Renaissance Italy Fiction

In Navola, a city-state dominated by a handful of influential families, business is power, and power is everything. For generations, the di Regulai family—merchant bankers with a vast empire—has nurtured tendrils that stretch to the farthest reaches of the known world. And though they claim not to be political, their wealth has bought cities and toppled kingdoms. Soon, Davico di Regulai will be expected to take the reins of power from his father and demonstrate his mastery of the games of Navolese diplomacy. But in Navola, strange and ancient undercurrents lurk behind the gilt and grandeur.

A secret affair. A disfiguring punishment. A burning need for revenge. Kyrra d'Aliente has a bad reputation and an arm made of metal. Cast out of the safe and luxurious world of silk to which she was born, played as a pawn in a game of feuding Houses, Kyrra navigates a dangerous world of mercenaries, spies, and smugglers while disguising herself as a man. War destroyed her family and the man she loved. Vengeance is within her grasp. But is she willing to pay its price?

Verona, Italy. Seventeen-year-old aspiring artist Romeo dreams of a quiet life with someone who loves him just as he is. But as the heir to the Montague family, he is expected to give up his "womanly" artistic pursuits and uphold the family honor—particularly in their centuries-old blood feud with a rival family, the Capulets. Worse still, he is also expected to marry a well-bred girl approved by his parents and produce heirs. But the more Romeo is forced to mingle with eligible maidens, the harder it is to keep his deepest secret: He only feels attracted to other boys.

Giulia Tofana longs for more responsibility in her mother’s apothecary business, but Mamma has always been secretive and refuses to tell her the hidden keys to her success. But the day Mamma is arrested for the poisoning of the powerful Duke de Verdi, Giulia is shocked to uncover the darker side of her trade. Giulia must run for her life and escapes to Naples, under the shadow of Mount Vesuvius, to the home of her aunt Isabetta, a famous courtesan.

Milan, 1492: When a 16-year-old beauty becomes the mistress of the Duke of Milan, she must fight for her place in the palace—and against those who want her out. Soon, she finds herself sitting before Leonardo da Vinci, who wants to ensure his own place in the palace by painting his most ambitious portrait to date. Munich, World War II: After a modest conservator unwittingly places a priceless Italian Renaissance portrait into the hands of a high-ranking Nazi, she risks her life to recover it, working with an American soldier, part of the famed Monuments Men team, to get it back.

1496 It is the height of the Renaissance and its flowering of intellectual and artistic endeavour, but the city state of Florence is in the grip of fundamentalist preacher Friar Girolamo Savonarola. Its good people believe the Lord speaks through him, just as certainly as the Sun circles the Earth. For Leonarda Lunetta, eldest daughter of the learned Signore Vincenzio Fusili, religion is not as interesting as the books she shares with her beloved father. Reading is an escape from the ridicule flung her way, for Luna is not like other girls.

Mia Caiozzi is determined to discover her destiny by studying the science of astronomy. But her stepmother Giulia forbids her to engage in this dangerous occupation, fearing it will lead her into trouble. The ideas of Galileo are banned by the Inquisition, so Mia must study in secret.

This is a performance of the very first English translation of Niccolo Machiavelli's The Prince. This translation, published by Edward Dacres, first appeared in 1640. Machiavelli's original Italian edition was printed in 1532, five years after his death. Due to the evil associated with Machiavelli's book, it took 108 years for The Prince to be published in the English language.

The pathetic but perceptive Lewis Raycie is sent on a grand tour of Europe with instructions to collect great art. He returns with Italian paintings not yet recognized in America as Renaissance masterpieces.