Showing results by narrator "James Owen" in All Categories

The Daymakers were the hottest alt-rock band since the nineties, the masked members making fans swoon at the very thought of who might be hiding under the skull masks. Known only by their stage names—Royal, Hero, Poet and Knight—their real identities were a carefully held secret.

This collection of three of Henrik Ibsen's most well-known and important plays is voiced by a sparkling cast and features music, SFX and a full soundscape. Born in 1828, Norwegian playwright, theatre director and poet Ibsen, wrote in Danish yet lived for many years in Italy and Germany. Heralded as one the most distinguished dramatists after Shakespeare, by the early 20th century A Doll's House became the world's most performed play.

Portico Reeves’s superpower is making sure all the other superheroes—like his parents and two best friends—stay super. And safe. Super safe. And he does this all in secret. No one in his civilian life knows he’s actually…Stuntboy! But his regular Portico identity is pretty cool, too. He lives in the biggest house on the block, maybe in the whole city, which basically makes it a castle. His mom calls where they live an apartment building. But a building with fifty doors just in the hallways is definitely a castle.

My name is Nova Stone and I was a ghost in my own life until a knock at the door changed my whole world. Applying for guardianship of my infant half-brother was a no brainer, even if I hadn't known he existed. But that was before I met his uncles; two pro ice hockey players, and a CEO. They wanted to take Huey home with them and they were willing to pay me millions of dollars for the privilege. When that didn't work, they managed to convince me that it would be better for my brother–and for me–if I moved into their Ann Arbor mansion.

Portico Reeves is the greatest superhero a lot of people have never heard of. He likes it that way—then no one can get in the way of him from keeping other other people safe. Super safe. He’s Stuntboy. He’s got the moves. And the saves. Except. There’s been one major fail. He couldn’t save his parents from becoming Xs. Which is a word that sounds like coughing up a hairball. But don’t talk to him about the divorce, because of the hairball thing, and also, it gives Portico the frets.

Conceived during a fog-drenched car ride with nothing beyond the windshield but a horizon-less void, Larry Fessenden and Glenn McQuaid created the acclaimed Tales from Beyond the Pale, audio theater inspired by the vintage radio shows of Alfred Hitchcock and Orson Welles.

Golden girl Cindy Villanueva left home for UCLA, full of promise - and one year later was an unwed teen mom and college dropout. After suffering domestic abuse and two divorces, she was on the ropes. Don’t Fight Mad describes her journey back to the joy-filled life she enjoyed as a child. Through deeply personal stories, Cindy shares how martial arts became a metaphor for recapturing her strength, identity, and joy. She offers a candid and authentic blueprint for those who long to rekindle the wonder of a well-lived existence.

In Business Spotlight Audio 01/2023 für Januar hören Sie Artikel und Interviews aus der Welt des Business-Englisch. Mit Übungen verbessern Sie Ihre sprachlichen und kommunikativen Kompetenzen. In Business Skills erhalten Sie Tipps für eine perfekte Kurzpräsentation. Weitere Themen sind ein Startup, das menschliche Überreste nach dem Tod dem natürlichen Kreislauf zuführt. In Interviews erfahren Sie, wie Sie mit Rollenspielen bessere Ergebnisse erzielen und welche Auswirkung berufliche Veränderungen auf eine Karriere hatten. In einem Quiz geht es um das Profil des Arnold Schwarzenegger.

In "Business Spotlight Audio 09/2022" für September hören Sie Artikel und Interviews aus der Welt des Business-Englisch. Mit Übungen verbessern Sie Ihre sprachlichen und kommunikativen Kompetenzen. In Business Skills erfahren Sie, wie Sie schlechte Nachrichten per E-Mail übermitteln. In Interviews geht es um die Methode des Startups Treeconomy, CO2 zu binden, um das Erlebnis einer Fotografin und Werbetexterin an ihrem ersten Arbeitstag und um die Frage, ob ein bedingungsloses Grundeinkommen eine gute oder schlechte Sache ist.