Showing results by author "Classic Radio Shows" in All Categories

Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962.One of the premier drama programs of the Golden Age of Radio was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist.Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually ...

Lux Radio Theatre, sometimes spelled Lux Radio Theater, a classic radio anthology series, was broadcast on the NBC Blue Network (1934–35) (owned by the National Broadcasting Company, later predecessor of American Broadcasting Company [ABC] in 1943–1945); CBS Radio network (Columbia Broadcasting System) (1935–54), and NBC Radio (1954–55). Initially, the series adapted Broadway plays during its first two seasons before it began adapting films. These hour-long radio programs were performed live before studio audiences. The series became the most popular dramatic anthology series on radio,...

Dick Powell starred in the Richard Diamond, Private Detective radio series as a wisecracking, former police officer turned private detective. Episodes typically open with a client visiting or calling cash-strapped Diamond's office and agreeing to his fee of $100 a day plus expenses, or Diamond taking on a case at the behest of his friend and former partner, Lt. Walter Levinson. Diamond often suffers a blow to the head in his sleuthing pursuits. Most episodes end with Diamond at the piano, singing a standard, popular song, or showtune from Powell's repertoire to his girlfriend, Helen Asher, in ...

Amos 'n' Andy is an American radio and television sitcom set in Harlem, the historic center of Afro-American culture in New York City. The original radio show, which ran from 1928 to 1960, was created, written and voiced by two white actors, Freeman Gosden and Charles Correll, who played Amos Jones (Gosden) and Andrew Hogg Brown (Correll), as well as incidental characters.This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians. Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee ...

Opening in 1875, the Crime Museum at Scotland Yard is the oldest museum in the world purely for recording crime. The name “Black Museum” was coined in 1877 by a reporter from “The Observer”, a London newspaper, although the museum is still referred to as the Crime Museum. It is this museum that inspired The Black Museum radio series, produced in London by Harry Alan Towers.The Black MuseumFrom Jay Hickerson’s “The Ultimate History of Network Radio Programming and Guide To All Circulating Shows”, the earliest US broadcast date was January 1, 1952. Thirty nine shows, from the full ...

The Secrets of Scotland Yard was a successful crime drama series, initially airing internationally between 1949 and 1951. Selected episodes finally came to a US radio network for a brief run much later in 1957 over the Mutual Broadcasting System. The series boasted well over 100 episodes, one of which, "The Bone From A Voice Box", apparently served as the prototype for another well remembered Towers Of London dramatic series, The Black Museum. In both series, well known actors were employed as host / narrator, Orson Welles in The Black Museum and Clive Brook here. In fact, the shows were so ...

Archie was invariably dressed in a broad-striped blazer, and addressed the ventriloquist as "Brough". The television scripts were written by Marty Feldman and Ronald Chesney.The radio show had a children's fan club that at one time had 250,000 members. Among future stars who appeared on the show were Tony Hancock, Dick Emery,

The Zero Hour (aka Hollywood Radio Theater) was a 1973–74 American radio drama anthology series hosted by Rod Serling. With tales of mystery, adventure and suspense, the program was broadcast for two seasons. Some of the scripts were written by Serling. Originally placed into syndication on September 3, 1973, the series was picked up by the Mutual Broadcasting System in December of that year. The original format featured five-part dramas broadcast Monday through Friday with the story coming to a conclusion on Friday. Including commercials, each part was approximately 30 minutes long. Mutual ...

The Thin Man episodes from the 1941-50 series based on the popular book and movie, starring Claudia Morgan as Nora Charles and Les Damon, David Gothard, Les Tremayne, and Joseph Curtain as Nick Charles.This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Wild Bill rode "Buckshot," and Jingles rode "Joker." Guy Madison played Marshal Wild Bill Hickok on radio and TV, with Andy Devine as Jingles. Hollywood actors did the bad guys and townsfolk. Charlie Lion did the announcing, and was "Panhandle Jim" for the Corn Pops commercials.

