Showing results by narrator "Bernardine Evaristo" in All Categories

From the best-selling and Booker Prize-winning author of Girl, Woman, Other, Bernardine Evaristo’s memoir of her own life and writing, and her manifesto on unstoppability, creativity, and activism.

In the years just after the American revolution, London was the unlikely refuge for thousands of Black Americans who fought for liberty on the side of the British. Buckram, Georgie and William have earned their freedom and escaped their American oppressors, but on the streets of London, poverty awaits with equal cruelty.

It is the 1990s, and Gloria is living in a London psychiatric ward. She is unapologetically loud, audacious and eternally on the brink of bursting into song. After several months of uninterrupted routine, she is joined by another young Black woman - Merle - who is full of silences and fear. Unable to confide in their doctors, they agree to journal their pasts. Whispered into tape recorders and scrawled ferociously at night, the remarkable stories of their lives are revealed.

Stanley Williams, angst-ridden banker and boffin, wonders whether there's more to life than his daily nine-to-five grind. One night he's dragged to a disco at Piccadilly Circus, and there he meets Jessie: artiste, motormouth, ducker and diver. She swoops Stanley out of his soulless life and off on a rollercoaster road trip across Europe, bringing him face to face with a host of forgotten luminaries from the rich mix of Black European history and literature.

One for the Trouble: Book Slam, Volume One is the first release from the UK’s premier literary event. Eighteen Book Slam alumni, from household names like Irvine Welsh and William Boyd to newcomers like Kate Tempest and Sophie Woolley, were approached to take a song title for inspiration for a new short story or poem. Some took this literally (Jon McGregor’s moving reimagining of A House’s 'Endless Art', for example); others suggestively....

Amryl Johnson came to England from Trinidad when she was 11. As an adult in 1983, ready for a homecoming, she embarks on a journey through the Caribbean searching for home, searching for herself. Landing in Trinidad as carnival begins, she instantly surrenders to the collective, pulsating rhythm of the crowd, euphoric in her total freedom. This elation is shattered when she finds the house where she was born has been destroyed. She cannot escape - nor does she want to - from the inheritance of colonialism.

In Britons Through Negro Spectacles Merriman-Labor takes us on a joyous, intoxicating tour of London at the turn of the 20th century. Slyly subverting the colonial gaze usually placed on Africa, he introduces us to the citizens, culture and customs of Britain with a mischievous glint in his eye. This incredible work of social commentary feels a century ahead of its time and provides unique insights into the intersection between empire, race and community at this important moment in history.

Travelling over from Jamaica as a teenager, Barbara's journey is remarkable. She finds her footing in TV and blossoms. But with the responsibility of being the first Black woman reporting on TV comes an enormous amount of pressure, and a flood of hateful letters and complaints from viewers that eventually costs her the job. In the aftermath of this fallout, she goes through a period of self-discovery that allows her to carve out a new space for herself first in the UK and then back home in Jamaica.