Anthologies & Short Stories

There is simply no A-Z like the alphabet of fiction writers who have appeared in the pages of The New Yorker in the last hundred years. The book boasts inarguable classics like Salinger’s “A Perfect Day for Bananafish,” Annie Proulx’s “Brokeback Mountain,” and Shirley Jackson’s “The Lottery” alongside stunners to be rediscovered. Some stories defined a moment or a now-lost world (Isaac Bashevis Singer’s “The Cafeteria”); others showed us a whole new way fiction could sound and feel (“The Red Girl,” by Jamaica Kincaid).

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, Literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

New research has uncovered deeply buried military secrets—both the Allied and Axis special operations during WWII included monsters. Did the Soviets use a dragon to win the Battle of Kursk? Did a vampire fight for the Canadians in Holland? Did the US drop the second atomic bomb on a kaiju? This collection takes real events from World War II and injects them with fantastical creatures that mirror the “unreality” of war itself. Each story—and two poems—feature mythical, mystical, and otherwise unexplainable beings that change the course of history.

There’s something wrong in Renfield County. It’s in the water, the soil, the wood. But worst of all, it’s in the minds of the residents, slowly driving them mad. When Lawrence Renfield massacred his family and drew The Giant in his farmhouse with their blood, no one imagined the repercussions. At the very least, the bloodstained wood should have been set aflame, not chopped down and repurposed as furniture, décor, and heirlooms across the county. But that’s exactly what happened.

Included. The Apparition Of Mrs. Veal by Daniel Defoe,. Alice Addertongue by Benjamin Franklin,. The Legend Of Sleepy Hollow by Washington Irving,. Prosper Mérimée by Mateo Falcone,. Napoleon And The Spectre by Charlotte Bronte,. The Mortal Immortal by Mary Shelley,. Young Goodman Brown by Nathaniel Hawthorne,. Dr. Heidegger's Experiment by Nathaniel Hawthorne,. Overcoat by Nikolai Gogol,. The Tell-Tale Heart by Edgar Allan Poe,. The Cask Of Amontillado by Edgar Allan Poe,. An Honest Thief by Fyodor Dostoyevsky,. Frog by Edgar Allan Poe,. The Knitted Collar by Mary Anne Hoare.

Contents: Edgar Allan Poe - The Murders in the Rue Morgue - The Gold Bug - The Black Cat - The Pit and the Pendulum - The Tell-Tale Heart - The Fall of the House of Usher - The Masque of the Red Death - The Cask of Amontillado - The Facts in the Case of M. Valdemar - Hop-Frog - The RavenBram Stoker - DraculaMary Shelley - FrankensteinJoseph Sheridan Le Fanu - CarmillaRobert Louis Stevenson - The Strange Case of Dr. Jekyll and Mr. HydeH.P. Lovecraft - The Alchemist - At the Mountains of Madness - Azathoth - The Beast in the Cave.

Much like Lee Chang-dong’s internationally renowned films (Burning, Secret Sunshine, and Poetry), these brilliant, unsettling tales, originally published in Korea in the 1980s and now translated into English for the first time, investigate themes of injustice, betrayal, and terror—on both an intimate and national scale. Lee writes deeply and hauntingly about conflicts between family, the powerful and the vulnerable, conformists and rebels.

Jervas Dudley has always been different—a dreamer drawn to the eerie and the unknown. When he discovers an ancient, crumbling mausoleum hidden in the woods near his family estate, he becomes obsessed with unlocking its secrets. As his fascination deepens, so does his descent into madness, blurring the line between reality and nightmare. Is Jervas merely indulging in dangerous fantasy, or is something far more sinister at play?

With Krow’s signature blend of sardonic whimsy and unsettling insight, Sinkhole, and Other Inexplicable Voids imagines the rules to be broken, choices to be made, and even crimes to be had for the sake of the people, and places, we love.

Diplomacy by other means may, at times, sound heroic. A fight for principles and ideals carried out by young men armed to the teeth and directed by older men in pursuit of their own version of glory for themselves and their Nations. Right will triumph over wrong. But war can be an illusion, stirred up by schemers and opportunists to take something from other nations that may or may not be right. As blood and limb are sacrificed the true cost is seen but often set to one side as the dispute becomes embedded in emotions and reason falls away.

Written in Cho Nam-joo’s signature razor-sharp prose, Miss Kim Knows follows eight women as they confront how gender shapes and orders their lives. A woman is born. A woman is filmed in public without consent. A woman is gaslit. A woman is discriminated against at work. A woman grows old. A woman becomes famous. A woman is hated, and loved, and then hated again. As with Kim Jiyoung, Born 1982, these microcosmic stories prove eerily relatable under Cho Nam-joo’s precise, unveiled gaze, offering another captivating read from an essential voice in fiction.

There is no way back. There is no way. No way back. Not from what we’ve become; Bloodthirsty, vengeful, vile. Some women strive to make their men better, I VOW TO MAKE HIM WORSE. With each life we take, we fall deeper into our own sinister desires. We were never looking for a way out, but in this prison? There is no way back from what we’ve become.

