Scoop out the guts, carve out the eyes, scoop out the guts... oh, hello there! Dont mind me, just preparing the family's plus-sized gourd for Big-Ass Pumpkin Day, the only remaining holiday Hallmark hasn't gotten its grubby fingers on! This year's attraction is a slasher movie so you better believe we found it on Tubi, 2011's Beg. Its the provocative story of a small-town cop and his favorite clone batch tracking down a serial killer with a pumpkin on his head, murder on his mind, and... a shifting ethnicity? What? Join the crew for a commentary as murky as the woods this was filmed in, where Tony Todd finds himself entangled in middle-American domestic drama and also a stab man, they spend a bold amount of time discussing sexual awakenings via the Slenderverse, and Cody once again makes an ungodly mess on his desk in the name of spookiness.

BUY A ROUND FOR DET. SHOTGUN CIGAR.

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It's Wax Season here on Box Office Pulp! Just in time for the release of her new book Millennial Nasties, we welcome back friend of the show Ariel Powers-Schaub, and what better to discuss than one of the nastiest of the era, Disney's Jungle Cruise director Jaume Collet-Serra's House of Wax. For BOP n' A Movie's second trip to the Dark Castle, this commentary track goes back to a time when everybody wanted that Leatherface money, and you could market a film based on watching Paris Hilton die. Maligned by many genre fans on release, the most 2005 movie of all time also boasts some of the best body horror the decade, practical effects that are still chilling to behold, and the last great location from a studio once dedicated to keeping sets alive. Grab a seat (made of wax) and listen to the first of our love letters (of wax) to an oft-overlooked sub-genre (it's wax).

Pick up Ariel's best-selling book, MILLENNIAL NASTIES: ANALYZING A DECADE OF BRUTAL HORROR FILM VIOLENCE here https://encyclopocalypse.com/products/millennial-nasties or wherever you get books!

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It is 2006. I am watching Hugh Jackman's last appearance as Wolverine. It is 2017. I am watching Hugh Jackman's last appearance as Wolverine. It is 2024. I am writing a description of the BOP crew's episode on Deadpool & Wolverine, the former's introduction to the MCU, and the latter's last dance with a beloved actor... who are we kidding, he's doing this till he's 90. Does Ryan Reynolds still bring the Van Wilder charm as Marvel's new golden boy, or is it too late for the Multiverse Saga: Now With Less Kang? How does a character often defined by an inferiority complex work as a mouthpiece for a dying era of film? And just how hard did those credits make us cry? Wade wouldn't give you answers, so neither are we.

Hey... remember when Deadpool's caption boxes ended up being Madcap? Wild times!

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