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What Peter Biskind did for filmmaking, Richard Zoglin does for comedy in this meticulously researched and eminently readable account of stand-up comedy in the 1970s, when a small group of brilliant, iconoclastic comedians ruled the world and quite possibly changed it, too.

At the center of each of the four great Shakespearean tragedies - Hamlet, Macbeth, King Lear, and Othello - is a powerful figure who is led to destruction by a fatal character flaw. In the case of Macbeth it is ambition. Initially a valiant warrior, and staunch servant of his regal overlord Duncan, Macbeth succumbs to the lure of absolute political domination, which leads to murder, revolt, and comprehensive defeat.

The predominant theme in this Shakespearean tragedy, believed to have been written in about 1603, is jealousy and the destruction it causes when allowed to run rampant. It features one of Shakespeare's most compelling villains, Iago, who skillfully manipulates his commander, Othello, into believing that he has been betrayed by his wife, Desdemona, and his closest friend, Cassio.