The stories are all set in New York City and concern themselves with various facets of life in Gilded Age New York City—from the highest of high society to the commonest pensioner in less fashionable neighborhoods in boarding houses. The stories are about manners and mores; about the people of various strata of society relating to each other and the world around them.

In his first, glorious collection of stories, Rupert Everett takes us on exhilarating journeys with a cast of extraordinary characters. From Oscar Wilde’s last night in Paris to the ferociously unforgiving world of a Los Angeles talent agency and beyond, these stories are evocative, moving, and tender. Brilliantly witty, elegiac, and drawing from the wealth of film and TV ideas Everett has worked on over the course of his illustrious career, The American No will delight and surprise his many fans.

A soli diciannove anni, Yvonne è costretta a sposare il Conte di Melville, un uomo molto più vecchio di lei, che nasconde le proprie perversioni dietro l’altisonante titolo nobiliare. Alla morte dell’odiato marito, la sua condizione di contessa vedova le permette di vivere una vita da ricca privilegiata: come una splendida dea, padrona del proprio destino. Fino al giorno in cui l’azienda che ha ricevuto in eredità fallisce e Yvonne si ritrova sul lastrico, con la minaccia di una condanna per bancarotta che le pende sul capo.

Learning to kill can be murder. Struggling author Jon has taken a practical approach to acquiring the skills needed to become a serial killer because the Youtube videos weren’t really helping. Now he has a pile of bodies—one of whom he was lucky enough to score with—and he’s Googling ‘How many kills make you a serial killer?’. It’s not good news.

The stories in Paul Theroux’s fascinating new collection are both exotic and domestic, their settings ranging from Hawaii to Africa and New England. Each focuses on life’s vanishing points—a moment when seemingly all lines running through one’s life converge, and one can see no farther, yet must deal with the implications. With the insight, subtlety, and empathy that has long characterized his work, Theroux has written deeply moving stories about memory, longing, and the passing of time, reclaiming his status, once again, as a master of the form.

Hay obras maestras, como el Quijote, que los autores empiezan sin plan preciso ni determinado: van haciendo de la necesidad virtud, rizando el rizo de la invención. Pero la Comedia pertenece a otra categoría: es el resultado de la deliberación y la perseverancia de Dante. Exiliado de Florencia y condenado a la hoguera, fue incluso contumaz, pues insistió en el imperdonable "error" de crear algo profundamente nuevo y personal.

En Lunes o Martes, Virginia Woolf nos transporta a un mundo introspectivo y fluido, utilizando su distintivo estilo de escritura. El relato sigue el vuelo errático y simbólico de una garza, que sirve como metáfora de la búsqueda de claridad y verdad en medio del caos cotidiano. A través de breves viñetas, la narración capta fugaces momentos de la vida en Londres, explorando la intersección entre la percepción subjetiva y la realidad objetiva.

Discover the darker side of Robert E. Howard, the legendary creator of Conan the Barbarian, in this spine-chilling anthology of his finest horror tales. "Blood and Shadows" plunges listeners into a world of ancient evils, cosmic terrors, and macabre mysteries, showcasing Howard's unparalleled talent for blending action with atmospheric dread.

On October 13th, Wes Andrews and his friends set out to explore the local, rundown haunted house. Despite it being geared toward children, they figured that, with nothing better to do, it might be fun to heckle the low-budget attraction.

"The Great Wall of China" is a short story by Franz Kafka. While written in 1917, it was not published until 1930, seven years after his death. Its first publication occurred in Der Morgen, a German literary magazine. A year later, Max Brod included it in Beim Bau der Chinesischen Mauer, the first posthumous collection of short stories by Franz Kafka. Contained within the story is a parable that was separately published as "A Message from the Emperor" ("Eine kaiserliche Botschaft") in 1919 in the collection Ein Landarzt (A Country Doctor).

"Josephine the Songstress, or the Mouse Folk" is the last short story written by Franz Kafka.The story was included in the collection A Hunger Artist published by Verlag Die Schmiede soon after Kafka's death. Franz Kafka's "Josephine the Songstress, or The Mouse Folk" follows the attempts of a member of a community to understand and explain the art of their only singer, Josephine, and the powerful effect that her singing has on the community that ordinarily has no use for song or diversion.FEAT DESC

"A Report to an Academy" is a short story by Franz Kafka, written and published in 1917. In the story, an ape named Red Peter, who has learned to behave like a human, presents to an academy the story of how he effected his transformation. The narrator, speaking before a scientific conference, describes his former life as an ape. His story begins in a West African jungle, in which a hunting expedition shoots and captures him. Caged on a ship for his voyage to Europe, he finds himself for the first time without the freedom to move as he will.

"A Country Doctor" is a short story written in 1917 by Franz Kafka. It was first published in the collection of short stories of the same title. In the story, a country doctor makes an emergency visit to a sick patient on a winter night. The doctor faces absurd, surreal predicaments that pull him along and finally doom him. A Country Doctor is perhaps Kafka's most fantastical or surreal work. It takes its cue from Gothic literature – it has echoes of Edgar Allan Poe and Nathaniel Hawthorne – and analysing and identifying the core 'meaning' of the story has proved tricky