Showing results by author "Julia Spencer" in All Categories

In the searing conclusion to All Mortal Flesh, Russ' balance between duty and desire was broken by his wife's tragic death. Now Russ and Episcopal priest Clare Fergusson are separated by a wall of guilt and grief. When a Mexican farmhand stumbles over a Latino man killed with a single shot to the back of his head, Clare is drawn into the investigation. The discovery of two more bodies ignites fears that a serial killer is loose in the rural town while Russ is plagued by the media hysteria.

On a frigid January night, Chief of Police Russ Van Alstyne and Reverend Clare Fergusson are called to the scene of a raging fire, that quickly becomes a double homicide and kidnapping. Which is the very last thing Russ needs...Currently he's struggling with the prospect of impending fatherhood. And his new wife is not at all happy with his proposal for their long-delayed honeymoon: a week in an unelectrified ice-fishing cabin. The vestry of St. Alban's Church has called for the bishop to investigate Clare's "unpriestly" pregnancy.

In the small Adirondack town of Millers Kill, an old lumberman sits in the dark with his gun across his knees. Not far away, an unemployed logger sleeps off his bender from the night before. The owner of the town's last paper mill tosses in his bed. And a young woman, one of three heirs to the 250,000-acre Great Camp, wakes alone in darkness, bound and gagged.

At the Millers Kill Community Center, five veterans gather to work on adjusting to life after war. Reverend Clare Fergusson has returned from Iraq with a head full of bad memories she's using alcohol to wipe out. Dr. George Stillman is denying that the head wound he received has left him with something worse than simple migraines. And Officer Eric McCrea is battling to keep his constant rage from affecting his life as a cop and as a father....

Nestled in the heart of the Adirondacks, Miller's Kill, New York is about as safe as it gets. That's why Episcopal minister Clare Fergusson is shocked when the July Fourth weekend brings a rash of vicious assaults to the scenic town. Even Clare's good friend, police chief Russ Van Alstyne, is shaken by the brutality of the crimes - especially when it appears that the victims were chosen because they are gay.

Clare Fergusson, St. Alban's new priest, fits like a square peg in the conservative Episcopal parish at Miller's Kill, New York. She is not just a "lady"; she's a tough ex-Army chopper pilot, and nobody's fool. Then a newborn infant left at the church door brings her together with the town's police chief, Russ Van Alstyne, who's also ex-Army and a cynical good shepherd for the stray sheep of his hometown.

Police Chief Russ van Alstyne doesn't expect any gossip in the town about his carefully contained feelings for the Reverend Clare Fergusson. So he certainly doesn't expect to be the prime suspect when his wife is found murdered in their own home. To the state police, it's an open-and-shut-case of a disaffected husband, silencing first his wife, then the investigation he controls.

1952. Millers Kill Police Chief Harry McNeil is called to a crime scene where a woman in a party dress has been murdered with no obvious cause of death. 1972. Millers Kill Police Chief Jack Liddle is called to a murder scene of a woman that's very similar to one he worked as a trooper in the '50s. The only difference is this time, they have a suspect. Young Vietnam War veteran Russ van Alstyne found the body while riding his motorcycle and is quickly pegged as the prime focus of the investigation.

When the local doctor disappears from the small town of Millers Kill, New York, it doesn't take long for the gossip-mongers to start insinuating foul play. Amid escalating suspicions that he was "disposed of" due to his ongoing fight to prevent authorities from cutting his clinic's funding, Episcopal priest Clare Fergusson and police chief Russ van Alstyne are enlisted to investigate. Neither could have bargained for what they discover, however, as they pursue an investigation that takes them deep into the past.

Julia Spencer takes the reader into her dreams, her fears, her hopes, her deepest private thoughts, and her most candid responses to her shrinking visual world. With humor and a feisty yet surprisingly gentle attitude, she begins to accept vision loss, welcoming her guide dog, Irene, into her life and discovering through that keyhole-sized remnant of vision a deeper understanding of her husband and family and world.