Alison has never been a fan of Christmas. But with it right around the corner and her husband busily decorating their cozy Vermont home, she has no choice but to face it. Then she gets the call. Mavis, Alison’s estranged mother, has been diagnosed with cancer and has only weeks to live. She wants to spend her remaining days with her daughter’s family. But Alison grew up with her mother’s alcoholism and violent abuse and is reluctant to unearth these traumatic memories.

For the lucky among us, life is what you make of it, but for Dixie Wheeler, the theme music for her story was chosen by another long ago, on the day her father butchered her mother and brothers and then slashed a knife across his own throat. Only one-year-old Dixie was left alive, infamously known as Baby Blue for the song left playing in the aftermath of the slaughter. Twenty-five years later, Dixie is still desperate for a connection to the family she can’t remember, so when her childhood home goes up for sale, Dixie sets aside all reason and moves in.

Paul’s just here to help, or so he claims—sent by a charity for vulnerable people to do odd jobs for elderly widow Gwen. But for Gwen’s daughter Connie, there’s just something about Paul that rings alarm bells from day one. He’s a little too kind, a little too involved…Worse still, Gwen seems to have fallen under his spell.

The Bloomin' Psychic Boxed Set includes the first three books in the series: Petal to the Metal, Life's a Birch, and Drive Me Daisy.

Julie is missing, and no one believes she will ever return - except Elise. Elise knows Julie better than anyone, and feels it in her bones that her best friend is out there and that one day Julie will come back. She’s right. Two years to the day that Julie went missing, she reappears with no memory of where she’s been or what happened to her. Along with Molly and Mae, their two close friends from college, the women decide to reunite at a remote inn. But the second Elise sees Julie, she knows something is wrong - she’s emaciated, with sallow skin and odd appetites.

The Cove is a quaint little postcard town made up only of old folk who sell the World's Greatest Ice Cream - a secret recipe that brings lots of tourists into town.

Into The Cove comes Sally Brainerd, daughter of murdered Amory St. John, of Washington, D.C., seeking sanctuary, and FBI Special Agent James Quinlan, who's undercover and after her. He's got a murder to solve, and he believes she's the key. But is she really?

Everyone knows about Ashburn House. They whisper its old owner went mad, and restless ghosts still walk the halls. They say it's the dwelling place of something cruel and sinister. But when Adrienne, desperate and in need of a place to stay, inherits the crumbling old mansion, she only sees it as a lifeline...until darkness falls.

On the night when Caitlin and Olivia's parents leave them to go to a dinner party both girls are full of excitement about being old enough to stay home alone. What they don't see is the figure watching them through the open window. Who, after the girls have fallen asleep, will turn the handle of the unlocked back door. When their parents return, they will find Olivia's bed empty. Their eldest daughter gone. Never to return. Until now. But is the woman who claims to be Olivia really all she seems? And is everything Caitlin said she saw that night really the whole truth?

Writer Carrie Colts hopes a move to Montauk will be a rejuvenating change of pace for her family. The last thing she expects to see is her former college roommate on her doorstep. Newly widowed, and with a daughter of her own, Maya would love to reconnect. As a gesture to an old friend in mourning, Carrie extends an invitation to stay. Just for a few days. After all, there are reasons that Carrie and Maya are estranged.

Lex Gracie doesn't want to think about her family. She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped, the eldest sister who freed her older brother and four younger siblings. It's been easy enough to avoid her parents - her father never made it out of the House of Horrors he created, and her mother spent the rest of her life behind bars. But when her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer.

West Hall, Vermont, has always been a town of strange disappearances and old legends. The most mysterious is that of Sara Harrison Shea, who, in 1908, was found dead in the field behind her house just months after the tragic death of her daughter, Gertie. Now, in present day, 19-year-old Ruthie lives in Sara's farmhouse with her mother, Alice, and her younger sister, Fawn. Alice has always insisted that they live off the grid, a decision that suddenly proves perilous when Ruthie wakes up one morning to find that Alice has vanished without a trace. Searching for clues, she is startled to find a copy of Sara Harrison Shea's diary....

Miley's plans take a terrifying detour when she's abducted during a morning run. Held captive in a desolate off-grid cabin, she'll have to use her athletic prowess, cunning mind, and courage to survive. As the nightmare at the cabin escalates, Miley is forced to form an unlikely alliance and attempt a risky escape.

Defense attorney Leland Monroe lost it all: his big-city job, his reputation, and, worst of all, his loving wife. Now he’s back in his hometown to hit restart and repair the relationship with his troubled son. But the past is always present in a small town. Leland returns to find his high school sweetheart hasn’t had the easiest of lives - especially now that her son faces a death sentence for murdering his father.

Jennifer Thorne skewers all-too-familiar family dynamics in this sly, wickedly funny vacation-Gothic. Beautifully unhinged and deeply satisfying, Diavola is a sharp twist on the classic haunted house story, exploring loneliness, belonging, and the seemingly inescapable bonds of family mythology.

Wanting to be a dancer while growing up in a large military family made Christine Barker somewhat of a black sheep, but she followed her dreams to New York City, where—in a moment of almost unbelievable good fortune—she was chosen for the London cast of A Chorus Line. London, and then New York, in the '70s and '80s opened up Christine’s world. The creativity, culture, and nightlife were intoxicating, enough so to compel her older brother Laughlin to join her. Once there, the divorced father, veteran, and corporate lawyer met rising fashion star Perry Ellis.