Women Humor

In a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul lives Kim Jiyoung. A 30-something-year-old “millennial everywoman”, she has recently left her white-collar desk job - in order to care for her newborn daughter full-time - as so many Korean women are expected to do. But she quickly begins to exhibit strange symptoms that alarm her husband, parents, and in-laws: Jiyoung impersonates the voices of other women - alive and even dead, both known and unknown to her.

Workaholic attorney Samantha Sweeting has just done the unthinkable. She's made a mistake so huge, it'll wreck any chance of a partnership. Going into utter meltdown, she walks out of her London office, gets on a train, and ends up in the middle of nowhere. Asking for directions at a big, beautiful house, she's mistaken for an interviewee and finds herself being offered a job as housekeeper. Her employers have no idea they've hired a lawyer, and Samantha has no idea how to work the oven. She can't sew on a button, bake a potato, or get the #@%# ironing board to open.

Con man Nick Fox is after Garson Klepper’s golden Peruvian relics. For Fox, convincing Klepper to hire him as security for the relocation of the relics to the Getty museum in L.A. was easy. Problem is, Fox wasn’t planning on Klepper also enlisting the help of the FBI. Fox also wasn’t planning on being paired up with rookie special agent Kate O’Hare. She’s smart, she’s tenacious, and when she’s conned, she holds a grudge. Life for Fox and O’Hare will never be the same again.

Irina obsessively takes explicit photographs of the average-looking men she persuades to model for her, scouted from the streets of Newcastle. Placed on sabbatical from her dead-end bar job, she is offered an exhibition at a fashionable London gallery, promising to revive her career in the art world and offering an escape from her rut of drugs, alcohol and extreme cinema. The news triggers a self-destructive tailspin, centred around Irina's relationship with her obsessive best friend and a shy young man from her local supermarket who has attracted her attention....

It’s been almost two years since Effie’s beloved parents got divorced, destroying the image of the happy, loving childhood she thought she had. Since then, she’s become estranged from her father and embarked on a feud with his hot (and much younger) girlfriend, Krista. And now, more earth-shattering news: They’ve sold Greenoaks, the rambling Victorian country house Effie has always called home.

They're a glamorous family, the Caseys. Johnny Casey, his two brothers Ed and Liam, their beautiful, talented wives and all their kids spend a lot of time together - birthday parties, anniversary celebrations, weekends away. And they're a happy family. Johnny's wife, Jessie - who has the most money - insists on it. Under the surface, though, conditions are murkier. While some people clash, other people like each other far too much.... Everything stays under control until Ed's wife Cara, gets concussion and can't keep her thoughts to herself.

After being together for 10 years, Sylvie and Dan have all the trimmings of a happy life and marriage; they have a comfortable home, fulfilling jobs, and beautiful twin girls and communicate so seamlessly, they finish each other's sentences. However, a trip to the doctor projects they will live another 68 years together, and panic sets in. They never expected "until death do us part" to mean seven decades. In the name of marriage survival, they quickly concoct a plan to keep their relationship fresh and exciting.

On the eve of her wedding to Nicholas Young, heir to one of the greatest fortunes in Asia, Rachel should be over the moon. She has a flawless Asscher-cut diamond from JAR, a wedding dress she loves more than anything found in the salons of Paris, and a fiancé willing to sacrifice his entire inheritance in order to marry her. But Rachel still mourns the fact that her birthfather, a man she never knew, won't be able to walk her down the aisle.

An ambitious mother puts her art career on hold to stay at home with her newborn son, but the experience does not match her imagination. Two years later, she steps into the bathroom for a break from her toddler's demands, only to discover a dense patch of hair on the back of her neck. In the mirror, her canines suddenly look sharper than she remembers. Her husband, who travels for work five days a week, casually dismisses her fears from faraway hotel rooms.

For the past two decades, Rocky has looked forward to her family’s yearly escape to Cape Cod. Their humble beach-town rental has been the site of sweet memories, sunny days, great meals, and messes of all kinds. This year’s vacation, with Rocky sandwiched between her half-grown kids and fully aging parents, promises to be just as delightful as summers past—except, perhaps, for Rocky’s hormonal bouts of rage and melancholy. Her body is changing—her life is, too. And then a chain of events sends Rocky into the past, reliving both the tenderness and sorrow of a handful of long-ago summers.

Finlay Donovan is killing it...except, she’s really not. The new book she promised her literary agent isn’t written, her ex-husband fired the nanny without telling her, and this morning she had to send her four-year-old to school with hair duct-taped to her head.

Is it possible to write a sidesplitting novel about the breakup of the perfect marriage? If the writer is Nora Ephron, the answer is a resounding yes. For in this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of Sleepless in Seattle reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter.

Dorothy Jean Wetstra, 87, is the town matriarch in Partonville, Illinois. Fully aware of both her strengths and flaws, she often asks "the Big Guy" in heaven for help: "Dear Lord, DO SOMETHING!"

A millennial with amnesia uses her Instagram account to piece together her identity in this hilarious and whip-smart comedy about the ups and downs of influencer culture.

Margaret Atwood's The Robber Bride is inspired by "The Robber Bridegroom", a wonderfully grisly tale from the Brothers Grimm in which an evil groom lures three maidens into his lair and devours them, one by one. But in her version, Atwood brilliantly recasts the monster as Zenia, a villainess of demonic proportions, and sets her loose in the lives of three friends.

In her own words, Stella Sweeney is just "an ordinary woman living an ordinary life with her husband and two teenage kids", working for her sister in their neighborhood beauty salon. Then one day she is struck by a serious illness that lands her in the hospital for months.

Andrea Sachs, a small-town girl fresh out of college, is hired as the assistant to Miranda Priestly, the successful editor of Runway magazine. Andrea finds herself in an office that shouts Prada! Armani! Versace! at every turn. As things escalate from the merely unacceptable to the downright outrageous, Andrea begins to realize that the job a million girls would die for may just kill her. And even if she survives, she has to decide whether the job is worth the price of her soul.

For Susan Green, messy emotions don’t fit into the equation of her perfectly ordered life. She has a flat that is ideal for one, a job that suits her passion for logic, and an “interpersonal arrangement” that provides cultural and other more intimate benefits. But suddenly confronted with the loss of her mother and the news that she is about to become a mother herself, Susan’s greatest fear is realized. She is losing control.

It’s 1988 and Dexter Mayhew and Emma Morley have only just met. But after only one day together, they cannot stop thinking about one another. Over twenty years, snapshots of that relationship are revealed on the same day—July 15th—of each year. Dex and Em face squabbles and fights, hopes and missed opportunities, laughter and tears. And as the true meaning of this one crucial day is revealed, they must come to grips with the nature of love and life itself.

Monday mornings aren’t supposed to be fun, but they should be predictable. However, on this particular Monday, Stephanie Plum knows that something is amiss when she turns up for work at Vinnie’s Bail Bonds to find that longtime office manager Connie Rosolli, who is as reliable as the tides in Atlantic City, hasn’t shown up. Stephanie’s worst fears are confirmed when she gets a call from Connie’s abductor. He says he will only release her in exchange for a mysterious coin that a recently murdered man left as collateral for his bail.