Victorian English Mystery

London, November 1890. Crime-scene photographer Sarah Bain Barrett faces a perfect storm of events. She and her husband Detective Sergeant Barrett are riding on a train that crashes. While rescuing other passengers, they find a woman who's been strangled to death.

Charlotte Pitt's sister, Emily, has been accused of murdering her wayward but wealthy husband. Now Charlotte and police inspector Thomas Pitt must breach a formidable uppercrust barrier to prove Emily's innocence. Anne Perry's Victorian mysteries are rich and suspenseful journeys into a world filled with impeccable manners and intrigue.

Kate Hamilton is feeling good about her plans to recreate Asheboro, Maryland, as the Victorian town it once was. Even two recent murders aren't enough to discourage her: After she helped to solve them, she put them behind her. Now comes the time to make real plans, and her first goal is to renovate the Barton Mansion on the outskirts of town. But when the contractor gets started, he discovers a staircase that had been walled in years earlier. And of course, given the way Kate's luck has been going, there's a body on the stairs.

Two bodies have been found in a park in the fashionable London neighborhood of Callander Square. While Inspector Thomas Pitt is fighting to get the square’s aristocratic residents to speak with him, his pretty, well-born wife, Charlotte, decides to do some detective work of her own. Soon she is unearthing secrets in every house on the square, while Thomas tries to discover what would drive a person to murder.

When Charlotte Pitt, well-born wife of Thomas Pitt, the police investigator, learned of her mother's distress in losing a locket with a compromising picture, she did not know it was the beginning of several bizarre events that would end in sudden death. For hidden behind the sumptuous elegance of Ruthland Place were terrible secrets. Secrets so horrifying that only murder could conceal them. And only the dogged persistence of Charlotte and Thomas could reveal them.

Hours later, the man’s cold body lies in the city mortuary, alongside the woman he couldn’t save. And his sister, unconventional nurse Gemma Tate, tracks down troubled police inspector Sebastian Bell to unravel the truth. Sebastian has enough pressure to solve the murder of an aristocratic heiress without Gemma meddling in his case. But the cryptic sentences she brings him from her brother’s notebook could be a crucial lead. If only they knew what “milky way” meant.

It is October 1890 in London. Crime-scene photographer Sarah Bain is overjoyed to marry her beloved Detective Sergeant Barrett - but the wedding takes a sinister turn when the body of a stabbing victim is discovered in the crypt of the church. Not every newlywed couple begins their marriage with a murder investigation, but Sarah and Barrett, along with their friends Lord Hugh Staunton and Mick O'Reilly, take the case.

When she discovers the bank is involved in shockingly murky business dealings, Kat realizes she’s treading in dangerous waters. She turns to her confidante and handsome suitor, Daniel McAdam, for help. To exonerate Samuel, Kat and Daniel may have to expose the unseemly financial dealings of prominent aristocrats and government officials, and even those working to bring down the royal family. Kat will risk everything to protect the man who has sacrificed so much for her daughter, even if it means endangering herself and the friends she has come to love.

Fourth in the series of Charlotte and Thomas Pitt mysteries, Anne Perry's Resurrection Row explores the dark undercurrents that run through the lives of the idle rich in Victorian England. After a wonderful night at the theatre, Thomas and Charlotte find themselves confronted with a corpse in the driver's seat of a cab. Even more shocking, it is the body of a peer who had been decently buried the week before.

When young cook Kat Holloway learns that the children of London's Foundling Hospital are mysteriously disappearing and one of their nurses has been murdered, she can't turn away. She enlists the help of her charming and enigmatic confidant Daniel McAdam, who has ties to Scotland Yard, and Errol Fielding, a disreputable man from Daniel’s troubled past, to bring the killer to justice. Their investigation takes them from the grandeur of Mayfair to the slums of the East End, during which Kat learns more about Daniel and his circumstances than she ever could have imagined.

