It's 1942, and as far as her father knows, Evelyn Bishop, heiress to an aeronautics fortune, is working as a translator in London. In truth, Evelyn—daring, beautiful, and as adept with a rifle as she is in five languages—has joined the Office of Strategic Services as a spy. Her goal is personal: to find her brother, who is being held as a POW in a Nazi labor camp. Through one high-risk mission after another, she is paired with the reckless and rebellious Nick Gallagher, growing ever close to him until the war's end brings with it an act of deep betrayal.

The Light Eaters is a deep immersion into the drama of green life and the complexity of this wild and awe-inspiring world that challenges our very understanding of agency, consciousness, and intelligence. In looking closely, we see that plants, rather than imitate human intelligence, have perhaps formed a parallel system.

On September 11, 1999, humanity made a monumental discovery in the vastness of space. Scientists uncovered an asteroid of immense scientific importance—a colossal celestial entity. As massive as an aircraft carrier and towering as high as the iconic Empire State Building, this cosmic titan was later named Bennu. Remarkable for much more than its size, Bennu belonged to a rare breed of asteroids capable of revealing the essence of life itself. But just as Bennu became a beacon of promise, researchers identified a grave danger.

Over thousands of years, the Mississippi watershed was home to millions of Indigenous people who regarded "the great river" with awe and respect, adorning its banks with astonishing spiritual earthworks. But European settlers and American pioneers had a different vision: the river was a foe to conquer. In this landmark work of natural history, Boyce Upholt tells the epic story of human attempts to own and contain the Mississippi River, from Thomas Jefferson's expansionist land hunger through today's era of environmental concern

1987. Supermodel Harlow Hayes seeks solace in a quaint Florida beach town to heal from a heartbreak that shattered her entire world. To her surprise, she encounters Matt Knight—a Hollywood A-lister with a bad-boy reputation—who has returned to his hometown to help his plucky grandmother, Tuesday, save her century-old skating rink, the Starlight.

Offering a striking, dramatic journey unspooling over centuries and across continents, Witchcraft is a “well-rounded insight into some of the strangest and cruelest moments in history” (Buzz Magazine), giving voice to those who have been silenced by history.

Joanna Eberhart is a creative, self-possessed wife and mother, newly arrived in seemingly idyllic Stepford, Connecticut. But as she and her family begin settling in, she’s jarred by the unaccountable sameness of the local wives: all flawlessly attractive, with perfectly maintained homes—and little seeming interest in anything else. As curiosity turns to concern, Joanna finds herself unraveling a web of malice that threatens her very existence.

When journalist Annabelle Tometich picks up the phone one June morning, she isn’t expecting a collect call from an inmate at the Lee County Jail. And when she accepts, she certainly isn’t prepared to hear her mother’s voice on the other end of the line. However, explaining the situation to her younger siblings afterwards was easy; all she had to say was, “Mom shot at some guy. He was messing with her mangoes.” They immediately understood.

It's 1990 in London and Tom Hargreaves has it all: a burgeoning career as a reporter, fierce ambition and a brisk disregard for the "peasants"—ordinary people, his readers, easy tabloid fodder. His star seems set to rise when he stumbles across a sensational scoop: a dead child on a London estate, grieving parents beloved across the neighborhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and “bad apples”: the Greens. At their heart sits Carmel: beautiful, otherworldly, broken, and once destined for a future beyond her circumstances.

Heartfelt, powerfully engaging, and in the tradition of Anthony Doerr’s All the Light We Cannot See, this is a work of storytelling bravado: a thrilling action-packed art heist, an imaginative chronicle of forgotten history, and a poignant coming-of-age epic where a child navigates one of the most morally complex fronts of World War II and lives to tell the tale.

Max Maurey should be on top of the world. He's a famous horror director. Actors love him. Hollywood needs him. He's making money hand over fist. But it's the 80s, and he's directing cheap slashers for audiences who only crave more blood, not real art. Not real horror. And Max's slimy producer refuses to fund any of his new ideas. But when Max discovers an old camera that filmed a very real Hollywood horror, he knows that he has to use this camera for his next movie. The only problem is that it came with a cryptic warning and sometimes wails.

Ben is a painter from the crowded, turbulent city. For six months his fiancée, Cara, has been working on the remote island of Sanctuary Rock, the private estate of millionaire philanthropist Sir John Pemberley. Now she has decided to break off their engagement and stay there for good. Ben travels to the island to try and win Cara back. After an arduous journey, he finds himself compelled to stay. But as Ben begins to traverse Pemberley’s kingdom, he begins to uncover the truth of the apparently perfect society the enigmatic Sir John is building.

Set in a not-too-distant America, I Cheerfully Refuse is the tale of a bereaved and pursued musician embarking under sail on a sentient Lake Superior in search of his departed, deeply beloved, bookselling wife. Rainy, an endearing bear of an Orphean narrator, seeks refuge in the harbors, fogs, and remote islands of the inland sea. Encountering lunatic storms and rising corpses from the warming depths, Rainy finds on land an increasingly desperate and illiterate people, a malignant billionaire ruling class, crumbled infrastructure, and a lawless society.

Meet Laszlo, eight-hundred-year-old demon and Hell’s least productive Curse Keeper. From his office beneath Midtown, he oversees the Drakeford Curse, which involves a pathetic family upstate and a mysterious black monolith. It’s a sexy enough assignment—colonial origins, mutating victims, et cetera—but Laszlo has no interest in maximizing the curse’s potential; he’d rather sunbathe in Ibiza, quaff martinis, and hustle the hustlers on Manhattan’s subway.

Gav isn't really sure how he ended up with a castle full of goblins, or why he has a princess locked in a cell. All he can do is play along with his own evil plan in hopes of getting his memories back before he gets himself killed. But as he realizes that nothing—from the incredibly tasteless cloak adorned with flames to the aforementioned princess—is quite what it seems, Gav must face up to all the things the Dread Lord Gavrax has done. And he'll have to answer the hardest question of all—who does he want to be?