Renaissance Italy Fiction

In Navola, a city-state dominated by a handful of influential families, business is power, and power is everything. For generations, the di Regulai family—merchant bankers with a vast empire—has nurtured tendrils that stretch to the farthest reaches of the known world. And though they claim not to be political, their wealth has bought cities and toppled kingdoms. Soon, Davico di Regulai will be expected to take the reins of power from his father and demonstrate his mastery of the games of Navolese diplomacy. But in Navola, strange and ancient undercurrents lurk behind the gilt and grandeur.

Giulia Tofana longs for more responsibility in her mother’s apothecary business, but Mamma has always been secretive and refuses to tell her the hidden keys to her success. But the day Mamma is arrested for the poisoning of the powerful Duke de Verdi, Giulia is shocked to uncover the darker side of her trade. Giulia must run for her life and escapes to Naples, under the shadow of Mount Vesuvius, to the home of her aunt Isabetta, a famous courtesan.

A secret affair. A disfiguring punishment. A burning need for revenge. Kyrra d'Aliente has a bad reputation and an arm made of metal. Cast out of the safe and luxurious world of silk to which she was born, played as a pawn in a game of feuding Houses, Kyrra navigates a dangerous world of mercenaries, spies, and smugglers while disguising herself as a man. War destroyed her family and the man she loved. Vengeance is within her grasp. But is she willing to pay its price?

This is a performance of the very first English translation of Niccolo Machiavelli's The Prince. This translation, published by Edward Dacres, first appeared in 1640. Machiavelli's original Italian edition was printed in 1532, five years after his death. Due to the evil associated with Machiavelli's book, it took 108 years for The Prince to be published in the English language.

The pathetic but perceptive Lewis Raycie is sent on a grand tour of Europe with instructions to collect great art. He returns with Italian paintings not yet recognized in America as Renaissance masterpieces.