The Stories of Sherlock Holmes was a South African radio show series of 50 episodes, produced by Michael Silver and aired on Springbok Radio (Johannesburg, South Africa), starring Graham Armitage as Sherlock Holmes and Kerry Jordan as Dr. Watson. The episodes were around 20-30 minutes each and broadcasted on Sunday evenings at 6 pm.

Starring Brian Donlevy as Steve Mitchell, Dangerous Assignment is a product of the Cold War, with mystery and intrigue cropping up across the globe. Mitchell, an agent for an unnamed U.S. goverment agency, is dispatched to some exotic, faraway place at the beginning of each episode.Listen to our radio station Old Time Radio https://link.radioking.com/otradioListen to other Shows at My Classic Radio https://www.myclassicradio.net/Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the ...

Danger with Granger, a half-hour radio show created by Mutual Broadcasting, was adapted from the dramatic files of a New York City Private detective named Steve Grainger. Rarely or without using a gun, Grainger would always be involved in a variety of cases which ranges from robbery to murder to smuggling. The show aired in 1950s with 22 episodes.

Duffy's Tavern is an American radio situation comedy that ran for a decade on several networks (CBS, 1941–42; NBC-Blue Network, 1942–44; and NBC, 1944–51), concluding with the December 28, 1951, broadcast.The program often featured celebrity guest stars but always hooked them around the misadventures of Archie, the tavern's manager, portrayed by Ed Gardner. Archie was prone to involvement in get-rich-quick schemes and romantic missteps, and constantly communicated with malaprops and mixed metaphors. Gardner had performed the character of Archie, talking about Duffy's Tavern, as early as ...

Bright Star (also known as The Irene Dunne-Fred MacMurray Show) was a 30-minute, 52-episode radio comedy-drama broadcast in 1952-53 and syndicated by Ziv. The storyline followed the misadventures of Hillsdale Morning Star editor Susan Armstrong (Irene Dunne) and her idealistic ace reporter George Harvey (Fred MacMurray) as they attempted to keep the struggling newspaper in business despite continual financial problems. Harry von Zell and, later, Wendell Niles were the announcers for the series.Listen to our radio station Old Time Radio https://link.radioking.com/otradioListen to other Shows ...

Blondie was a radio situation comedy adapted from the long-run Blondie comic strip by Chic Young. The radio program had a long run on several networks from 1939 to 1950.Listen to our radio station Old Time Radio https://link.radioking.com/otradioListen to other Shows at My Classic Radio https://www.myclassicradio.net/Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio Hosted on Acast. See acast.com/privacy for more information.

Listen to Classic Radio Shows From time passed by and let your imagination run wild. The Golden Age of Radio, also known as the old-time radio era, was an era of radio programming in which radio was the dominant electronic home entertainment medium. It began with the birth of commercial radio broadcasting in the early 1920s and lasted through the 1960s, when television gradually superseded radio as the medium of choice for scripted programming, variety and dramatic shows.

He hates crime and he's been known to sport a bow tie! He's LARRY KENT and he first made his debut as a half-hour program, I Hate Crime, a half-hour show on Australian radio in 1950, created by Ron Ingleby, a prolific writer for radio.Originally a newshound from the Big Apple, Kent emigrated to Australia and set himself up business as a private eye. Like his counterparts at the time back in the States, Kent was always getting into trouble, but that never prevented him from appreciating the female form. His favourite pasttime was, he frequently reminded us, "Watching the blondes go by."It may ...

Starring Cliff Arquette as storekeeper and mayor of Point Sublime, Ben Willet, and Mel Blanc as August Moon and Ben Willet's sidekick, the show is a comedy about the small town named Point Sublime.Listen to our radio station Old Time Radio https://link.radioking.com/otradioListen to other Shows at My Classic Radio https://www.myclassicradio.net/Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio