Showing results by narrator "Amy Gorelow" in All Categories

Arlanna’s life quickly turns upside down when her father, the feared and revered mafia boss, finally gets caught in one of his many schemes and elects to send her to prison in his stead. The broken system was never more than a frustration for her, but now that her freedom has been stolen away, Arlanna makes it her life’s mission to force the parents of the world to see the error of their ways.

There’s a deep, dark hole in Naji’s yard and it’s full of secrets. But will the girl’s curiosity lead her to answers, or disaster? When Naji wakes to a strange sound she discovers a group of workers digging a hole just outside her room. Filled with intrigue, she wonders what they’ll find at the bottom. Sleeping monsters? Skeletons and curses? Her father warns her to stay away. The worksite is no place for a child, and if she isn’t careful, she’ll be snatched up by a Looloo; mythical creatures that lurk in the shadows. Summoning her courage, Naji decides to investigate.

A strange man has been watching Lanie as she leaves high school with her friends every day, but she is reluctant to tell her parents about this unnerving development. An only child, she is close to both of her parents, but her mother's unexplained distrust of others makes Lanie worry about sharing anything distressing with them.

Who do you trust when you can’t believe your eyes? A nuclear apocalypse has devastated the human race, turning survivors into four groups of warring Giants, tree-dwelling Dryads, remnant humans, and evil radioactive scavengers. But, not everyone appears as they seem. Beware of what lurks in the Wastelands. But, also beware of a little giant with a big attitude.

Locklyn Gaines isn’t her mother, but the residents of her small southeastern Kentucky town don’t care. Her mother’s secrets are Lock’s shame, and every time her drunk stepfather uses her as a punching bag, Lock wonders how much her dying mother knows about what goes on in the crumbling old house her mother’s family has lived in for generations.

Puttnam Douglas Steward isn’t having an identity crisis — he is one. To his father Carl, he’s a disappointment, and has been since the day he came home from the hospital. To his mother, he’s “Mama’s Boy”, and will forever be nothing less and nothing more. The Army thinks he’s a hero, having single-handedly saved his troops from an ambush when they stumble upon a major, unknown supply line in Vietnam, then exposing a major Soviet espionage ring in the US.

Out in the contested zone between Keerah and Ralnor space, there's a planet. On this planet is someone who needs rescuing. Thousands of light years from the nearest Imperium planet, it shouldn't be their concern. So why is it? Jodie Mills is the go-to marine colonel when you want something done, and the Peck twins are busy. But Jodie has a secret which has now caught up with her. Someone has to go, and who better than her? But how to motivate her into joining would seem to be the problem. She needs a team. Or does the team need her? What kind of group would contemplate such a mission?

Raven McKade finds herself struck in the heart by twin brothers. Behind the secure gate of a tight community, she desires the chance at love with the one brother, while the other forcibly taunts her with information that, unbeknownst to her, changes her life.

Liza Pound is feeling the bullseye on her back. But does she really know how big it actually is? The foxes have put a serious bounty on her head. And they want it, literally, in someone's freezer. Even a routine League mission now can set off a chain of events. And once begun, the Killer Bunny will have to become something more. Now she's Nemesis Rising.

Liza Pound now has more than she ever wanted. And a lot she didn't. Like a bullseye painted on her back. She's stuck a stick in the local "ant hill," and the foxes are not happy about it. The Keerah are too busy fighting themselves to control the foxes, and someone else doing it was not in anyone's hunt plan.

This book is meant to help those in post-rehab or early sobriety to clean up the mess that addiction made of their lives, such as paperwork, finances, legal stuff, etc. It also encourages those folks to better their lives by getting an education, volunteering, practicing good personal hygiene, etc.

Before this hour is up, I'm going to kill you, the patient announces to her doctor. It is the last straw for an entitled, socialite, trophy wife who has become enraged with her psychiatrist after she maintains he took advantage of her. He declares it was a mutual, adult relationship. In a story that takes place during the pairs final fifty-minute therapy session, words fly back and forth as the psychiatrist tries to deescalate the situation while his patient becomes increasingly erratic and emotional.

The Rule Breakers, the true life story of Peri B. Mann, a petite female social worker, untrained to deal with violent and often volatile patients, who chooses to work with male psychiatric patients, drug addicts, and criminals.

A year after the kingdom is finally at peace, October Grace isn’t sure all is well. Allie’s occasional blackouts are one thing, but when Ollie goes missing, October knows the blissful life she was promised is still too far away to touch.

Having a baby wasn’t supposed to be possible, but now that Colette is pregnant, the happy couple isn’t sure what to do. While Rome is ready to be a father, Colette knows the road ahead will be rough for the child she carries. Being the Last Deadblood was supposed to ensure the violence against vampires would one day come to an end, but it seems that whether Colette draws breath or not, there are some who will always hate what they do not understand.

When a woman sees a dead body across the way through the window in her Manhattan apartment, she is desperate for others to believe her. Unfortunately no one else can see what she does and it begins to drive her to desperation. In the spirit of old radio dramas of the 1940s, the heart-pounding mystery unravels delightfully until the surprising conclusion is reached. Carole Carson—a fading movie star—slowly loses her mind while surrounded by a colorful cast of unique characters who either are helping to calm her nerves or are consciously driving her insane.

Award-winning, but down on her lucky playwright, Andrea Smilow, is commissioned by The Playhouse in Connecticut to save it from bankruptcy with a new work. When she arrives, she discovers that The Playhouse is inhabited by Jacob Marley’s spirit, and he wants her play to be about him. He wants to set the story straight about how Dickens ruined his life with A Christmas Carol.

Alive with the wild sparkling of snow-covered trees, visited by ephemeral moose, and crackling with the fire of northern spirit, Tales from Alberta Muskeg Country is an electrifying and truly Canadian debut.