Women Horror

In the deep woods of East Texas, Henry supports his family by selling bootleg liquor. It's all he can do to keep his compassionate but ailing mother and his stepfather - a fanatical grassroots minister with a bruising rhetoric - from ruin. But they have no idea they've become the obsession of the girl in the woods. Andoned and nearly feral, Eve has been watching them, seduced by the notion of family - something she's known only in the most brutal sense. Soon she can't resist the temptation to get close.

Eleanor lives with prosopagnosia, the inability to recognize a familiar person's face. It causes stress. Acute anxiety. It can make you question what you think you know. When Eleanor walked in on the scene of her capriciously cruel grandmother, Vivianne’s, murder, she came face to face with the killer—a maddening expression that means nothing to someone like her. With each passing day, the horror of having come so close to a murderer—and not knowing if they’d be back—overtakes both her dreams and her waking moments, thwarting her perception of reality.

A new husband and a new house. Just as well, because Zoe doesn't like old. Back in the 1960s, this house was built to look ultra-modern, with lots of glass and sharp angles. And it was going cheap, perhaps because of the self-inflicted death of a previous owner – notoriously bloody and prolonged.

Crossover sensation Melissa de la Cruz created an instant New York Times best seller with the inventive Witches of East End. In this follow-up, everything is going smoothly in North Hampton now that Joanna and her daughters, Ingrid and Freya, are allowed to perform magic again. But chaos erupts with the arrival of Freya’s twin brother, Freddie, who’s finally escaped from Limbo. And Freddie’s convinced that Freya’s fiancé, Killian Gardiner, is the one who landed him there in the first place.

Once the thriving attraction of rural Vermont, the Tower Motel now stands in disrepair, alive only in the memories of Amy, Piper, and Piper's kid sister, Margot. The three played there as girls until the day their games uncovered something dark and twisted in the motel's past, something that ruined their friendship forever.

Penny and Hattie are sisters in a small town, bound tight to the point of knots. They share a secret they cannot escape, even while it pulls them apart. One night, a match is lit, and Penny's terrible husband is killed - a marriage going up in flames and offering the potential of a new life. The sisters retreat into their family home, a house of secrets and memories, and try to live in the shadow of what they put in motion. But Penny's husband is not the only thing they are hiding - both from the outside world and from each other.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

Melanie Middleton has grown accustomed to renovating old houses, but she never imagined she'd have to renovate her own life to include her estranged mother. Ginnette Prioleau Middleton left Charleston 35 years ago. She's returned wanting to protect the daughter she's never really known after receiving an ominous premonition. Melanie never wanted to see her mother again, but with some prodding from her partner, Jack Trenholm, she agrees. With their combined psychic abilities, they find a vengeful dark spirit whose strength has been growing for decades.

Honey, I just want you to have everything you ever wanted. That’s what Jacy’s mom always told her. And Jacy felt like she finally did. Newly married and with a baby on the way, Jacy and her new husband, Jed, embark on their first road trip together to visit his father, Dr. Ash, in Michigan’s far-flung Upper Peninsula. The moment they arrive at the cottage snug within the lush woods, Jacy feels bathed in love by the warm and hospitable Dr. Ash, if less so by his house manager, the enigmatic Mrs. Brandt. But their Edenic first days take a turn when Jacy has a health scare.

Psychic M.J. Holliday finds herself in a witchy situation. When M.J. and her friends travel to a small town near Edinburgh, Scotland, to film the first installment of their new cable TV show Ghoul Getters, they find plenty of spooky action in a series of supposedly haunted caverns. But when they discover the body of a maintenance worker, the cause of death is reminiscent of an old legend involving a witch's wrath.

One hot summer night, Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. Their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes suspects it's something else—something far more ancient and powerful.

Just when I thought it was safe to step onto my porch, the power of the Oracle has sent another person in need to my stairs. He thinks he's searching for his missing husband, but the moment I smell him, I know he's dragging along a curse from a necromancer with a stench strong enough to curl the leg hairs I haven't had time to shave. Which reminds me—I should probably do some grooming before my date. Did I mention I have an arraignment in court? For murder? It's all I can do to put this legal nonsense to bed before the rotten bouquet of necromancy wafts into my world yet again.

The first in the new Sissy Sawyer series. When Fidelio Valdes, a disaffected young Puerto Rican, and Robert Touche, a drunk and aggressive businessman who has lost his job and his wife, meet, they begin a spree of random shootings. The Connecticut Police are baffled until widowed fortune-teller Sissy Sawyer contacts them to say that her cards are predicting the murders and giving her clues to the identity of the killers...

When Lily arrives at an antique jewelry fair, her bargain sensors go off left and right - but she also picks up a faint vibration of magic. Could the hard-bargaining merchant Griselda be a fellow practitioner? It certainly seems that way when a sudden fire sends panic through the crowd, and Lily discovers Griselda murdered in a way that nods to an old-fashioned witch hunt. A crime that hits close to home turns into an unwelcome flash from the past when the police bring in their lead suspect - Lily's estranged father.

Always up for trying something new, Kath and her friends from the fiber and needlework group TGIF - Thank Goodness It's Fiber - are visiting Cloud Hollow Farm for the day to learn the fine art of dyeing. With spring in the air, the friends head out to greet the sheep. But the sheep are more interested in something else - two bodies spread under a tall tree. And one of those bodies is someone they know. Kath's friends nudge her to investigate.

Josh and Allison Conner have moved out from the city, inspired to create a retreat for children in need, a place to build skills and character. They've brought their own children with them, and now they're hurrying to rebuild and update the old camp in time for their first opening day. But something lurks in the wilderness around the old summer camp, something that strikes against the Conners' best efforts to revitalize it. They feel watched, then threatened, but after sinking their savings and their hopes into the place, they are unwilling to walk away.

When a redundant church is bought by a young pagan couple, the local fundamentalist minister reacts with fury. In an isolated community on the Welsh border, a modern witch hunt begins. Diocesan exorcist Merrily Watkins is expected to keep the lid on the cauldron...but what she finds out will seriously test her beliefs.

London,1925. Scotland Yard Detective Inspector Devenand Hunter finds himself in the middle of a series of upper-class deaths in London. Bright young people are being extinguished in their favorite night spots, from a sleazy private jazz club to the Savoy ballroom. Dev knows just the person to help him navigate the treacherous society waters: Lady Adelaide Compton, a marquess's daughter and widow of a Great War hero. Unfortunately, he has put her in jeopardy once before, nearly leading him to turn in his warrant card.

Dead bodies are expected in cemeteries, but not simply thrown into an open grave. The newspaper’s notorious food reviewer had plenty of enemies in the small town of Oak Hill, Georgia. Unfortunately, it’s Emily Buchanan’s good friend Trish who is the prime suspect, since the biscuits that killed him came from her bakery. As Emily tries to balance running Eternal Rest Bed and Breakfast and working to bring her late husband’s spirit home, she also has to help clear Trish’s name. After all, someone Emily knows and trusts could never be a killer…could she?

The last place Suze Simon expects to find herself during Valentine's Day is a cemetery. But that's what happens when you're a mediator—cursed with the "gift" of communicating with the dead. That's how Suze has ended up at the graves of a pair of tragic young lovers. They're NCDPs—Non-Compliant Deceased Persons—whose drama didn't end with death. It's Suze's job to make sure they move on—for good.