Short Stories Humor

I Will Open My Mouth in Parables is a collection of fictional short stories recounting events that take place in or near the small town of Quick, West Virginia. The stories are set in the 1950's and are told in the first person by "Richie Smith."

Nathan Lochmueller studies birds for just enough money to live and learn on. He drives a glitter-festooned truck, the Gypsy Moth, and he is in love with Lola, a woman so free-spirited and mysterious she can break a man's heart with a sigh or a shrug. Around them swirls a remarkable cast of characters: the proprietor of Fast Eddie's Burgers, the genius behind "Thong Thursdays"; Uncle Dart, a Texan who brings his swagger to Indiana with profound and nearly devastating results; a snapping turtle with a taste for thumbs; a German Shepherd who howls backup vocals; and the very charismatic state of Indiana itself.

Since its earliest days, The New Yorker has been a tastemaker: literally. As the home of A. J. Liebling, Joseph Wechsberg, and M. F. K. Fisher, who practically invented American food writing, the magazine established a tradition that is carried forward today by irrepressible literary gastronomes, including Calvin Trillin, Bill Buford, Adam Gopnik, Jane Kramer, and Anthony Bourdain. Now, in this indispensable collection, The New Yorker dishes up a feast of delicious writing on food and drink.

Douglas Fergus wants you to be happy. And laugh. Or at least feel good knowing you’re not the only person who thinks weird is cool. He is compelled to share his quirky/humorous/satirical outlook on life in an effort to spread joy to as many people as possible.

Humorvoll überspitzte Alltagsgeschichten, gewürzt mit Satire - das ist die Domäne von Uli Kreimeier, einem Meister der sicheren Sprach-Pointe.

Le storie che si raccontano a veglia, accanto al camino, in qualche vechcio casolare toscano: storie della gente dei paesi vicini, di chi è andato in Maremma e magari se l'è portato via la malaria, o storie buffe, ironiche. Renato Fucini ci regala la sua Toscana, con pennellate dolci amare.Musiche popolari arrangiate da Manuela Daviddi.

O.J. Simpson in an alternate reality and blind ninjas ushering in the apocalypse are just two of the beautifully written tales in this seminal work of art, from the mind of a human being the likes of which God and the devil wholeheartedly agree upon. While drenched in comedy, Laughter's Cold Shadow takes on the darkest of subject matter: murder, rape, racism, the nuclear family, ninjas, Nazis, zombies, police brutality, drug cartels, hedonism, psychopathy, and more.

Один артист спросил у Зощенко: - Как я должен читать ваши рассказы, чтобы завоевать у слушателей успех? - Вслух, - ответил писатель. К известному врачу однажды явился пациент с жалобой на апатию, отсутствие аппетита, затяжные приступы меланхолии. Как выяснилось, он перепробовал все средства, все лекарства, но ничего решительно не помогает.

"Cattivi Soggetti", unica opera letteraria di Luciano Salce per la prima volta in audiolibro letto dal figlio Emanuele, attore e regista. Un'antologia di racconti, di epoche differenti e umori diversi. "Cattivi soggetti" è ovviamente un titolo a doppio uso. Sono cattivi soggetti certi personaggi poco raccomandabili, ma anche soggetti cinematografici cattivi, cioè non piaciuti, non realizzati, cestinati, restituiti (quasi mai) dai produttori ai quali erano stati proposti. E una loro origine cinematografica si può ritrovare nel gusto per l'intreccio, la trovata, la situazione.

By turns humorous and heartbreaking, this debut collection offers weird and wonderful stories that illuminate the hidden truths of life.

The thirteen stories in Chris Tarry’s richly imagined debut, How To Carry Bigfoot Home, lay bare the insurmountable forces that determine who we are and who we become. From an out-of-work dragon-slaying father in “Here Be Dragons” to a family arguing aboard a rocket ship in “Topics in Advanced Rocketry,” the stories use fantastic settings, blazing wit, and imaginative circumstances to explore very human truths. The stories work to reconcile the public self with the private heart. To contemplate the monsters we carry home and lay bare for the ones we love the most.

A baby rat freed from the bottom of a dumpster becomes a white ibis wandering the wet driveway after a storm. Goodbye, hello, goodbye. It was the garbage times; it was time for something else. A tale of two tales, connected by a mysterious sunlit portal.

Während Fußballweltmeisterschaften versuchen sogar Deutsche, zu Brasilianern zu werden. Spätestens nach dem dritten Caipirinha in praller Sonne spricht man zumindest schon mal so wie Ailton: "Ailton nicht dick, Ailton schießt Tor, wenn Ailton Tor, dann dick egal." Ein Satz, der so quasi auch für mich gilt. So viel Weisheit wie bei Ailton findet man nicht alle Tage. ‚Ailton gut, guter Tag, Ailton nicht gut, morgen neuer Tag.‘ Daran sieht man auch, wirklich große Philosophie braucht keine Verben.

Früher marschierten sie im Stechschritt, heute besuchen sie Bauchtanzkurse: Die Deutschen haben sich ganz schön verändert - nur mit Gefühlen haben sie es noch immer nicht so. Moritz Netenjakob erzählt die lustigsten Geschichten aus dem Alltag - zum Staunen, Wiedererkennen und Lachen. Dabei gelingt ihm das Kunststück, exakte Alltagsbeobachtung, beißende Satire und warmherzige Figurenzeichnung zu einem Panoptikum deutscher Befindlichkeiten zu verweben, das vor allem eins ist: Sehr, sehr komisch.

These are funny stories, seriously. Four short stories set in Oregon. Three in Eastern Oregon. One is about a scalawag who becomes a moonshiner. Another is about a scalawag who builds a mansion in the desert and becomes convinced that a pumpkin is an egg.

Best Seller de O. Henry es un cuento humorístico que satiriza a la industria editorial. La narrativa se desarrolla cuando un autor, al intentar crear un bestseller, descubre sin darse cuenta la imprevisibilidad del gusto popular. El ingenio y la ironía de O. Henry son evidentes a medida que la historia explora la naturaleza voluble del éxito literario.

A smart, deeply satisfying romantic comedy about a woman's obsession with the return of her fiancé's ex. On the Delta Shuttle between New York and Washington, Elise finds herself sitting next to Donald—tall, with dark wavy hair, a big easy smile. She’s left the world of women's magazines in Manhattan for graduate school in D.C. He’s left investment banking to become a teacher. They are both unattached. They exchange stories. They fall in love. One year later they’re headed for an April wedding. Storybook finish? Not quite.

Mystery, intrigue and fantasy lead us on a scary adventure.

Chesterton takes us on a merry ride of mystery, intrigue, and above all, fantasy in this tale of anarchism. Sometimes it is referred to as a metaphysical thriller, and Chesterton himself referred to it as "a nightmare".

Wodehouse introduces us once again to the "wonder butler" Jeeves, who, as usual is able to solve any and all of Bertie Wooster's endless problems with ease and finesse. And he also introduces us to a character not dissimilar to Bertie . . . by name of Reggie. Such fun to follow Jeeves in the hijinks!

The events unfolded in these tales, the collected shards of my fractured memories, are neither sworn truths nor total fictions. We all know that two different witnesses to the same history standing right beside each other are likely to have differing opinions as to what just transpired before them. Because perceptions, those mirrors to our souls that authors are damned to try and change in others, are born of deeper stuff than mere experiences of perspective. The weight of human experience strongly suggests that this is rarely accomplished by telling the naked truth.