Showing results by narrator "Scott Arthur" in All Categories

This magisterial collection of short works by Nobel Prize-winning author William Faulkner reminds listeners of his ability to compress his epic vision into narratives as hard and wounding as bullets. Among the 42 selections in this audiobook are such classics as "A Bear Hunt", "A Rose for Emily", "Two Soldiers", and "The Brooch".

Orson Scott Card’s Ender’s Game is a science fiction classic. In Ender’s World almost two dozen writers offer new perspectives on the 1985 novel, along with insights gleaned from other Ender stories that fit within the Ender’s Game chronology. In addition, military strategists Colonel Tom Ruby and Captain John Schmitt offer insight into the human-Formic war.

Exploring the boundaries of the genre, Bova not only writes of spaceships, aliens, and time travel in most of his titles, but also speculates on the beginnings of science fiction in “Scheherazade and the Storytellers,” as well as the morality of man in “The Angel’s Gift.” Stories such as “The Café Coup” and “We’ll Always Have Paris” dip into speculative historical fiction, asking questions about what would happen if someone could change history for the better. This expansive collection is a key addition for Bova fans and sci-fi lovers alike!

Containing forty-one stories and extensive author's notes, Collected Stories is the definitive compilation of Lewis Shiner's short work.

Too long to be a short story, too short to be a novel - welcome to the surprisingly potent world of the novelette. The award-winning magazine Orson Scott Card's Intergalactic Medicine Show has been an online haven for this powerful form of storytelling since 2005. Now its editors have selected their all-time favorite science fiction novelettes from the magazine's eight-year history and reprinted them together in one big book of listening pleasure.

Audible brings to life through dramatic performance the 1945-1946 radio broadcast reports covering the greatest courtroom drama of the 20th century - the Nuremberg trials. The original broadcasts have been lost forever, but the verbatim text - written by Harold Burson, founding chairman of one of the world’s leading public relations firms, Burson Marsteller, who at the time was a reporter for the Armed Forces Network - has been newly interpreted by an ensemble of some of our fine actors.

Meet Gerald. Gerald is a griffin - a creature with the body of a lion and the head of an eagle. According to the Code of the Griffins, that means he should be: 1. Brave and fierce in all situations! 2. A guardian of a great treasure! 3. Completely and totally hidden from the human realm! But what if a Griffin isn't brave or fierce? What if he's never found a great treasure (or any treasure, for that matter)? What if he feels like such an embarrassment that the only thing left to do is run away?

Marcus has one brother in a youth offender centre and the other is working with their dad on plans for their next theft. Everyone assumes Marcus will follow in their footsteps, but he has other ideas, different hopes. When a mysterious accident lands a man in hospital, it confirms what everyone in their community expects and Marcus gets the blame. He feels trapped. Only new girl Emma - with her peace protest banners and political badges - questions this story. Can they work together to clear his name – and help Marcus become the person he really wants to be?

Are the values that Americans collectively hold destroying the American Dream? The answer to that question depends upon the answers to some very specific questions. What do we as citizens of the United States believe we owe to one another as citizens? What is the purpose of government? What is of the role of the private enterprise? What is the meaning of equal opportunity? To what extent should purely economic concerns be regulated in the public interest?

Jason lives with his big brother, Richie, trying their best to make ends meet so they can stay together. They've got supportive neighbours and some great friends, but there's always the threat that someone will think they can't manage on their own since their parents died. It’s February 1974 and working-class families have been hit hard by the three-day week. The reduced power usage means less work, and less money to get by on. Richie is doing his best, but to make enough money, he’s been doing favours for the wrong people.

When machine 387 powers on, it's evident how much that victory cost. Its circuitry is wired together with human nerves: a biological hot-patch to cope with dwindling resources. However, the solution leaves non-robotic flaws in 387's computer. Machines shouldn't have emotions, much less memories.