Suspense Horror Fiction

Une fillette égarée dans un monde qu'elle ne reconnait pas. Un papa ours dissimulant peut-être l'horrible croquemitaine. Une maman ourse tourmentée cherchant à protéger ses petits. Un ourson prisonnier d'un cauchemar débuté bien avant sa naissance. Une âme vengeresse n'ayant pas dit son dernier mot.

Woody Bookman hasn’t spoken a word in his eleven years of life. Not when his father died in a freak accident. Not when his mother, Megan, tells him she loves him. For Megan, keeping her boy safe and happy is what matters. But Woody believes a monstrous evil was behind his father’s death and now threatens him and his mother. And he’s not alone in his thoughts. An ally unknown to him is listening.

"Something is murdering my men." Thus reads the message received from a Nazi commander stationed in a small castle high in the remote Transylvanian Alps. Invisible and silent, the enemy selects one victim per night, leaving the bloodless and mutilated corpses behind to terrify its future victims. When an elite SS extermination squad is dispatched to solve the problem, the men find something that's both powerful and terrifying. Panicked, the Nazis bring in a local expert on folklore - who just happens to be Jewish - to shed some light on the mysterious happenings.

Samuel Pipps is the greatest detective of his day...but now he’s a prisoner, accused of an unknown crime by one of the world’s most powerful men. Along with his faithful sidekick, Arent Hayes, he’s sailing back to Amsterdam from the East Indies, where he’ll stand trial. But no sooner are they out to sea than devilry begins to blight the voyage. Still shackled in his cell, Pipps sends Hayes to solve a mystery that connects every passenger on board.

Every so often a character so captures the hearts and imaginations of listeners that he seems to take on a life of his own long after the final chapter. For such a character, one book is not enough—listeners must know what happens next. Now Dean Koontz returns with the novel his fans have been demanding. With the emotional power and sheer storytelling artistry that are his trademarks, Koontz takes up once more the story of a unique young hero and an eccentric little town in a tale that is equal parts suspense and terror, adventure and mystery—and altogether irresistibly odd.

As a child, Henry Cadmus lived on Catalina Island, a scenic vacationland off the Southern California coast. But Henry's experiences were far from idyllic. Today, even though Henry has seen firsthand the horrors of war, the ghastly images that haunt his dreams are ones he associates with his childhood... and the island: a snarling pig-man holding a cleaver; a jackal-headed woman on a high balcony, dripping blood; strange occult rituals... and worse. If it was up to Henry, he would avoid the island entirely.

In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three. A teenage girl who isn’t allowed outside, not after last time. A man who drinks alone in front of his TV, trying to ignore the gaps in his memory. And a house cat who loves napping and reading the Bible. An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all.

Past midnight, Chyna Shepard, twenty-six, gazes out a moonlit window, unable to sleep on her first night in the Napa Valley home of her best friend’s family. Instinct proves reliable. A murderous sociopath, Edgler Foreman Vess, has entered the house, intent on killing everyone inside. A self-proclaimed “homicidal adventurer,” Vess lives only to satisfy all appetites as they arise, to immerse himself in sensation, to live without fear, remorse, or limits, to live with intensity. Chyna is trapped in his deadly orbit.

Eric can't remember the recurring dream that keeps waking him in the middle of the night with an overwhelming urge to leave, yet he spends each day feeling as if he desperately needs to be somewhere. With no idea how to cure himself of this odd compulsion, he decides to let it take its course and go for a drive, hoping that once he proves to himself that there is nowhere to go, he can return to his normal life.

Five high school friends are bonded by an oath to protect one another no matter what. Then, on a camping trip in the middle of the forest, they find something extraordinary: a mysterious staircase to nowhere. One friend walks up—and never comes back down. Then the staircase disappears. Twenty years later, the staircase has reappeared. Now the group returns to find the lost boy—and what lies beyond the staircase in the woods.

Based on true crimes, The Specimen is a mesmerizing story about one woman’s search for truth and vengeance in the darkest of places—where the deadliest secrets lie hidden in plain sight on a freshly dusted shelf.

When guests arrive at a séance to contact a man's lost sons, it becomes clear that everyone has dark secrets - secrets that result in the death of a guest.

Newlyweds Lisa and John's summer drive through the Oregonian wilderness takes a chilling turn when an unexpected blizzard traps their car. Desperate for refuge, they find hope in a sign: WELCOME TO__. Bundling up, they trek through the storm and find that, within the town, the blizzard ceases, though it rages just beyond the town's limits. The streets are eerily quiet, lined with lifelike ice statues. Lisa and John soon realize they are being watched by the wary townsfolk, who reveal a haunting truth: this town is a prison, and the storm is a trap.

Failed academic Frank Nichols and his wife, Eudora, have arrived in the sleepy Georgia town of Whitbrow, where Frank hopes to write a history of his family's old estate - the Savoyard Plantation - and the horrors that occurred there. At first, the quaint, rural ways of their new neighbors seem to be everything they wanted. But there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice.

Deep in the heart of Appalachia stands a crooked farmhouse miles from any road. The Morrows keep to themselves, and it's served them well so far. When girls go missing off the side of the highway, the cops don't knock on their door. Which is a good thing, seeing what's buried in the Morrows' backyard. But 19-year-old Michael Morrow isn't like the rest of his family. He doesn't take pleasure in the screams that echo through the trees.

Charlie Hall has never found a lock she couldn’t pick, a book she couldn’t steal, or a bad decision she wouldn’t make. She's spent half her life working for gloamists, magicians who manipulate shadows to peer into locked rooms, strangle people in their beds, or worse. Gloamists guard their secrets greedily, creating an underground economy of grimoires. And to rob their fellow magicians, they need Charlie Hall.

Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.”

Lynnette Tarkington is a real-life final girl who survived a massacre. For more than a decade, she’s been meeting with five other final girls and their therapist in a support group for those who survived the unthinkable, working to put their lives back together. Then one woman misses a meeting, and their worst fears are realized - someone knows about the group and is determined to rip their lives apart again, piece by piece.

To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the sole ambition of bringing his “art” to new heights. Tortured by his own perverse desires, and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his “art” to limits even Compton hadn’t previously imagined.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.