Spain War

Throughout the centuries, Spain has been subject to the lordship of other countries. It was occupied by the ancient Greeks and Romans, the Visigoths, the French, and the Muslims. It has been the playground of both the respectful and the ruthless. The Spanish coasts have been occupied by the trading empires of Carthage and Rome. All that time, Spain was told by others how to run their country, how to fight, whom to fight, and where to fight.

In 1937, Ernest Hemingway traveled to Spain to cover the civil war there for the North American Newspaper Alliance. Three years later he completed the greatest novel to emerge from "the good fight", For Whom the Bell Tolls.

For three crucial years in the 1930s, the Spanish Civil War dominated headlines in America and around the world as volunteers flooded to Spain to help its democratic government fight off a fascist uprising led by Francisco Franco and aided by Hitler and Mussolini. Today we're accustomed to remembering the war through Hemingway's For Whom the Bell Tolls and Robert Capa's photographs. But Adam Hochschild has discovered some less familiar yet far more compelling characters who reveal the full tragedy and importance of the war.

If you want to discover the captivating history of the Spanish-American War, then pay attention...Two captivating manuscripts in one audiobook: The Spanish-American War and The Philippine-American War. The Spanish-American War really only lasted about 10 weeks (the buildup and decision to go to war took longer than the war itself), but a peace treaty was not signed until December of 1898. This was an event that was the tipping point for the end of the Spanish Empire and the rise of the US as a formidable player on the world stage.

These are entirely Napoleon Bonaparte's own words, written and spoken, and collected in journal form. A particular focus here has been put on Napoleon's writings that pertain to military and state matters. The dates in terms of the revolutionary calendar have been modernized, and names and titles of individuals mentioned have been maintained with no attempt at uniformity. This production was begun on the 250th year of Napoleon's birth.

Mayme and Katie have become friends, which is unusual given that their friendship has spouted at the end of the Civil War and that Mayme is a former slave, while Katie is the daughter of a plantation owner. Both girls have been orphaned by the war, left alone on Katie's family plantation. The land is the one thing they still share, and they don't want to leave it. But if anyone finds out the two of them live there alone, they will be forced to move.

From best selling author Russell Martin comes a stirring account of the town that inspired one of the world's most celebrated and controversial works of art, the painting Guernica's profound impact on the politics and culture of the 20th century, and the artist whose passion and artistic vision are unequaled in modern history.

Amid the many catastrophes of the 20th century, the Spanish Civil War continues to exert a particular fascination among history buffs and the layperson alike. This Very Short Introduction integrates the political, social, and cultural history of the Spanish Civil War. It sets out the domestic and international context of the war for a general audience. In addition to tracing the course of war, the book locates the war's origins in the cumulative social and cultural anxieties provoked by a process of rapid, uneven, and accelerating modernism taking place all over Europe.

The first major history of the International Brigades: a tale of blood, ideals and tragedy in the fight against fascism. The Spanish Civil War was the first armed battle in the fight against fascism, and a rallying cry for a generation. Over 35,000 volunteers from 61 countries around the world came to defend democracy against the troops of Franco, Hitler and Mussolini. Ill-equipped and disorderly, yet fuelled by a shared sense of purpose and potential glory, disparate groups of idealistic young men and women banded together to form a volunteer army.

Whereas so many 20th-century Spanish histories begin with Franco and the devastating Civil War, Paul Preston's magisterial work begins in the late 19th century with Spain's collapse as a global power, especially reflected in its humiliating defeat in 1898 at the hands of the United States and its loss of colonial territory.

Benjamin Harris was a young shepherd from Dorset who joined the army in 1802 and later joined the dashing 95th Rifles. His battalion was ordered to Portugal, where he marched under the burning sun, weighed down by his kit and great-coat, plus all the tools and leather he had to carry as the battalion's cobbler—'the lapstone I took the liberty of flinging to the Devil'. Rifleman Harris was a natural storyteller with a remarkable tale to unfold, and his recollections have become one of the most popular military books of all time.

Throughout the Second World War, Lisbon was at the very center of the world’s attention and was the only European city in which both the Allies and the Axis powers openly operated. Portugal was frantically trying to hold on to its self-proclaimed wartime neutrality but in reality was increasingly caught in the middle of the economic, and naval, wars between the Allies and the Nazis. The story is not, however, a conventional tale of World War II in that barely a shot was fired or a bomb dropped. Instead, it is a gripping tale of intrigue, betrayal, opportunism, and double-dealing....

Captain Alatriste is the story of a fictional 17th-century Spanish soldier who, after being wounded in battle during the Thirty Years' War, is forced to retire from the army. Now he lives the comparatively tame, though hardly quiet, life of a swordsman-for-hire in Madrid. Approached with an offer of work, Alatriste is told to go with another hired blade to an unfamiliar part of the city at midnight and wait.

A gripping narrative history of Spain’s most brilliant and troubled literary family - a tale about the making of art, myth, and legacy - set against the upheaval of the Spanish Civil War and beyond.

The Spanish Civil War (1936-1939) inspired and haunted an extraordinary number of exceptional artists and writers, including Pablo Picasso, Joan Miro, Martha Gellhorn, Ernest Hemingway, George Orwell, and John Dos Passos. The idealism of the cause--defending democracy from fascism at a time when Europe was darkening toward another world war--and the brutality of the conflict drew from them some of their best work.

The American Revolution is replete with seminal moments that every American learns in school, from the “shot heard ‘round the world” to the Declaration of Independence, but the events that led up to the fighting at Lexington & Concord were borne out of 10 years of division between the British and their American colonies over everything from colonial representation in governments to taxation, the nature of searches, and the quartering of British regulars in private houses.

Lifetime friends become bitter enemies when the father of one family is killed by militants - one of whom is a son from the other family. Told in short sections highlighting a rich multiplicity of characters from all walks of life, Homeland brilliantly unfolds in nonlinear fashion as it traces the moral dilemmas faced by the families of murder victim and perpetrator alike. Aramburu alludes only obliquely to the historical context while he focuses on the psychological complexity of his characters and builds nearly unbearable suspense.

En el septuagésimo aniversario del estallido del trágico conflicto español, Paul Preston, hispanista de prestigio internacional, actualizó y amplió su estudio de la Guerra Civil teniendo en cuenta tanto las últimas investigaciones y polémicas historiográficas como abundante material inédito, ofreciendo su versión definitiva de La guerra civil española.

En 1928 durante la invasión de Napoleón a Rusia, cinco familias, algunas pobres y otras aristocráticas viven con miseria y tragedia de perder a sus seres queridos en la guerra.

A lo largo de los siglos, España ha estado sujeta al señorío de otros países. Fue ocupada por los antiguos griegos y romanos, los visigodos, los franceses y los musulmanes. Ha sido el patio de recreo tanto de los respetuosos como de los despiadados. Las costas españolas han sido ocupadas por los imperios comerciales de Cartago y Roma. Durante todo ese tiempo, otros le dijeron a España cómo dirigir su país, cómo, con quién y dónde pelear.