This week we take a look at one of the standout features of the 70's blaxploitation age, William Crain's seminal vampire movie, Blacula, starring William Marshall, Vonetta McGee, and Thalmus Rasulala. Blaxploitation is a troubling topic to take on as the bad movie outnumber the good movies three to one and definitely play up the worst black stereotypes but for a little while there blaxploitation movies and their arty cousin, the LA Rebellion, pushed forward black power narratives and power fantasies that spotlighted black talent and provided black audiences with great characters that reflected their values and dreams.

Blacula as a horror movie is also a standout picture, being every bit as riveting and spooky as Hammer's best outings. William Marshall absolutely dominates the screen as doomed Prince Mamuwalde and Vonetta McGee is hard to take your eyes off of. Give this episode and listen and do chill out. Bryan realized too late that yes, All The Colors of the Dark is a Sergio Martino movie and What Have You Done To Solange was by Massimo Dellamano.

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This week's episode is a look at the egregious ripoff of The Thing (or the novel Who Goes There, depending on who you ask). It's the first in a series of episodes resulting from the power trio of director David Nutter, and writers Glenn Morgan and James Wong.

This episode sees Mulder and Scully accompany a team of scientists to a remote arctic science outpost in Alaska to investigate the sudden disappearance of the team that was conducting ice core drilling there and unexpectedly released something ancient, deadly, and likely from another planet.

This week Bryan and Dave take a trip back to Rome to check in with Enzo G. Castellari and Mark Gregory on their sequel to the 1982 action movie that exploited the popularity of The Warriors. This time they're exploiting the popularity of John Carpenter's outstanding, Escape From New York. We get more Trash and more Bronx gangs but this time we're joined by the absolute massive screen presence of Antonio Sabato and the movie's appeal rests entirely on the outrageous shoot-y, burn-y, explode-y violence that ups the ante and cranks the volume.

Escape From The Bronx has practically zero plot to speak of and is an incredibly dumb movie at heart but it's a lot of fun and some of the best action that Italy had to offer in the twilight of their once-great exploitation movie industry. Let us break it all down for you.

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