Social Media Study

La vida es una y tiene límites. La lectura de novelas los revienta y lo que era una se convierte en mil, infinitas. Ése es el mayor poder de la literatura y este libro nos hace participar de él. Lolita, Muerte en Venecia, El extranjero, Manhattan Transfer, Trópico de Cáncer y El tambor de hojalata son solo algunas de las obras del siglo XX de las que nos habla Mario Vargas Llosa en estas páginas. Revela con sus palabras la íntima relación de su lectura con las posibilidades de ampliar nuestra experiencia vital.

The American Revolution was not only a political contest for liberty, equality, and independence (for white men, at least); it was also a contest to define certain accounts of reality to be truthful while defining others as false and dangerous. Misinformation Nation argues that we must also conceive of the American Revolution as a series of misperceptions, misunderstandings, and uninformed overreactions.

The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. Rebecca Weeks fills the gap in this area and defends the historiographic power of long-form dramas.

Tyrants on Twitter is the first detailed analysis of how Chinese and Russian agents weaponize Facebook, Instagram, Twitter, and YouTube to subvert the liberal international order. In addition to examining the 2016 US election, David L. Sloss explores Russia's use of foreign influence operations to threaten democracies in Europe, as well as China's use of social media and other digital tools to meddle in Western democracies and buttress autocratic rulers around the world.

Long before the current preoccupation with "fake news", American newspapers routinely ran stories that were not quite, strictly speaking, true. Today, a firm boundary between fact and fakery is a hallmark of journalistic practice, yet for many readers and publishers across more than three centuries, this distinction has seemed slippery or even irrelevant.

In this holistic history, Will Mari traces American journalism from the 1920s through the 1960s, a time of great change and controversy in the field; one in which journalism was produced in “news factories”, by workers with dozens of different roles, using the latest technology, and setting the stage for the emergence of the information economy. Told from an empathetic, omnivorous, ground-up point of view, The American Newsroom uses memoirs, trade journals, textbooks, and archival material to show how the newsroom expanded our ideas of what journalism could and should be.

As World War II approached, the six most powerful media moguls in America and Britain tried to pressure their countries to ignore the fascist threat. The media empires of Robert McCormick, Joseph and Eleanor Patterson, and William Randolph Hearst spanned the United States, reaching tens of millions of Americans in print and over the airwaves with their isolationist views.

Los charlatanes de la era digital se cuelan todos los días en la actualidad informativa y cada vez es más difícil discernir la verdad entre las mentiras y las medias verdades. "Bullshit" es el ensayo que necesitamos para desenmascarar a los que manipulan los datos y se sirven del lenguaje científico para construir un discurso que no se ajusta a la realidad.

Instagram está tan ligado a nuestro día a día que su historia no puede disociarse del impacto que tiene sobre nuestras vidas. Desde su creación en el año 2010 de la mano de Kevin Systrom y Mike Krieger como una aplicación simple e intuitiva, lnstagram se ha convertido en una máquina de hacer famosos como nunca antes se había visto -ya sea en el patio de los colegios, en el mundo cultural o en el de la moda- en busca de un reconocimiento digital que obtiene gracias a likes, comentarios, seguidores y espectaculares acuerdos con distintas empresas.

David Enrich, the New York Times Business Investigations Editor and the #1 bestselling author of Dark Towers, produces his most consequential and far-reaching investigation yet: an in-depth exposé of the broad campaign—orchestrated by elite Americans—to overturn sixty years of Supreme Court precedent, weaponize our speech laws, and silence dissent.

In News for the Rich, White, and Blue, Nikki Usher recasts the challenges facing journalism in terms of place, power, and inequality. Drawing on more than a decade of field research, she illuminates how journalists decide what becomes news and how news organizations strategize about the future. Usher shows how newsrooms remain places of power, largely white institutions growing more elite as journalists confront a shrinking job market.

Generoso Pope, Sr., an Italian immigrant, arrived in New York in 1906 with only pennies in his pocket. He got a job shoveling sand, but through his intelligence, he worked his way up to become the biggest provider of cement, just as it was becoming the key material for building. Gene Pope, Jr., was his father’s choice to inherit and run the business, but Gene’s mother and two brothers forced him out, and he found himself penniless and on his own. With a loan from his godfather, mobster Frank Costello, Gene bought the New York Enquirer. He renamed it the National Enquirer.

When the world's biggest and most moving events took place - World War II, the Moon landing, the death of Princess Diana, and many more - Time magazine was there to tell the story with passion and clarity. This book features pieces by Barbara Ehrenreich, Henry Anatole Grunwald, Maureen Dowd, Walter Isaacson, Bono and many other famous writers, and will provide listeners with a uniquely entertaining view of 85 years of Time's history.

On any given day, at any given hour, across the various platforms constituting what we call social media, someone is angry. Facebook. Instagram. Twitter. Reddit. 4Chan. In The Rhetoric of Outrage: Why Social Media Is Making Us Angry, Jeff Rice addresses the critical question of why anger has become the dominant digital response on social media. He examines the theoretical and rhetorical explanations for the intense rage that prevails across platforms and sheds new light on how our anger is not merely a reaction against singular events but generated out of aggregated beliefs and ideas.

In The Visual Detox, art expert and businesswoman Marine Tanguy explains how the imagery we see shapes our wellbeing. She gives us new tools to think critically about images, combat information overload and participate more in the visual world around us by engaging with the art and content that improves our day-to-day experiences online, at work, in our homes and in public spaces.

Es wird alles immer schlimmer, eine schreckliche Nachricht jagt die andere: Die Reichen werden reicher, die Armen ärmer. Es gibt immer mehr Kriege, Gewaltverbrechen, Naturkatastrophen. Viele Menschen tragen solche beängstigenden Bilder im Kopf. Doch sie liegen damit grundfalsch. Unser Gehirn verführt uns zu einer dramatisierenden Weltsicht, die mitnichten der Realität entspricht, wie der geniale Statistiker und Wissenschaftler Hans Rosling erklärt.

En estas páginas se asoman las profundas divisiones dentro del gremio periodístico, la servidumbre voluntaria, el espionaje o la vigilancia a la que ha sido sometido, su precariedad laboral y no pocas dificultades o conflictos para obtener información. Prensa inmunda es también un repaso por la compleja historia de la prensa mexicana, desde aquellos años de control total de la información hasta nuestros días, con una relación tirante como la que AMLO ha establecido con los medios.

En este libro, Javier Horacio Contreras Orozco analiza las condiciones y procesos que han llevado a las redes sociales a constituirse en un jurado universal que ejerce un nuevo tipo de censura: la poscensura o censura horizontal.

Renyi Hong theorizes the notion of being "passionate about your work" as an affective project that encourages people to endure trying situations like unemployment, job change, repetitive and menial labor, and freelancing. Not simply a subject of aspiration, passion has been deployed as a means to build resilience and mend disappointments with our experiences of work. Tracking the rise of passion in nineteenth-century management to trends like gamification, coworking, and unemployment insurance, Hong argues that the ideal of passionate work sustains a condition of cruel optimism.

Sonic Encounters: The Islamic Call to Prayer recounts the author’s experience gathering field recordings of the Islamic Call to Prayer. It touches on key questions and problems faced along the way, as well as discussing technologies and methods for recording, what it means to develop art from ethnographic research, and the ethics and considerations of working with Islamic communities around the globe. The book uses a sound studies framework to explore artistic research methods and practices in ethnography as they relate to religious recitation.