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KABBpod er en podkast-serie fra KABB (Kristent Arbeid Blant Blinde og svaksynte). Her finner du inspirasjon, reportasjer, portretter, informasjon, nyheter, andakt og inspirasjon. KABBpod er først og fremst laget for syns- og lesehemmede. Men alle er velkommen til å lytte til den. KABBpod utgis 16 ganger pr år.

Hvordan er det egentlig å leve med et synstap? Kan blinde se med fingrene? Og lese med ørene? Spørsmålene er mange og mytene lever. I denne podkastserien får du blant annet vite hva som er den største fordelen med å ikke se. KABB jobber for at personer med synsnedsettelse skal kunne delta på like linje med alle andre i samfunnet generelt og i kirke og trossamfunn spesielt.

"Å leve med tap" er en podkastserie fra KABB

I Synlige Stemmer deler synshemmede skribenter sine erfaringer og meninger. Et prosjekt fra KABB.

Et hørespill i 5 episoder. Fortellingen er om førerhunden Fabian som ser tilbake på sitt liv der han hjelper en blind detektiv.

Dette er en smakebit på lydutgaven av Det nye testamentet på nynorsk. Det er Helga Samset som har lest inn hele lydutgaven. Total spilletid er på cirka 25 timer

This is the lyrics from the Holy Bible, as talking book. The text is authentic as it says in the Bible Society translation from 2011. The introduction is read without acting and there is no added music or other media.

This is the lyrics from the Holy Bible, as talking book. The text is authentic as it says in the Bible Society translation from 2011. The introduction is read without acting and there is no added music or other media.

This is the lyrics from the Holy Bible, as talking book. The text is authentic as it says in the Bible Society translation from 2011. The introduction is read without acting and there is no added music or other media.

This is the lyrics from the Holy Bible, as talking book. The text is authentic as it says in the Bible Society translation from 2011. The introduction is read without acting and there is no added music or other media.

This is the lyrics from the Holy Bible, as talking book. The text is authentic as it says in the Bible Society translation from 2011. The introduction is read without acting and there is no added music or other media.

This is the lyrics from the Holy Bible, as talking book. The text is authentic as it says in the Bible Society translation from 2011. The introduction is read without acting and there is no added music or other media.

This is the lyrics from the Holy Bible, as talking book. The text is authentic as it says in the Bible Society translation from 2011. The introduction is read without acting and there is no added music or other media.

This is the lyrics from the Holy Bible, as talking book. The text is authentic as it says in the Bible Society translation from 2011. The introduction is read without acting and there is no added music or other media.

This is the lyrics from the Holy Bible, as talking book. The text is authentic as it says in the Bible Society translation from 2011. The introduction is read without acting and there is no added music or other media.

This is the lyrics from the Holy Bible, as talking book. The text is authentic as it says in the Bible Society translation from 2011. The introduction is read without acting and there is no added music or other media.

This is the lyrics from the Holy Bible, as talking book. The text is authentic as it says in the Bible Society translation from 2011. The introduction is read without acting and there is no added music or other media.

This is the lyrics from the Holy Bible, as talking book. The text is authentic as it says in the Bible Society translation from 2011. The introduction is read without acting and there is no added music or other media.

This is the lyrics from the Holy Bible, as talking book. The text is authentic as it says in the Bible Society translation from 2011. The introduction is read without acting and there is no added music or other media.

This are the lyrics from the Holy Bible, as talking book. The text is authentic as it says in the Bible Society translation from 2011. The introduction is read without acting and there is no added music or other media.