Native American Suspense

A collection of stories from the most famous Western author of all time! Desert Death-Song is a compilation of some of Louis L’Amour’s greatest stories, many of which might otherwise be difficult to find. Whether he was writing under his early pen name, Jim Mayo, or his own, L’Amour’s stories are unforgettable, touching on rough and rugged American ideals, and set in the untamable frontier of the Western United States.

A collection of stories capturing what it means to be a cowboy.

Homicide is always an abomination, but there is something exceptionally disturbing about the victim discovered in a high, lonely place: a corpse with a mouth full of sand, abandoned at a crime scene seemingly devoid of tracks or useful clues. Though it goes against his better judgment, Navajo tribal police lieutenant Joe Leaphorn cannot help but suspect the hand of a supernatural killer.

One man finds himself torn between two cultures in this sweeping tale of frontier life in post–Civil War era Texas. In the years following the American War Between the States, the once vacated military presence in west Texas is on the rise to protect the waves of settlers moving into the region. Living peaceably with the Mescalero Apache, half-breed former military scout Holton Lang promotes the tentative harmony between the US cavalry and the Native American population.

I suppose some of us have to get really dirty before we can become truly clean. I was allegedly South Dakota's most famous Old Lady. Sixteen years ago, I had survived my Old Man's murder. Never again. Never again will I surrender my heart. Never again will I sacrifice to the Club. But that all changed in one night. I came home and crashed into him, and my past and present blew up in my face.

John Henry Cole is an operative of Ike Kelly's Detective Agency, based out of Cheyenne, Wyoming Territory. Returning to Cheyenne from what had been a deadly assignment in Deadwood, Dakota Territory, Cole has decided that he has no alternative but to resign from the agency and pursue a different line of work. However, in Cheyenne, Cole learns that Ike Kelly has been murdered and his body burned in a fire that destroyed both the agency office and the shop next door.

Theirs is a fight to right the wrongs inflicted on them by "the white settlers." They know they are too small to take on the entire country, but they don't need to. Over a few tension-filled days as the battles rages over abundant energy resources, the frantic prime minister can only watch as the insurrection paralyzes the country. But when energy-dependent Americans discover the southward flow of Canadian hydroelectricity, oil, and natural gas is halted, they do not remain passive.

Business lately has been deadly for Ike Kelly. Recent unexpected gunplay has left his agency to a single operative. John Henry Cole is that operative. Kelly has received a letter from former lover Lydia Winslow, who operates an escort service in the new mining camp of Deadwood in Dakota Territory. "Three young women have been murdered since they arrived in camp." It is obviously a dangerous assignment, and Cole is advised that he must take every precaution - as if he needed such advice.

Cecil Younger, local Alaskan investigator, is neither good at his job nor great at staying sober. When an old Tlingit woman, unimpressed by the police's investigation, hires him to discover why her son, a big-game guide, was murdered, he takes the case without much conviction that he'll discover anything new.

Widowed and penniless in the Colorado Rockies, Boston-born Laura Cheney turns to Deke Sheridan, a dangerously handsome renegade raised among the Cheyenne, when her newborn son is kidnapped.

Award-winning author Craig Johnson's critically acclaimed debut Western mystery takes listeners to the breathtaking mountains of Wyoming for a tale of cold-blooded vengeance. Four high-school boys were given suspended sentences for raping a Cheyenne girl. Now, two of the boys have been killed, and only Sheriff Walt Longmire can keep the other two safe.

From New York Times best-selling author Stephen Graham Jones comes a novel that is equal parts psychological horror and cutting social commentary on identity politics and the American-Indian experience. Fans of Jordan Peele and Tommy Orange will love this story as it follows the lives of four American-Indian men and their families, all haunted by a disturbing, deadly event that took place in their youth. Years later, they find themselves tracked by an entity bent on revenge, totally helpless as the culture and traditions they left behind catch up to them in a vengeful way.

On Memorial Day in Jewel, Minnesota, the body of wealthy landowner Jimmy Quinn is found floating in the Alabaster River, dead from a shotgun blast. The investigation falls to Sheriff Brody Dern, a highly decorated war hero who still carries the physical and emotional scars from his military service. Even before Dern has the results of the autopsy, vicious rumors begin to circulate that the killer must be Noah Bluestone, a Native American WWII veteran who has recently returned to Jewel with a Japanese wife.

Eighteen-year-old Daunis Fontaine has never quite fit in, both in her hometown and on the nearby Ojibwe reservation. She dreams of a fresh start at college, but when family tragedy strikes, Daunis puts her future on hold to look after her fragile mother. The only bright spot is meeting Jamie, the charming new recruit on her brother Levi’s hockey team. Yet even as Daunis falls for Jamie, she senses the dashing hockey star is hiding something. Everything comes to light when Daunis witnesses a shocking murder, thrusting her into an FBI investigation of a lethal new drug.

Reservation "bad boy" Thomas Begay is found dead drunk under the La Plata Bridge, which is not unusual for him. What is unusual, however, is that beautiful BIA investigator Patsy Greyhorse is found lying beside him, not drunk or even a Navajo but very dead nonetheless. Charlie Yazzie, fresh from law school, risks his career and even his life to help his old friend. The answer seems to lie with the Yeenaaldiooshii...should one choose to believe in such things.

Quill has lived on the Red Pine reservation in Minnesota her whole life. She knows what happens to women who look like her. Just a girl when Jimmy Sky jumped off the railway bridge and she ran for help, Quill realizes now that she’s never stopped running. As she trains for the Boston Marathon early one morning in the woods, she hears a scream. When she returns to search the area, all she finds are tire tracks and a single beaded earring.

Harney County, Oregon, 1968: Nick Drake has a chest full of medals and enough demons to fill a duffel bag. He's been trained to kill but was never retrained to rejoin society. Drake flees to the lonesome high desert in search of redemption and takes a job patrolling wildlife refuges where the only conflicts are keeping out stray cows and ticketing poachers. But then he stumbles across a girl's body ritually placed in a gully. Her murder is only the beginning, and Drake must face humanity's heart of darkness once again if he's to stop a killer from turning even more gullies into graves.

Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho.

When an elderly local woman is found poisoned, Sheriff Walt Longmire begins an investigation that soon has him ensnared in a deadly spider's web. From Craig Johnson, author of the acclaimed novel The Cold Dish, comes this enthralling Sheriff Longmire mystery. With a distinctive literary flair, Johnson leads us into the wide open space of Absaroka County, Wyoming.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.