Showing results by narrator "Isabel Adomakoh Young" in All Categories

Summer in London stops for no one. Not the half-naked drunks and stoners, the bachelorette parties glugging from bejewelled bottles, the drag queens puffing on hurried cigarettes. It’s June 2019, and everyone has converged on the city’s parks, beer gardens, and street corners to revel in the collective joys of being alive. Everyone but Maggie. She’s 30, pregnant, and broke.

When Prince Oroonoko's passion for the virtuous Imoinda arouses the jealousy of his grandfather, the lovers are cast into slavery and transported from Africa to the colony of Surinam. Oroonoko's noble bearing soon wins the respect of his English captors, but his struggle for freedom brings about his destruction. Inspired by Aphra Behn's visit to Surinam, Oroonoko reflects the author's romantic view of native peoples as noble savages in 'the first state of innocence, before man knew how to sin'.

On the island of Zakynthos, nothing is more powerful than Desire—love itself, bottled and sold to the highest bidder by Leandros, a power-hungry descendant of the god Eros. Eirene and her beloved twin sister, Phoebe, have always managed to escape Desire’s thrall—until Leandros’s wife dies mysteriously and he sets his sights on Phoebe. Determined to keep her sister safe, Eirene strikes a bargain with Leandros: If she can complete the four elaborate tasks he sets her, he will find another bride.

Published to some acclaim in 1977 but swiftly forgotten, Kay Dick's They follows a nameless, genderless narrator living along the lush but decimated English coast, where a loose cohort of cultural refugees live meditative, artistic, often polyamorous lives. But this rustic tranquility is punctuated by bursts of menace as they must continually flee a faceless oppressor, an organization known only as “They,” whose supporters range the countryside in a grisly mob of mostly mute, quasi-automatons.

This collection brings together a selection of classic children's stories, retold by Samantha Newman. These narratives from around the world showcase strong, charismatic, independent female protagonists who know their own minds, and make their own decisions.

Many of the animals we encounter in everyday life, from pets and farm animals to the wild creatures of field and forest, have remained the same since medieval times. But the words used to name and describe them have often changed beyond recognition, starting with the Old English word for “animal” itself, deor (pronounced DAY-or). In The Deorhord, Hana Videen presents a glittering Old English bestiary of animals real and imaginary, big and small, ordinary and extraordinary—the good, the bad, and the downright baffling.

Shakespeare's plays have been beloved for so many years that his characters and words have shaped our world today. This collection has adapted these works adapted for younger listeners, introducing them to iconic characters such as Romeo and Juliet, Macbeth and Queen Cleopatra of Egypt.

Dottie Badoura Fatma Balfour finds solace amidst the squalor of her childhood by spinning warm tales of affection about her beautiful names. But she knows nothing of their origins, and little of her family history—or the abuse her ancestors suffered as they made their home in Britain. At seventeen, she takes on the burden of responsibility for her brother and sister and is obsessed with keeping the family together. However, as Sophie, lumpen yet voluptuous, drifts away, and the confused Hudson is absorbed into the world of crime, Dottie is forced to consider her own needs.

It all starts on the morning the letter D disappears from language. First, it vanishes from Dhikilo’s parents’ conversation at breakfast, then from the road signs outside and from her school dinners. Soon the local dentist and the neighbor’s dalmatian are missing, and even the Donkey Derby has been called off. Though she doesn’t know why, Dhikilo is summoned to the home of her old history teacher Professor Dodderfield and his faithful Labrador, Nelly Robinson. And this is where our story begins.

Faith Valentine has it all – fame, money and extraordinary beauty. But what she wants more than anything is a quiet life away from the cameras. Except nobody ever asks Faith what she wants and her family’s expectations are crushing her. The world thinks she’s perfect, but is there is more to perfection than meets the eye?

Charley has grown up behind the curtain in London's West End; she has even begun taking a turn on stage. But her dreams of being a performer are shattered when she is sent off to boarding school, a place where the girls are forced to do unpaid work in order to fill the pockets of the owners. When she discovers that her theatre home is in peril, Charley decides to escape, and make a dangerous journey along the coast in order to get back to – and save – all that she loves.

Although her name and story might be familiar, much of what we know about Cleopatra is shrouded in mystery. Her life was one of politics, murder, war, marriage and passion – but it was also one of pride, bravery, love and strength. Cleopatra may have lived as a goddess, but, beneath her magnificent exterior, she was just a woman who fought tirelessly for what she felt was rightfully hers. With a gripping, expertly researched and fact-checked text, this is the story of the woman behind the stories.

Rasmus and Jay, Róisín and Nico: two couples, strangers to each other. Two beautiful, ordinary love stories, cut short. Both in their thirties and too young to be widowed, Róisín swears she still feels Nico beside her in bed and Rasmus hears Jay as he writes songs at the piano. Jay and Nico don’t even believe in ghosts, yet here they still are. Still in love with Rasmus and Róisín. And maddeningly powerless. Until Jay has an idea that Nico wants no part of—bringing Róisín and Rasmus together. It’s crazy enough that it just might work.

Showcasing narratives that celebrate strong, independent women, these fairy tales contain heroines that aren't reduced to being wives or witches! Instead, they run free and possess the qualities we would hope for in our daughters and friends: self-confidence, strength, wits, courage, fearlessness, and independence. They live freely, happily ever after, without restraint or narrowly defined roles.

Taylor is in love with Ryan. She has been since the moment they met. But Ryan is with Marcy - her best friend. When everything fell apart around Taylor years before, Marcy was there for her. No matter how much Taylor wants Ryan, she refuses to lose Marcy's friendship. A master of burying her feelings, Taylor is determined to resist. But the unspoken bond she and Ryan share isn't going away. And when Marcy leaves for a few weeks, just as Ryan moves into their shared flat, the tension grows to unbearable proportions.

Ladybird Times Tables Audio Collection: I'm Ready for Maths is an entertaining and engaging way for children to learn and practise their times tables. In line with current curriculum guidelines, all tables from 1-12 are covered in the order they are taught in school. Amusing and catchy songs in a range of musical styles help to make learning times tables enjoyable and fun.

Discover mighty goddesses and magical heroines from around the world in this inspirational collection and unleash your own inner strength! This collection showcases narratives that celebrate strong, independent women. They run free and possess the qualities we would hope for in our daughters and friends: self-confidence, strength, wits, courage, fearlessness, and independence.

When feisty chef Sophia and strait-laced first officer Jack are thrown together as the crew for a luxury yacht on the beautiful Amalfi Coast, it’s anything but smooth sailing. And after their first interactions end with one very soggy first officer and an all-out battle over strawberries, they vow to give one another a wide berth for the remainder of the season. But even on a 154-foot yacht, space is tight – and, try as they might, Sophia and Jack are thrown together time and again.