This boxed set contains the first three books in C. J. Archer's popular Ministry of Curiosities series. Titles in the set include The Last Necromancer, Her Majesty's Necromancer, and Beyond the Grave. Description of The Last Necromancer: For five years, Charlotte (Charlie) Holloway has lived as a boy in the slums. But when one theft too many gets her arrested, her only means of escape lies with a dead man.

The king's magnificent palace was built in a matter of weeks. No one saw the builders, no villagers are allowed beyond the gilded gate, and only one servant has ever left. The haunted look in her eyes as she was recaptured by the palace guards is something Josie, daughter of the village doctor, has never forgotten. For Josie, the palace is a mystery that grows more intriguing after she meets the captain of the guards, a man known only as Hammer, as mysterious and captivating as the palace itself. Whispers of magic fuel Josie's desire to uncover the truth, but an ordinary girl like her can only dream of ever being invited inside.

India Steele is desperate. Her father is dead, her fiancé took her inheritance, and no one will employ her, despite years working for her watchmaker father. Indeed, the other London watchmakers seem frightened of her. Alone, poor, and at the end of her tether, India takes employment with the only person who’ll accept her–an enigmatic and mysterious man from America. A man who possesses a strange watch that rejuvenates him when he’s ill.

Librarian Sylvia Ashe knows nothing about her past, having grown up without a father and a mother who refused to discuss him. When she stumbles upon a diary that suggests she's descended from magicians, she's skeptical. After all, magicians are special, and she's just an ordinary woman who loves books. She seeks answers from a member of the most prominent family of magicians, but she quickly learns that finding the truth won't be easy, especially when he turns out to be as artless as her, and more compelling and dangerous than books.

December 1899. After the death of her beloved grandmother, Cleopatra Fox moves into the luxury hotel owned by her estranged uncle in the hopes of putting hardship and loneliness behind her. But the poisoning of a guest on Christmas eve throws her new life, and the hotel, into chaos. Cleo quickly realizes no one can be trusted, not Scotland Yard and especially not the hotel’s charming assistant manager.

Orlando Holt has never assassinated a woman before. The lovely, feisty Lady Lynden will be his first. She's supposed to be a vicious murderess, but when Orlando begins to have doubts, he sets out to discover the identity of the person who hired him. What he learns will turn his world upside down and propel him headlong into love with a woman who's immune to his charms.

It’s customary for Gothic romance novels to include a mysterious girl locked in the attic. Hannah Smith just wishes she wasn’t that girl. As a narcoleptic and the companion to an earl’s daughter with a strange affliction of her own, Hannah knows she’s lucky to have a roof over her head and food in her belly when so many orphans starve on the streets. Yet freedom is something Hannah longs for. She did not, however, want her freedom to arrive in the form of kidnapping.

Charity Evans wants nothing more than to leave her troubled past behind and start afresh. The teacher at a London school for orphans is encouraged to have her memories blocked by hypnotist Samuel Gladstone, but when they experience visions with an unknown third person, they realize the past can never be truly erased. And now that past is returning to haunt Charity all over again. Samuel is determined to help her, but how can a woman who trusts no man trust a hypnotist?

Seventeen-year-old spirit medium Emily Chambers has a problem. Actually, she has several. As if seeing dead people isn’t a big enough social disadvantage, she also has to contend with an escaped demon and a handsome ghost with a secret past. And then there’s the question of her parentage. Being born an entire year after her father’s death (yes, a year), Emily is as much a mystery as the dead boy assigned to her.

Minerva Peabody needs a man. Unfortunately she picked the wrong one. The impoverished playwright has a dream to see her plays performed on stage, but in Elizabethan England, not only are women considered the inferior sex, they simply do not write plays. Faced with rejection after rejection, she decides to take one more chance with the most desperate theater manager in London, only this time she’ll use the cover of a man. Sucked in by a pair of bright blue eyes and impressive shoulders, she chooses Blake out of the crowd, never thinking he’ll actually play an active role in her ruse.