Rural Town

Cujo is a 200-pound Saint Bernard, the best friend Brett Camber has ever had. One day Cujo chases a rabbit into a cave inhabited by sick bats. What happens to Cujo, how he becomes a horrifying vortex inescapably drawing in all the people around him, makes for one of the most heart-stopping novels Stephen King has ever written.

Want to know what happens to a man who barely claws his way out of a tragedy, only to fall right into the arms of the one girl in the world he can never have? Another tragedy, that's what. When I was six years old, my father made a choice that altered the course of my entire life. Because of what he did, the only girl I ever loved became the only girl I couldn’t have. In a lot of ways, I did have her; I had her first steps, her first words, her first smile. I had her milestones, her heartbreaks, her dreams.

Last Christmas Marcie Sullivan said a final goodbye to her husband, Bobby. This Christmas she’s come to Virgin River to find the man who saved his life and gave her three more years to love him. Fellow marine Ian Buchanan dragged Bobby’s shattered body onto a medical transport in Fallujah four years ago, then disappeared as soon as their unit arrived stateside. Since then, Marcie’s letters to Ian have gone unanswered.

The biggest mistake of Jaye Colfax’s life was letting Velvet Spencer leave. For three years, they were together exclusively and it was great—at least for Jaye. But Velvet wanted more. Jaye wouldn’t commit to anything because he just didn’t believe in love or marriage. Tired of waiting, Velvet left him without so much as a goodbye. Only then did Jaye realize he’d been too proud to admit he loved her. But it was too late—his stubbornness had cost him the love of his life.

After the blockbuster international success of From Here to Eternity, James Jones retreated from public life, making his home at the Handy Writers’ Colony in Illinois. His goal was to write something larger than a war novel, and the result, six years in the making, was Some Came Running, a stirring portrait of small-town life in the American Midwest at a time when our country and its people were striving to find their place in the new postwar world. Five decades later, it has been revised and reedited under the direction of the Jones estate.

In this heart-pounding New York Times best-seller by RITA Award finalist Romantic Times Career Achievement Award winner Catherine Anderson, a seasoned horseman and a tenderfoot guide face long odds to rescue an eight-year-old from the Oregon wilderness.

Jace King is a smoking hot firefighter, a single dad and my new boss. He's also the most beautiful man I've ever laid eyes on. It's totally fine to secretly crush on the guy you Nanny for, right? Did I mention that he's also a decade older than me, works with my dad and he's a close family friend? If you looked up OFF LIMITS in the dictionary, you'd find an eight by ten photo of my sexy boss. But something happens every time we're in a room together. The attraction is almost overpowering.

When Sarah Lewis inherits a run-down B&B from her late grandmother in coastal Blue Moon Bay, the logical thing to do is sell it and focus on her life in LA. But when she learns that interested buyers will only tear it down in its current state, she feels a sense of obligation to her grandmother to get it back to the landmark tourist destination it once was...even if that means hiring the best contractor for the job, who happens to be her old high school crush.

Let’s start here. The twelve days of Christmas are actually after the holiday. And my dad, being the great guy he is, and the battalion chief of the fire department, signs up one of his rebellious firefighters for a retreat because of his bad behavior. The guy is a total grouch. But when he misses the bus for the adult redemption camp, Dad sticks the guy with me for twelve days. Alone.

Everyone knows that Addie Fullbright can’t keep a secret. Yet, twelve years ago, as her best friend lay dying, she entrusted Addie with the biggest secret of all. One so shattering that Addie felt she had to leave her hometown of Starlight, Alabama, to keep from revealing a devastating truth to someone she cares for deeply. Now she’s living a lonely life, keeping everyone at a distance. But when her beloved aunt gets a shocking diagnosis and asks her to come back to Starlight to help run the family bakery, Addie knows it’s finally time to go home again.

The youth theatre cast are in their places but Gus Lynch’s female lead is missing, that is, until she’s found in the boot of his car. Detective Inspector Stephen Ramsay and Sergeant Gordon Hunter are assigned to head the murder enquiry, meanwhile violence is escalating on the Starling Farm Estate as police battle to contain the latest outbreak of joyriding. Is the death of Gabriella connected to the events at Starling Farm? When another death occurs, investigations suggest a possible link, and Ramsay realizes what could have provoked someone to kill...and kill again.

