Scotland Thriller

No one thinks very much at all about carwash employee Davey Burnet, until one day he takes the wrong customer's motor for a ride. One kidnapping later, he and the carwash are officially part of Glasgow's criminal underworld, working for a psychopath who enjoys playing games like "Keep Yer Kneecaps" with any poor bastard who crosses him. Can Davey escape from the gang's clutches with his kneecaps and life intact? Perhaps this polis Ally McCoist who keeps nosing around the carwash could help. That's if she doesn't get herself killed first.

In Rebus's Scotland Ian Rankin uncovers the Scotland that the tourist never sees, highlighting the places that inspired the settings for the Inspector Rebus novels. Rankin also reveals the story of Rebus and how he came into being, who he is, and what his - and Rankin's - Scotland is like.

Magazine editor and part-time archaeologist, Gill McArdle is getting it together. Or at least, he thinks he is, until the death of a friend throws his life into turmoil. He’s on Orkney, researching an elaborate stone carrying an ancient religious motif. But he’s perplexed as the carving long predates any previous incidence of the symbol’s first use. Either someone is tampering with Orcadian archaeology, or Gill is facing a puzzle that can’t be resolved.

Zwei Opfer, eine Tatwaffe, kein Motiv - das perfekte Verbrechen? Ein wolkenloser Sommertag, die Hitze drückt aufs Land. Im Zug von London nach York zielt ein Fremder mit einer Pistole auf eine Frau. Sie entkommt in letzter Sekunde. Zwei Tage später: Eine junge Frau stürzt mit ihrem Fahrrad, weil jemand einen dünnen Draht über den Weg gespannt hat. Sie ist sofort bewusstlos. Den folgenden Schuss hört sie schon nicht mehr.

Lady Molly of Scotland Yard is a collection of short stories about Molly Robertson-Kirk, an early fictional female detective. First published in 1910, Orczy's female detective was the precursor of the lay sleuth who relies on brains rather than brawn. As well as being one of the first novels to feature a female detective as the main character, Orczy's outstandingly successful and brilliant police officer preceded her real-life female counterparts by a decade.

Portrait of the Medical Student as a Young Body Snatcher. Yet I must insist that in the end, this is not a story about Death. It is perhaps a Life story, or even—yes—a Love story. It is the story of how I clawed my way from the decay of a crumbling legacy into the modern era of Reason and Science. It is the story of how I escaped the prison of archaic superstition to the freedom of enlightenment. It is the story of how a rose can blossom from even the bloodiest soil, of how light can grow from shadow, how love can grow from despair.

When you’re the editor of a successful investigative journal, you don’t dash around Scotland chasing after loch monsters. But Gill McArdle didn’t believe in unicorns either, and speaking honestly, he was fortunate to walk away from that one. He’s a scientist, and not one of the wild-eyed optimists spending their days, scanning the loch for a creature. And here’s his problem. With every passing hour, evidence mounts that something is stirring.

Dense fog masks foul play in the streets of London, as Ann Granger brings us her seventh Victorian mystery featuring Scotland Yard's Inspector Ben Ross and his wife, Lizzie. It is March 1870. London is in the grip of fog and ice. But Scotland Yard's Inspector Ben Ross has more than the weather to worry about when the body of a young woman is found in a dustbin at the back of a Piccadilly restaurant.

In Scotland, the Gandiegow quilters are in an uproar when their favorite fictional quilters - the Buttermilk Guild - are killed off by a best-selling mystery author. Diana McKellen is called in by the publisher to fix this PR nightmare. It's said, there's no such thing as bad publicity, but Diana questions this long-standing notion when an editor is murdered at a book signing.

It is a serendipitous encounter for the hapless DI Greg Byrne when retired sleuth James Munro stumbles upon his crime scene. And perhaps also for Munro himself, who, his protégé Charlie West having firmly snapped his apron strings, needs other lambs to wean. The day is far less auspicious for the victim in the affair, the unfortunate property developer Rebecca Barlow, who has been trussed up like a scarecrow in her yard. Though occurring off DI West’s Ayrshire patch, the investigation will soon intertwine with one of her own.

