Showing results by author "Paula Hammond" in All Categories

There is a persistent and incorrect idea, reinforced by countless film misrepresentations, that Sherlock Holmes and Dr. Watson were always staid and dull British chaps of middle years (or older), with Holmes a spry, cranky, and impatient eccentric, and Watson a white-haired and portly Boobus Brittanicus, a la Nigel Bruce. Students of the true and Canonical Sherlock Holmes know this to be a falsehood.

Young, rich and handsome, Dorian Gray seems to have it all. So why do people who were once his friends leave the room when he enters? Can there really be any truth in the dark tales that are told about him? And why does he keep his portrait locked away in an attic room? Two men hold the answer to Dorian's secret. One is the artist Basil Hallward, who paints Dorian's portrait. The other is Lord Henry Wotton, who convinces the impressionable Dorian that youth and pleasure are the only things worth living for.

Imagine a slight change to our historical timeline where the Industrial Revolution heated up much quicker than expected. Technological marvels such as airships, trains, battleships, and submarines came into being much earlier. They were followed by steam-powered wonders such as mechanical men, flying ships, and even crafts capable of reaching the deepest fathoms of the sea or traveling to distant celestial orbs.

In The Sign of Four, the great detective, Sherlock Holmes, famously says: "... when you have eliminated the impossible, whatever remains, however improbable, must be the truth ...". Eliminate the Impossible collects six canonical tales in which Holmes and Watson encounter mummies, angels, phantoms, invisible assassins, and arcane machines ... or so it might appear to those without a carefully stocked brain attic.