This week we're heading north to the 51st state of Canada for a listener request. It's Curtains, the 1983 slasher film from producer Peter Simpson who last brought you the smash hit Prom Night. Directed (partially) by cinematographer Richard Ciupka, Curtains is a gigantic mess of a whodunnit that had ambitions to be a North American riff on the movies of Dario Argento and Mario Bava, an arty, very European approach to a violent murder mystery in the giallo style. Unfortunately, this was not what the producers expected and Ciupka bailed on the entiree project leaving it on the shelf for a year before Simpson himself took it down and dragged it across the finish line.

In Curtains five young women gather at the home of director John Stryker, a megalomaniac auteur director with designs on producing a film called Audra but not that long ago he was planning on producing it with his muse, Samantha Sherwood who had herself committed to a mental hospital for research. While inside, Stryker moved on from her but now she's out and pissed off. But what's this? A mysterious killer is knocking them all off one by one. You think you know who the killer is, but do you really?

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We're just full of surprises, aren't we? We're hitting you with a bonus episode for April Fool's Day where nothing is what it seems. Who can you trust? What's real? Is all of this just one big set up for an unexpected outcome? It's a listener request, no less, and Dave is just more than happy to take us through one of his favorite genre movies.

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This week we're joined by our friend Jon Lee Brody of the That Was Pretty Spooky podcast for a look at John Carpenter's last movie of the 1980s, They Live. In this evergreen social commentary, Carpenter presents a world very much like our own where the only class distinction is rich and poor and as it would turn out, the rich aren't even human.

In They Live a homeless man with no name drifts into Los Angeles looking for work and stumbles into a conspiracy by an underground of the underclasses to fight back against the elite wealth class which rules the world with fantastic technology that keeps humanity asleep while hidden aliens loot the earth of its resources, leaving the rest of us poor and at one another's throats for what crumbs they afford us.

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Brothers Michael and Sam Emerson are moved to the seaside town of Santa Carla, California with their mother. It's your average boardwalk town with one mean exception: people go missing here at a much higher rate than most other places in the country. When Michael is brought into a group of wild weirdos that live by night it falls to Sam and the weirdo Frog Brothers to deal with Santa Carla's real problem: vampires.

Peaches Christ is one of the busiest guests we've ever booked. Visit https://peacheschrist.com/ to keep up with all the goings on and make sure you listen to Midnight Mass.

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In the not-too distant future, mankind is reduced to medieval state by some unspecified disaster and if that's not bad enough, the survivors are being killed off by a pandemic plague. Luckily, the last scientists on earth developed a cure but need some pieces of the puzzle brought back from New York City. They turn one of their own into a cyborg and send her to get it but evil pirates kill off her escort and strand her there. Lucky for her, here comes Gibson Rickenbacher, a slinger who can fight back against the pirates and get her back to her lab.

It's a real dumb good time.

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He's back! The man behind the mask! Friday the 13th is keeping us busy this year with two in two months and another on the way. This time we're taking a look at 1986's Jason Lives, the movie that canned the original plan to have Tommy Jarvis take up the machete and establishes Jason Voorhees as a lumbering, unstoppable killing machine from beyond the grave!

In this movie Tommy Jarvis skips the mental hospital he's been confined at to return to Crystal Lake, since renamed to Forest Green in order to shake its horrible reputation. His mission: dig up the body of Jason Voorhees, who has haunted him since he was a little kid, and make sure that he's dead. But when Tommy's obsession overlaps with an electrical storm, a bolt of lightning strikes the body of Jason and brings him back from the grave once again to kill everyone in sight. Now it's up to Tommy to face his fears and put Jason back in the ground for good.

When A New Beginning hit theaters it did characteristically well in box office but faced a significant problem with fans: They hated the new direction. They came for Jason and they left with Tommy and everyone hated it. So Frank Mancuso Jr., now a little preoccupied with his War of the Worlds and Friday the 13th TV shows, left the entire project in the hands of writer and director Tom McLoughlin with one clear directive: Do whatever you want but bring back Jason.

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We're celebrating 100 episodes of Bring Me The Axe with a cool bottle of Cheerwine and our friend Halle Kiefer from the podcast Ruined for a look at one of the all-time greats in horror, William Friedkin's 1973 possession horror, The Exorcist.

When Regan MacNeil, the 12 year old daaughter of movie star Chris MacNeil begins displaying strange, aggressive, and obscene behavior, her mother takes her to a parade of medical professionals to diagnose her problems. But when they fall short and her behavior escalates to the downright paranormal and Chris MacNeil suspects that she may have murdered a friend she turns to Catholic priest Father Damien Karras. Karras, a priest facing a crisis of faith is dubious but when he meets the girl, physically transformed by demonic possession he brings in an experienced exorcist to drive the demon out.

A true rite of passage for horror fans, The Exorcist is a notorious exercise, a movie equally beautiful as it is hideous and obscene. Jam-packed with elevated performances from actors at the top tier of their profession, disturbing sound design, and incredible special effects, The Exorcist rules.

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This week we're returning to Italy for a look at one of the dumbest, most baffling action movies ever made, Raiders of Atlantis, aka Atlantis Interceptors, from the notorious Ruggero Deodato of Cannibal Holocaust fame.

In this film, a pair of mercenary buddies and a team of scientists from a botched attempt to raise a sunken Russian submarine find themselves stranded on a tropical island in the Atlantic as the feral, violent denizens of lost Atlantis arise from the silent depths of the ocean to reclaim the world. Or something to that effect. It's a desperate fight to survive against wave after wave of road warrior freaks, an race against time to translate an ancient tablet that will restore the ancient civilization, and an endless series of violent gun battles and if I'm being honest, I'm working overtime to make this movie make sense. It's 90 minutes of high-flying nonsense but somehow it ends up being a lot of fun.

Shot against the backdrop of Italy's exploitation film industry struggling to find an alternative to the declining horror and giallo markets, it capitalizes on the then-extremely popular trend of Mad Max ripoffs but also tries to tap in to the world's hunger for high-adventure by way of cheap Raiders of the Lost Ark ripoffs only to realize that Raiders of the Lost Ark is incredibly hard to copy on budgets laughably smaller than Raiders. At the same time, the Marcos regime in the Philippines is desperate to draw filmmakers to Manila and as Deodato finds out, it's hard to say no to a totalitarian dictatorship.

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