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Mary Wollstonecraft, often described as the first major feminist, is remembered principally as the author of A Vindication of the Rights of Woman (1792), and there has been a tendency to view her most famous work in isolation. Yet Wollstonecraft's pronouncements about women grew out of her reflections about men, and her views on the female sex constituted an integral part of a wider moral and political critique of her times which she first fully formulated in A Vindication of the Rights of Men (1790).

In A Vindication of the Rights of Woman, Mary Wollstonecraft tackles the wasted potential she sees in women, refusing to see them as inferior to men; she decries their limitations and suggests that they are worthy of an equal standard of education, and that they should be taught to develop their own reason, not simply how to gain a man. Written in 1792, at the height of the French Revolution, A Vindication is an eloquent and persuasive response to the prevailing attitudes of the time.

This story is, in essence, the novelization of Wollstonecraft's ultimate work, Vindication of the Rights of Women. It follows a girl who grows up in a moderately wealthy English family in 18th century, trying to find love and individuality in a time when such concepts are incomprehensible to society. Mary, the main character, follows life and love through a turbulent series of ups and downs while trying to remain true to herself.

In Frankenstein, Mary Wollstonecraft Shelley tells the chilling story of Victor Frankenstein, a scientist driven by an unrelenting thirst for knowledge and power. In his quest to unlock the secrets of life, Frankenstein creates a creature from the remains of the dead, only to find himself horrified by the monster he has unleashed. The tale of the creature’s struggle for acceptance, and Frankenstein’s descent into despair, raises timeless questions about the dangers of ambition, the power of creation, and the moral responsibilities of humanity.

At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering "the cause of generation and life" and "bestowing animation upon lifeless matter", Frankenstein assembles a human being from stolen body parts. However, upon bringing it to life, he recoils in horror at the creature's hideousness.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late 21st century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

Charlotte Gordon's new work is a fresh look at the lives of Mary Wollstonecraft and Mary Shelley, who together comprise one of the most illustrious and inspiring mother-daughter pairs in history.

August, 1797. Midwife Parthenia Blenkinsop has delivered countless babies, but nothing prepares her for the experience that unfolds when she arrives at Mary Wollstonecraft’s door. Over the 11 harrowing days that follow, as Mrs. Blenkinsop fights for the survival of both mother and newborn, Mary Wollstonecraft recounts the life she dared to live amidst the impossible constraints and prejudices of the late 18th century, rejecting the tyranny of men and marriage, risking everything to demand equality for herself and all women.

Writing in an age when the call for the rights of man had brought revolution to America and France, Mary Wollstonecraft produced her own declaration of female independence in 1792. Passionate and forthright, A Vindication of the Rights of Woman attacked the prevailing view of docile, decorative femininity and instead laid out the principles of emancipation: an equal education for girls and boys, an end to prejudice and for women to become defined by their profession, not their partner.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

Lord Byron, Percy Bysshe Shelley, and Shelley's wife Mary, who was then only nineteen, all agreed to each compose ghost stories. Mary Shelley's story came to her during a restive night: "I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life and stir with an uneasy, half-vital motion." The result of her vision, which she later published as a full length novel, became the most famous and compelling horror story of all time.

The second novel from Mary Shelley, written in 1819-20 but not published in full until 1959. The story deals with common romantic themes but also incest and suicide. Narrating from her deathbed, Mathilda tells the story of her unnamed father’s confession of incestuous love for her, followed by his suicide by drowning; her relationship with a gifted young poet called Woodville fails to reverse Mathilda’s emotional withdrawal or prevent her lonely death.

Mary Wollstonecraft is an undisputed icon for women’s rights, and this is not a status she earned lightly. Daring to demand equality at a time when it was incredibly risky to do so, Wollstonecraft developed a long resume of standing up to those that wished to subvert her rights and the rights of those she loved. She stood up to her own father as a teenager when he abused her mother, and she didn’t hesitate to help her sister escape from a similarly tyrannical husband.

A mentally unstable genius, Victor Frankenstein, inspired by the dreams of ancient alchemists and empowered by modern science, creates a humanoid but fails to nurture and educate it after it comes to life. It wanders alone into a hostile world, where fear of its size and ugliness subjects it to violence and ostracism, which in time it learns to blame upon its maker. As compensation for its suffering, it demands that he create a companion with whom to share its outcast life. Moved by the creature's account of its sufferings, the scientist agrees, but a long period of procrastination awakens ...

Three works of fiction, two by Mary Wollstonecraft, and one by her daughter Mary Shelley, creator of Frankenstein. In Mary Wollstonecraft's Mary, the heroine flees her young husband in order to nurse her dearest friend, Ann, and finds genuine love, while Maria tells of a desperate young woman who seeks consolation in the arms of another man after the loss of her child. And Mary Shelley's Matilda - suppressed for more than a century - tells the story of a woman alienated from society by the incestuous passion of her father.

One of the earliest works of feminist philosophy, A Vindication of the Rights of Woman advocates for the education of women in a time where the opposite belief was predominately held. Written during the French Revolution, Wollstonecraft's work had a significant impact on those advocating for women's rights during the nineteenth century.

Following the framework of a tale within a tale, Mary Shelley's novel Frankenstein, which features the subtitle The Modern Prometheus follows the scientific - and at times horrific - exploits of Victor Frankenstein. Victor studied alchemy in college, and after a mere two years he figures out that he can put human body pieces back together and restore the entire corpse to life.

Frankenstein begins in epistolary form, documenting the correspondence between Captain Robert Walton and his sister, Margaret Walton Saville. Walton sets out to explore the North Pole and expand his scientific knowledge in hopes of achieving fame and friendship. The ship becomes trapped in ice, and, one day, the crew sees a dog sled in the distance, on which there is the figure of a giant man. Hours later, the crew finds a frozen and emaciated man, Victor Frankenstein, in desperate need of sustenance.

Frankenstein, or The Modern Prometheus by Mary Shelley is a Gothic novel that explores themes of creation and responsibility. The story follows Victor Frankenstein, a brilliant scientist who becomes obsessed with discovering the secret to life. After extensive experimentation, he successfully brings a creature to life, but is horrified by its grotesque appearance and abandons it.The creature, abandoned and rejected, is left to fend for itself in a world that views it with fear and hostility. As it grapples with its own existence and seeks acceptance, it becomes increasingly isolated and ...

The finished draft of a short novel by Mary Shelley. Its adult theme, concerning a father's incestuous love for his daughter and its consequences, meant that the manuscript was suppressed by Shelley's own father, and not published until 1959, more than a hundred years after her death.