Serial Killer Mystery Fiction

After one too many terrifying encounters, Millie Masters sets up a hotline for women who feel unsafe walking home alone at night: Message M. But very quickly she realises that there’s much more to be done to help the women who call in. Because the men just do it again the next night, and the next, and the next… And when her own sister is assaulted on a night out, the temptation to take the law into her own hands becomes too much to resist. Because M can also stand for murder.

10am: A mother rushes for a train after dropping her daughter at school but is reported missing when she doesn't return to pick her up. 2.47pm: The same train causes the death of a young woman; her body bound and placed on the tracks. When Detective Alana Mack discovers the missing mother has vanished from the same train that claimed the life of the young woman, she fears the worst. A killer is on the loose, targeting women and leaving their broken bodies scattered across Dublin's Dart train line.

A small Kansas town has turned into a killing ground. Is it a serial killer, a man with the need to destroy? Or is it a darker force, a curse upon the land? Amid golden cornfields, FBI Special Agent Pendergast discovers evil in the blood of America's heartland. No one is safe.

Anna Koray escaped her father’s darkness long ago. When she was a girl, her childhood memories were sealed away from her conscious mind by a controversial hypnosis treatment. She’s now a decorated sheriff’s lieutenant serving a rural county, conducting an ordinary life far from her father’s shadow. When Anna kills a man in the line of duty, her suppressed memories return. She dreams of her beloved father, his hands red with blood, surrounded by flower-decked corpses he had sacrificed to the god of the forest.

In I Am Not a Serial Killer, John Wayne Cleaver saved his town from a murderer even more appalling than the serial killers he obsessively studies, using his own repressed homicidal proclivities to even the odds. But it turns out even demons have friends, and the disappearance of one has brought another to Clayton County. Soon there are new victims for John to work on at the mortuary, and a new mystery to solve. But this time something's different. John has tasted death, and the dark nature he used as a weapon might now be using him.

It's Christmas, and a serial killer is leaving displayed body parts all over Cumbria. A strange message is left at each scene: #BSC6. Called in to investigate, the National Crime Agency's Washington Poe and Tilly Bradshaw are faced with a case that makes no sense. Why were some victims anaesthetised, while others died in appalling agony? Why is their only suspect denying what they can irrefutably prove but admitting to things they weren't even aware of? And why did the victims all take the same two weeks off work three years earlier?

An online video of a girl clawing at the ceiling of her own grave could be the worst thing FBI forensic psychologist Zoe Bentley has ever seen. Perhaps even more disturbing is the implication of the video’s title: “Experiment Number One.” Zoe and her partner, Special Agent Tatum Gray, work as fast as they can to find the monster behind the shocking video, but soon another one shows up online, and another girl turns up dead.

When the Red Rose Killer leaves his calling card for Staff Sergeant Felicity Monroe, she knows exactly what that means-she's on his revenge list. Her boss, Master Sergeant Westley James, and K-9 German shepherd Dakota become her guardians, but they'll have to act fast to escape the man who wants her dead.

Rainey Paxton is convinced there is a link between the disappearances of several women and her friend Winnie. Her obsession leads her back to the mysterious house where she said goodbye to Winnie years prior. Rainey is certain there is something sinister about the man who took her friend to Florida. Meanwhile, seventeen-year-old Dakota Jagger is on her own, looking for shelter. While roaming the city streets, Dakota meets a charming and persuasive man who offers to help her. This is the same man who stalks women and keeps them as his own.

From the outside, Glenfarach looks like a quaint, sleepy village, nestled in the heart of Cairngorms National Park, but things aren't what they seem. The place is thick with security cameras, and there's a strict nine o'clock curfew, because Glenfarach is the last safe haven for people who've served their sentences but can't be safely released into the general population. For Detective Constable Edward Reekie, this was supposed to be a simple delivery job—drive his new boss up to HMP Grampian and collect Marky Bishop, take him to Glenfarach, then head back home again.

