s. He rushes through the centuries in search of others like him, seeking answers to the mystery of his terrifying exsitence. His story, the second volume in Anne Rice's best-selling Vampire Chronicles, is mesmerizing, passionate, and thrilling.

Mary is a quiet middle-aged woman doing her best to blend into the background. Unremarkable. Invisible. Unknown even to herself. But lately, things have been changing inside Mary. Along with the hot flashes and body aches, she can’t look in a mirror without passing out, and the voices in her head have been urging her to do unspeakable things. Fired from her job in New York, she moves back to her hometown hoping to reconnect with her past and inner self. What she finds instead are visions of terrifying mutilated specters that come with increasing regularity.

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success.

Casey Fletcher, a recently widowed actress trying to escape a streak of bad press, has retreated to the peace and quiet of her family’s lake house in Vermont. Armed with a pair of binoculars and several bottles of bourbon, she passes the time watching Tom and Katherine Royce, the glamorous couple living in the house across the lake. They make for good viewing—a tech innovator, Tom is powerful; and a former model, Katherine is gorgeous.

Ana and Reid needed a lucky break. The horrifically complicated birth of their first child has left Ana paralyzed, bitter, and struggling: with mobility, with her relationship with Reid, with resentment for her baby. That's about to change with the words any New Yorker would love to hear—affordable housing lottery. They've won an apartment in the Deptford, one of Manhattan's most revered buildings. Reid dismisses disturbing events and Ana’s deep unease and paranoia as the price of living in New York—people are odd—but he can't explain the needle-like bite marks on the baby.

Richard doesn’t have a past. For him, there is only the present: a new marriage to Tamara, a first chance at fatherhood to her son, Elijah, and a quiet but pleasant life as an art teacher at Elijah’s elementary school in Danvers, Virginia. Then the body of a rabbit, ritualistically murdered, appears on the school grounds with a birthday card for Richard tucked beneath it. Richard doesn’t have a birthday - but Sean does.... Sean is a five-year-old boy who has just moved to Greenfield, Virginia, with his mother.