The Toby Peters Mysteries

Hollywood, 1940: It's been four years since security guard Toby Peters got fired from the Warner Brothers lot for breaking a screen cowboy's arm. Since then he's scratched out a living as a private detective - but now his old friends, the Warners, have a job for him. Someone has mailed the studio a picture of Errol Flynn caught in a compromising position with an underage woman. Although Flynn insists it's a fake, the studio is taking no chances. Peters is to deliver the blackmailer 5,000 dollars and return with the photo negative.

A year after The Wizard of Oz's smash success, the yellow brick road is crumbling. The famous sets have been left standing on a soundstage in the depths of the MGM back lot in case the studio greenlights a sequel. But that doesn't explain what Judy Garland is doing there - or why she finds a Munchkin in full costume, lying facedown with a knife buried in his back.

It's 1941, and the Marx Brothers' first movie for MGM, Go West, has the country in stitches. But now Chico Marx is worried he's going to need stitches when he receives a severed ear in the mail - a simple message from a Chicago bookie who wants $120,000, or else. Chico is baffled because, although he loves to gamble, he's never made a bet in Chicago. Desperate, he turns to the king of Hollywood, Louis B. Mayer, who puts in a call to Toby Peters.

Millionaire Howard Hughes likes his secrets. He likes to keep them - and he definitely doesn't like having them stolen. Hollywood PI Toby Peters has a rep for being discreet. So when the film tycoon and aviation magnate needs a detective to very privately investigate the theft of top-secret blueprints taken from his home during one of his fabulous parties, he summons Peters. But what starts as counter-espionage intrigue turns into a triple murder, and Peters soon finds himself bait for a killer.

Coffins fill the basement of a crumbling Los Angeles movie theater. Five vampires crowd around fading horror idol Bela Lugosi, peppering him with questions. A malfunctioning plastic fang causes one of the undead-wannabes to lisp. The effect is less than fearsome, but Lugosi is terrified, for one of these oddballs has been making threats on his life. He hires Toby Peters to provide security against his unbalanced fans. The detective is not concerned, but he should be.

In February 1942, Californians may be living in fear of a Japanese attack, but the show must go on. The circus is in town - unfortunately so is a killer saboteur who's targeting the star attractions. Private detective Toby Peters is no stranger to going undercover, but this is the first time his disguise will include a red nose.

You can't trust a man who's dressed as Mae West, especially not in Mae West's house. One of Hollywood's earliest sex symbols, the whip-smart blonde's star has fallen since the Hays Code cracked down on the racy repartee that made her famous. Her latest project is a thinly veiled autobiographical novel, whose only copy is stolen just after she finishes her first draft. Tonight she's having a Mae West party, with every guest a man dressed as her. The thief is among those in drag, and P.I. Toby Peters has come to tear off his wig. He's there as a favor to his brother, a brutal cop who had a fling with West when she first moved to Hollywood.

Working in Hollywood, Private Eye Toby Peters has met a lot of phonies. But his newest case concerns a four-legged faker who threatens the fate of the free world. A few classy dames have crossed the detective's doorstep, but none can touch the hem of the dress of the first lady herself, Eleanor Roosevelt, who's come to him on a matter of top-secret national security.

Toby Peters wakes up with a headache, a gun in his face, and a body on the hotel-room bed. He is less surprised by the gun than by the man holding it: Marion Morrison, a.k.a John Wayne. Both of them were lured here by the dead man. The next arrival is a prostitute named Olivia, and hot on her heels is the house detective, who's come to check on the commotion in Room 303.

dentist dangles from the window of a swanky Park Avenue hotel, while Toby Peters, a Los Angeles detective who's very far from home, clutches the man by his jacket, which is tearing slowly, stitch by stitch. Across the room, a dead man lies on the bed, his killer pounding on the hotel room door, which sounds like it's going to give way as quickly as the dentist's jacket. Somehow, this entire mess is Albert Einstein's fault. Two nefarious groups have been threatening the great physicist. One is a ring of blackmailers who claim to have evidence that he has been passing nuclear secrets to Russia.

Hollywood detective Toby Peters is asleep on his floor when the dentist who shares his office calls, wailing that his wife has left him. While on the one hand, Toby is shocked that a woman as unpleasant as Mildred could ever attract a suitor, he's even more surprised by the name of the alleged Lothario: Peter Lorre, the scaly-voiced, bug-eyed Hollywood character actor. Though he can't imagine why the dentist would want her back, Toby agrees to track down his missing wife. He finds Lorre in a greasy spoon near the Warner Brothers' lot, but the actor doesn't know a thing about the missing Mildred....

The uniformed man standing before Toby Peters is General Douglas MacArthur, a soldier who considers himself the only man who can defeat the Japanese. But though he may be all-powerful in the South Pacific, today he is in Los Angeles with a problem only a detective can solve. The general has an eye on a postwar promotion to the White House, and an aide has stolen his war chest, his donor list, and a handful of embarrassing private letters. To get them back, Toby may need some help.

The year 1942 is a bad time to stage Madame Butterfly. Although Puccini's masterpiece is a perennial favorite of the San Francisco opera crowd, its sympathetic depiction of a Japanese girl causes tension in the dark months following Pearl Harbor. Newspaper editorialists rage against the production, opera buffs picket the theater, and a note appears nailed to the house door, threatening violence against the cast and crew. When the first workman dies, the maestro calls Toby Peters, a Los Angeles detective who works discreetly for Hollywood's rich and famous.

An ax-wielding monk hacks at the door. Toby Peters is on the other side, running as fast as his recently broken leg will allow. Alongside him is Salvador Dalí, dressed in a rabbit suit, insistently muttering "grasshoppers" as they try to make their escape. Dalí insists on being carried across the lawn, so Peters hobbles along with the surrealist in his arms. They get in the car just as the monk chops down the front door. The car doesn't start, and the monk charges silently, the ax in the air.

On December 10, 1938, Atlanta burned again. In the back lot at David O. Selznick's studio, sets from a dozen old pictures were pushed together and set ablaze to provide a backdrop for the climax of what Selznick promised to be the movie of the century: Gone with the Wind. Toby Peters, then just a studio security guard, was on hand to help keep the Confederate extras in line. When the fire was over, he found one of them dead, impaled on his own sword.

Luna Martin, the moll of a well-known Los Angeles gangster nicknamed "Fingers" (because he likes to cut them off), has demanded dance lessons from Hollywood's finest hoofer - and whatever Luna wants, Luna gets. To sidestep the flirtations of the lead-footed lady, Astaire hires private investigator Toby Peters to pose as a dance instructor and take over the lessons. But when someone cuts in and cuts Luna's throat, the grieving gangster makes Peters an offer he can't refuse: Find the killer - or go from having two left feet to one foot in the grave.

Under names like Otis J. Raisincluster, Quigley E. Sneersight, and Cormorant Beecham III, W. C. Fields squirreled away nearly a million dollars in banks across the country during his vaudeville days - before he became one of the silver screen's most recognizable funnymen. But it's no laughing matter when a burglar has the audacity to rob him blind, stealing his bankbooks and cleaning out his accounts. Steaming, the comedian hires Hollywood private investigator Toby Peters to track down the missing dough and protect what remains of his nest egg.