Sloane Parker lives a small, contained life as a librarian in her small, contained town. She never thinks of herself as lonely...but still she looks forward to that time every day when old curmudgeon Arthur McLachlan comes to browse the shelves and cheerfully insult her. Their sparring is such a highlight of Sloane's day that when Arthur doesn't show up one morning, she's instantly concerned. And then another day passes, and another.

In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way women—mothers, daughters, caregivers, friends—view one another. A deeply moving novel filled with poignancy, humor, and hope, The Help is a timeless and universal story about the lines we abide by, and the ones we don't.

Eeny, meeny, miny, moe. Catch a tiger by its toe. It's seared into Atlee Pine's memory: the kidnapper's chilling rhyme as he chose between six-year-old Atlee and her twin sister, Mercy. Mercy was taken. Atlee was spared. She never saw Mercy again. Three decades after that terrifying night, Atlee Pine works for the FBI. She's the lone agent assigned to the Shattered Rock, Arizona resident agency, which is responsible for protecting the Grand Canyon. So when one of the Grand Canyon's mules is found stabbed to death at the bottom of the canyon - and its rider missing - Pine is called in to investigate.

My dad and I have been estranged for years, but as his only living relative, it's no surprise I inherit his massive cattle ranch when he dies. But the stipulation in his will that requires me to live on the ranch and actively manage it for a year before I can access my inheritance money. I haven't stepped foot in Hartsville, Texas, population one thousand, since my parents split when I was six. Now a city girl through and through, I never imagined having to move back to cowboy country. But I need the money to invest in my company, and a girl's gotta do what a girl's gotta do.

He’s my best friend’s older brother. He was also my teenage crush, and completely out of reach. But we had our secrets—moments that nobody knew about. I’d tucked them away in a safe place, and that’s where I’d planned to keep them. He’d moved to the city, and I’d moved on. But now he was back in Honey Mountain for a few weeks and he’d found endless reasons to spend time with me. What started out as rekindling our friendship turned into a different kind of…stroking the fire. No pun intended. It was temporary. Just another secret that we’d keep between us.

When Will returns to Medicine River, he thinks he is simply attending his mother’s funeral. He doesn’t count on Harlen Bigbear and his unique brand of community planning. Harlen tries to sell Will on the idea of returning to Medicine River to open shop as the town’s only Native photographer. Somehow, that’s exactly what happens. Through Will’s gentle and humorous narrative, we come to know Medicine River, a small Albertan town bordering a Blackfoot reserve. And we meet its people: the basketball team; Louise Heavyman and her daughter, South Wing, and many more.

It begins on the shaded town square in a sleepy Southern town. A spirited seven-year-old has a brisk business at her lemonade stand. But the little girl’s pretty yellow dress can’t quite hide the ugly scar on her chest. Her latest customer, a bearded stranger, drains his cup and heads to his car, his mind on a boat he's restoring at a nearby lake. The stranger understands more about the scar than he wants to admit. And the beat-up bread truck careening around the corner with its radio blaring is about to change the trajectory of both their lives.

St. Elizabeth's is a lovely old place in a small town in Kentucky that used to be the beautiful Hotel Louisa. In the 1960s, it is a home for unwed mothers run by nuns. Life at St. Elizabeth's is not unpleasant, but it is temporary. All the pregnant women who come there will go home within the year. Except for Rose, a beautiful, mysterious woman, who is neither unwed nor alone. She is simply pregnant and doesn't want her husband or her mother to know. She plans to give her baby up because she knows she cannot be the mother the baby needs.

The Other Name follows the lives of two men living close to each other on the west coast of Norway. The year is coming to a close and Asle, an aging painter and widower, is reminiscing about his life. He lives alone, his only friends being his neighbor, Åsleik, a bachelor and traditional Norwegian fisherman-farmer, and Beyer, a gallerist who lives in Bjørgvin, a couple hours drive south of Dylgja, where he lives. There, in Bjørgvin, lives another Asle, also a painter. He and the narrator are doppelgangers—two versions of the same person, two versions of the same life.