One bitterly cold February night at the remote MacKinnon Hotel, Remie Yorke begins her last shift at the front desk as the snow begins to fall. She has booked a one-way flight for the next day—and she's never coming back to Scotland. Or so she thinks. As the storm quickly invades the surrounding Highlands, the roads become impassable and the phone lines fall dead. When the icy temperatures plummet further, an injured man stumbles into the hotel lobby from the blizzard. Police Constable Don Gaines has been in a car accident on the mountain road, and Remie welcomes him to safety.

Ex-priest DI Farrell is called on to investigate a gruesome death in rural Scotland. All evidence points to suicide, except for one loose end: every light in the cottage was switched off. Why would he kill himself in the dark? The question sparks a murder investigation that leads to the mysterious Ivy House, home of ‘The Collective’, a sinister commune of artists who will do anything to keep their twisted secrets hidden. And when the remains of a young girl are uncovered on a barren stretch of coastline, Farrell realises that there is something rotten in this tight-knit community.

Ex-priest DI Frank Farrell has returned to his roots in Dumfries, only to be landed with a disturbing murder case. Even worse, Farrell knows the victim: Father Boyd, the man who forced him out of the priesthood 18 years earlier. With no leads, Farrell must delve into the old priest’s past, one that is inexorably linked with his own. But his attention is diverted when a pair of twin boys go missing. The Dumfries police force recover one in an abandoned church, unharmed. But where is his brother?

DI Frank Farrell and DS McLeod are tasked with investigating the brutal murder of a defence solicitor’s wife in Dumfries. It’s been over a year since they left the town after an investigation robbed them of a dear friend. But now they’re back and must find a way to move on. When the son of another defence solicitor is murdered, a strange tattoo etched on his body, the case takes them into darker, more disturbing territory.

She's a vivacious, light-hearted young beauty from Beacon Hill. He's a world-weary not-so-young exile from Scotland Yard. She's an orphaned decorator who longs for a family of her own. He's a rogue detective with a superhero complex. She's smitten with this superhero who is the last man she sees in the picket-fence picture of her future. He's smitten with this fluffy young romantic who he sees as kryptonite to his career and well-being. But if you saw Grace and David in a room full of people, and you had to pick one man and one woman who belonged together, you would pick them. They would be The Throwbacks.

It’s 1981 in Fort Myers, Florida. Scotland Ross hasn’t given up drinking, but he has sworn off of trouble. At a waterside tavern the day the pope got shot, Scotland drank to cloud the memories of his dead infant son on an anniversary such as this. Distraction comes when the bar owner needs his help. Despite his vow of living within the law, Scotland soon finds himself tangling with a redneck clan, a Cuban gang, a connected crew from New York, and the very friend he set out to help.

A wicked Scottish winter has just begun when pioneering female physician Sophia Jex-Blake calls on Detective Inspector Ian Hamilton to investigate the suspicious death of one of her patients - a railroad lineman who she believes succumbed to the horrific effects of arsenic poisoning. The most provocative aspect of the case doesn’t escape Hamilton: the married victim’s numerous sexual transgressions. Now, for the first time since the unexplained fire that killed his parents, Hamilton enters the Royal Infirmary to gain the insights of brilliant medical student Arthur Conan Doyle.

After more than a decade of being in prison for the brutal murder of two Stirling University students, Colin Sanderson has been released after his conviction was found to be unsafe. Returning home to a small village not far from Stirling, Sanderson refuses police protection, even in the face of a death threat. But the PR firm that has scooped him up to sell his story does know of a protection expert in Stirling. They want Connor Fraser.

Amy's grandmother, Lady Mairead, insists that Amy must read while she resides at Lennox House - but not in the usual way. It turns out that Amy is a book jumper, able to leap into a story and interact with the world inside. As thrilling as Amy's new power is, it also brings danger: someone is stealing from the books she visits, and that person may be after her life. Teaming up with fellow book jumper, Will, Amy vows to get to the bottom of the thefts - at whatever cost.

It's easy to kill a man. It's hard to kill a man well. A 29-year-old man lives alone in his Glasgow flat. The telephone rings; a casual conversation, but behind this a job offer. The clues are there if you know to look for them. He is an expert. A loner. Freelance. Another job is another job, but what if this organization wants more? A meeting at a club. An offer. A target: Lewis Winter, a necessary sacrifice that will be only the first step in an all-out war between crime syndicates the likes of which hasn't been seen for decades. It's easy to kill a man.