The murders have begun. Across England, a string of murders is taking place. Each different in method, but each horrifying and brutal. Jess Ambrose is plunged into the investigation when her house is set ablaze. With her husband dead and the police pointing at her, she runs. Her only hope is disgraced detective Nate Griffin, who is convinced Jess is innocent. Soon, Jess and Griffin discover the unthinkable: this murderer is copying the world’s most notorious serial killers. And now, imitation isn’t enough. The killer dubbed the Echo Man is ready to create his own masterpiece.

When eight-year-old Kathy Stone turns up on the side of the road a year after her abduction, the world awaits her harrowing story. But Kathy doesn’t say a word. Traumatized by her ordeal, she doesn’t speak at all, not even to her own parents. Child therapist Robin Hart is the only one who’s had success connecting with the girl. Robin has been using play therapy to help Kathy process her memories. But as their work continues, Kathy’s playtime takes a grim turn: a doll stabs another doll, a tiny figurine is chained to a plastic toy couch.

In 1998, an apparently ordinary Australian man is arrested and charged for a series of brutal murders. The news shocks the nation, bringing both horror and resolution to the victims’ families, but its impact travels even further: into the past, as the murders rewrite personal histories, and into the future, as true crime podcasts and biopics tell the story of the crimes. Highway Thirteen, Fiona McFarlane’s newest collection, takes murder as its starting point, but it unfolds to encompass much more.

When a body is pulled from the dank and dangerous fens on the outskirts of town, everybody assumes it was a tragic accident. But Detective Tara Thorpe, newly joined and determined to prove herself, suspects there’s more to the story. Tara is desperate to investigate further, but her supervisor Patrick Wilkins has other ideas. He would rather die than let this ambitious upstart show him up - even if it means some digging in Tara’s secret past to keep her under his thumb.

Tracy Crosswhite is reopening the investigation into Seattle’s Route 99 serial killer. After thirteen victims, he stopped hunting and the trail went cold, stirring public outrage. Now, nearly three decades after his first kill, Tracy is expected to finally bring closure to the victims’ families and redeem the Seattle PD’s reputation. Even if it means working with her nemesis, Captain Johnny Nolasco.

Alex Mercer and his fiancee Zoey have weathered many storms, but this latest one might be too much for even them. She's hiding a secret she fears will send him running for the hills, and she has to tell him before he finds out on his own. Time is definitely not on her side. But with his busy hours at the police academy, there hardly seems a moment to open up to him.

In the Maya Gray series (which begins with book one, Girl One: Murder) FBI Special Agent Maya Gray, 39, has seen it all. She’s one of BAU’s rising stars and the go-to agent for hard-to-crack serial cases. When she receives a handwritten postcard promising to release 12 kidnapped women if she will solve 12 cold cases, she assumes it’s a hoax. Until the note mentions that, among the captives, is her missing sister. Maya, shaken, is forced to take it seriously.

1982. Three teenage girls planning a flight from the Soviet Union to the West end up being sold in Mumbai’s red-light area instead. The murders start a quarter of a century later. The victims are all men. All of them tricks, waiting for trysts with high-class escorts. DCP Rita Ferreira is quick to recognize the serial-killer strain; the media isn’t far behind. The news sends shockwaves through the city. The first serial killer in living memory of Mumbai is out on the streets. As Rita grapples to establish a pattern, the killer gives her twenty-four hours to stop the next murder.

What do you do when a killer targets the people you love the most? When he knows how to make them vulnerable? When he knows the same about you? These are the questions that haunt FBI Special Agent Pierce Quincy. The police say his daughter’s death was an accident. Quincy will risk everything to learn the truth — and there’s only one person willing to help. Ex-cop Rainie Connor had once been paired professionally — and personally — with the brilliant FBI profiler. He helped her through the darkest days of her life.

Forensic anthropologist Christine Prusik has a knack for solving the most unusual cases—and for bending the rules in the process. When the bodies of young women start appearing in the caves of Indiana and Illinois, Christine immediately jumps into action. But her Chicago field office is undergoing a reorganization, and the boys’ club at the top seem more interested in getting all the paperwork in order than solving the murders.