Edinburgh, 1869: Modern-day homicide detective Mallory Atkinson is adjusting to her new life in Victorian Scotland. Her employers know she’s not housemaid Catriona Mitchell—even though Mallory is in Catriona’s body—and Mallory is now officially an undertaker’s assistant. Dr. Duncan Gray moonlights as a medical examiner, and their latest case hits close to home. Men are dropping dead from a powerful poison, and all signs point to the grieving widows… the latest of which is Gray’s oldest sister. Poison is said to be a woman’s weapon, though Mallory has to wonder if it’s as simple as that.

For Emily, accepting the proposal of Philip, the viscount Ashton, was an easy way to escape her overbearing mother, who was set on a grand society match. So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly.

Inspector Thomas Pitt is asked to reopen a three-year-old murder case which occurred in London's luxurious Hanover Close. With his wellborn wife, Charlotte, to aid him in penetrating the well-known reserve of high society, the inquisitive Pitts discover a shocking and deadly secret. Millions of ardent fans relish Anne Perry's highly atmospheric mysteries, set in Victorian London.

Argyll, Scotland. July 1832. After a trying few months in Edinburgh, Kiera and her husband and investigative partner, Sebastian Gage, are eager to escape to the Highlands with their three-month-old child. Kiera is overjoyed for her cousin Rye and her friend Charlotte, who are being wed in a private ceremony at the estate of Rye's great-uncle, the Marquess of Barbreck, in what seems to be the perfect wedding party. But when Kiera is invited to peruse Barbreck's extensive art collection, she is disturbed to discover that one of his most priceless paintings seems to be a forgery.

A stranger who appears on Kat's doorstep turns out to be one Charlotte Bristow, legal wife of Joe Bristow, the man Kat once believed herself married to—who she thought died at sea twelve years ago. Kat is jolted by Charlotte’s claims that Joe was not only murdered but that he also had amassed a small fortune before he died. Charlotte makes the cook an offer she cannot refuse—if Kat can discover the identity of Joe's murderer, Charlotte will give her a share of the fortune Joe left behind. Kat must race to catch the real killer before she loses her job and possibly her life.

Early in the morning of Monday, July 8, 1895, 13-year-old Robert Coombes and his 12-year-old brother, Nattie, set out from their small, yellow-brick terraced house in East London to watch a cricket match at Lord's. Their father had gone to sea the previous Friday, the boys told their neighbors, and their mother was visiting her family in Liverpool. Over the next 10 days, Robert and Nattie spent extravagantly, pawning their parents' valuables to fund trips to the theatre and the seaside. But as the sun beat down on the Coombes house, a strange smell began to emanate.

After she captured the interest of detective Sir Charles Sheridan during their first case together, Kathryn Ardleigh and Sir Charles are brought together once more by the demise of a local constable and the disappearance of a child. The sleuthing couple catches a trail of deadly greed and criminal mischief once again and, with the help of a shy woman who calls herself Beatrix Potter, Kate intends to uncover the sinister secrets of Gallows Green.

While attending an exhibition at the Crystal Palace, young cook Kat Holloway is approached by a woman in distress. Lady Covington is a wealthy widow convinced that her entire family is trying to kill her. Kat feels compelled to help, so she escorts the lady home to discover whether she is delusional or in true danger. When it quickly becomes apparent that the threat is all too real, Kat promises aid.

Thomas Pitt, mainstay of Her Majesty’s Special Branch, is summoned to Connaught Square mansion, where the body of a junior diplomat lies huddled in a wheelbarrow. Nearby stands the tenant of the house, the beautiful, notorious Egyptian woman Ayesha Zakhari, who falls under the shadow of suspicion. Pitt’s orders are to protect—at all costs—the good name of the third person in the garden: senior cabinet minister Saville Ryerson. The distinguished public servant, whispered to be Ayesha’s lover, insists that she is as innocent as Pitt himself.

The evidence was all there: a dead body, two dessert plates, and a gun. Could it be that Mr. Ashbury was sharing his cake with his killer? The old bloke had enemies galore - even his own daughter disliked him. Mr. Ashbury's son-in-law doesn't want Inspector Witherspoon asking questions. Of course this doesn't stop Mrs. Jeffries and her staff from snooping around.